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Lambchop|Thriller / Hank

Thriller / Hank

Lambchop

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Following in the tradition of the brilliant "Cigaretiquette" single, which immediately preceded it, Thriller moves Lambchop sharply away from their signature alt-countrypolitan sound, pushing instead toward a punchier, noisier aesthetic; borrowing its title from the best-selling album of all time and devoting no less than three of its eight tracks to East River Pipe covers, it's a strange, difficult record likely to baffle even the group's most devoted fans. Opening with the surreal doo wop of "My Face Your Ass" and then sliding into the oddly funky "Your Fucking Sunny Day," which comes complete with a Muscle Shoals-styled horn section, the record defies expectations at every turn; almost completely abandoning the string-laden, Nashville sound-influenced approach of earlier efforts, Thriller is dark and dissonant, with an edgy, menacing lyrical slant to match. Not everything here works, but the album's sheer audacity alone makes it well worth a listen, again confirming Lambchop's status among the most consistently weird and fascinating bands around.

© Jason Ankeny /TiVo

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Thriller / Hank

Lambchop

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1
My Face Your Ass
00:03:57

Kurt Wagner, Composer, Producer - Lambchop, MainArtist - Robb Earls, Producer

1997 City Slang 1997 Merge Records

2
Your Fucking Sunny Day
00:03:48

Kurt Wagner, Composer, Producer - Lambchop, MainArtist - Robb Earls, Producer

1997 City Slang 1997 Merge Records

3
Hey, Where's Your Girl
00:02:26

Kurt Wagner, Producer - Lambchop, MainArtist - Fred M. Cornog, Composer - Robb Earls, Producer

1997 City Slang 1997 Merge Records

4
Crawl Away
00:03:46

Kurt Wagner, Producer - Lambchop, MainArtist - Fred M. Cornog, Composer - Robb Earls, Producer

1997 City Slang 1997 Merge Records

5
Gloria Leonard
00:04:37

Kurt Wagner, Composer, Producer - Lambchop, MainArtist - Robb Earls, Producer

1997 City Slang 1997 Merge Records

6
Thriller
00:04:50

Kurt Wagner, Composer, Producer - Lambchop, MainArtist - Robb Earls, Producer

1997 City Slang 1997 Merge Records

7
The Old Fat Robin
00:05:26

Kurt Wagner, Composer, Producer - Lambchop, MainArtist - Robb Earls, Producer

1997 City Slang 1997 Merge Records

8
Superstar in France
00:04:49

Kurt Wagner, Producer - Lambchop, MainArtist - Fred M. Cornog, Composer - Robb Earls, Producer

1997 City Slang 1997 Merge Records

9
I'm a Stranger Here
00:04:40

PUBLIC DOMAIN, Composer - Lambchop, MainArtist - Hank Tilbury, Producer

1997 City Slang 1997 Merge Records

10
Blame It on the Brunettes
00:06:44

Kurt Wagner, Composer - Lambchop, MainArtist - Hank Tilbury, Producer

1997 City Slang 1997 Merge Records

11
The Tin Chime
00:04:23

Kurt Wagner, Composer - Lambchop, MainArtist - Hank Tilbury, Producer

1997 City Slang 1997 Merge Records

12
Randi
00:04:49

Kurt Wagner, Composer - Lambchop, MainArtist - Hank Tilbury, Producer

1997 City Slang 1997 Merge Records

13
Doak's Need
00:04:29

Kurt Wagner, Composer - Lambchop, MainArtist - Hank Tilbury, Producer

1997 City Slang 1997 Merge Records

14
Poor Bastard
00:06:11

Kurt Wagner, Composer - Lambchop, MainArtist - Hank Tilbury, Producer

1997 City Slang 1997 Merge Records

15
I Sucked My Bosses Dick
00:00:38

Lambchop, MainArtist - Mark William Trovillion, Composer - Hank Tilbury, Producer

1997 City Slang 1997 Merge Records

Chronique

Following in the tradition of the brilliant "Cigaretiquette" single, which immediately preceded it, Thriller moves Lambchop sharply away from their signature alt-countrypolitan sound, pushing instead toward a punchier, noisier aesthetic; borrowing its title from the best-selling album of all time and devoting no less than three of its eight tracks to East River Pipe covers, it's a strange, difficult record likely to baffle even the group's most devoted fans. Opening with the surreal doo wop of "My Face Your Ass" and then sliding into the oddly funky "Your Fucking Sunny Day," which comes complete with a Muscle Shoals-styled horn section, the record defies expectations at every turn; almost completely abandoning the string-laden, Nashville sound-influenced approach of earlier efforts, Thriller is dark and dissonant, with an edgy, menacing lyrical slant to match. Not everything here works, but the album's sheer audacity alone makes it well worth a listen, again confirming Lambchop's status among the most consistently weird and fascinating bands around.

© Jason Ankeny /TiVo

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