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Dick Curless|Tombstone Every Mile

Tombstone Every Mile

Dick Curless

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Langue disponible : anglais

Anchored by the number five country hit title track, Dick Curless' first album for Tower also included his Top 20 country follow-up, "Six Times a Day (The Trains Came Down)," which like "Tombstone Every Mile" was written by Dan Fulkerson. The trucker disaster song "A Tombstone Every Mile" might be what Curless is best known for, but this LP isn't built around trucking songs, as were the albums of the time by Red Simpson (who covered "A Tombstone Every Mile," as it happens). Instead, it's a fairly versatile, hard to categorize set of an enjoyable journeyman who mixed country-pop with a folksy all-around entertainer approach. Curless can sound a little like (or, at least, certainly influenced by) Johnny Cash on the more hard-charging numbers, yet the way his voice is apt to lapse into a low, slightly hammy bass vibrato puts a nod in the direction of Tennessee Ernie Ford as well. Covers of some familiar narrative-style songs ("Streets of Laredo," "King of the Road," "Nine Pound Hammer") fill out an album with just three Curless originals, with some of the tracks so under-produced they almost sound like demos for final versions with additional instrumentation, though they don't suffer for their simplicity.

© Richie Unterberger /TiVo

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Tombstone Every Mile

Dick Curless

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1
A Tombstone Every Mile
00:03:01

Dan Fulkerson, Composer, Producer - Dick Curless, Producer, MainArtist

℗ 1965 Capitol Records LLC

2
Streets Of Laredo
00:03:43

Traditional, Composer - Dan Fulkerson, Producer - Dick Curless, Producer, MainArtist

℗ 1965 Capitol Records LLC

3
King Of The Road
00:02:42

Roger Miller, ComposerLyricist - Dan Fulkerson, Producer - Dick Curless, Producer, MainArtist

℗ 1965 Capitol Records LLC

4
Uncle Tom
00:02:11

MILLER, Composer - DURHAM, Composer - Battle, Composer - Dan Fulkerson, Producer - Dick Curless, Producer, MainArtist

℗ 1965 Capitol Records LLC

5
China Nights (Shina No Yoru)
00:03:49

Dan Fulkerson, Producer - Dick Curless, Producer, MainArtist - Takeoka, Composer - Sedores, Composer - Saijo, Composer

℗ 1965 Capitol Records LLC

6
Cupid's Arrow
00:01:34

Dan Fulkerson, Producer - Dick Curless, Composer, Producer, MainArtist

℗ 1965 Capitol Records LLC

7
Six Times A Day (The Trains Came Down)
00:02:33

Dan Fulkerson, Producer, ComposerLyricist - Dick Curless, Producer, MainArtist

℗ 1965 Capitol Records LLC

8
Teardrops In My Heart
00:02:21

Dan Fulkerson, Producer - Dick Curless, Producer, MainArtist - V. Horton, Composer

℗ 1965 Capitol Records LLC

9
Down By The Old River
00:02:37

Dan Fulkerson, Producer - Dick Curless, Composer, Producer, MainArtist

℗ 1965 Capitol Records LLC

10
Nine Pound Hammer
00:02:00

Merle Travis, Composer - Dan Fulkerson, Producer - Dick Curless, Producer, MainArtist

℗ 1965 Capitol Records LLC

11
Sunny Side Of The Mountain
00:01:56

Bobby Gregory, Composer - Dan Fulkerson, Producer - Dick Curless, Producer, MainArtist - Harry C. McAulife, Composer

℗ 1965 Capitol Records LLC

12
Heart Talk
00:03:17

Dan Fulkerson, Producer - Dick Curless, Composer, Producer, MainArtist

℗ 1965 Capitol Records LLC

Chronique

Anchored by the number five country hit title track, Dick Curless' first album for Tower also included his Top 20 country follow-up, "Six Times a Day (The Trains Came Down)," which like "Tombstone Every Mile" was written by Dan Fulkerson. The trucker disaster song "A Tombstone Every Mile" might be what Curless is best known for, but this LP isn't built around trucking songs, as were the albums of the time by Red Simpson (who covered "A Tombstone Every Mile," as it happens). Instead, it's a fairly versatile, hard to categorize set of an enjoyable journeyman who mixed country-pop with a folksy all-around entertainer approach. Curless can sound a little like (or, at least, certainly influenced by) Johnny Cash on the more hard-charging numbers, yet the way his voice is apt to lapse into a low, slightly hammy bass vibrato puts a nod in the direction of Tennessee Ernie Ford as well. Covers of some familiar narrative-style songs ("Streets of Laredo," "King of the Road," "Nine Pound Hammer") fill out an album with just three Curless originals, with some of the tracks so under-produced they almost sound like demos for final versions with additional instrumentation, though they don't suffer for their simplicity.

© Richie Unterberger /TiVo

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