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John Cooper Clarke|The Very Best Of

The Very Best Of

John Cooper Clarke

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Langue disponible : anglais

Maybe John Cooper Clarke's brief window of fame passed with the demise of punk. But his poems are every bit as arch and funny now as they were in the '70s. There are sly wordplay, groaning puns, and also plenty of strong social observation. He essentially took the ethos of the Liverpool poets of the '60s, using common language and bringing in lots of humor, but made his mark through speech, not print. This collection, cherry-picked from his major-label work, is an absolute joy. Backed by the relatively all-star Invisible Girls (which included Pete Shelley of the Buzzcocks), the Bard of Salford deadpans his way through the epic "Psycle Sluts (Parts 1 & 2)," "The Day My Pad Went Mad," and the piece that really gave him his first big exposure, "I Married a Monster From Outer Space." But in "Beasley Street" and "Postwar Glamour Girls" there's a more serious undercurrent happening, while "Kung Fu International," for all its lightheartedness, shows that little has changed in English street violence, and "Twat" remains as deliberately outrageous and hilarious as it was on its initial release. Culled from the four albums Cooper Clarke did for Epic, it shows that what was good then is still good. The world needs a Cooper Clarke for the new millennium.

© Chris Nickson /TiVo

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The Very Best Of

John Cooper Clarke

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1
(I Married a) Monster from Outer Space (Album Version)
00:03:31

Hopkins, Composer - Hopkins, Lyricist - Pete Shelley, Guitar - Hannett, Composer - Hannett, Lyricist - Ray Staff, Mastering Engineer - Paul Burgess, Percussion - Paul Burgess, Drums - Steve Hopkins, Keyboards - Laurence Diana, Engineer - John Cooper Clarke, Performer - MARTIN HANNETT, Producer - MARTIN HANNETT, Guitar - MARTIN HANNETT, Bass - Phil Bush, Engineer - Clarke, Lyricist - Clarke, Composer - Pete Wolliscroft, 2nd Engineer - Dave Kent Watson, Engineer

(P) 1978 Sony Music Entertainment UK Limited

2
I Don't Want to Be Nice (Album Version)
00:03:49

Hopkins, Composer - Hopkins, Lyricist - Pete Shelley, Guitar - Bill Nelson, Guitar - Hannett, Composer - Hannett, Lyricist - Ray Staff, Mastering Engineer - Paul Burgess, Percussion - Paul Burgess, Drums - Steve Hopkins, Keyboards - Laurence Diana, Engineer - John Cooper Clarke, Performer - MARTIN HANNETT, Producer - MARTIN HANNETT, Guitar - MARTIN HANNETT, Bass - Phil Bush, Engineer - Clarke, Lyricist - Clarke, Composer - Pete Wolliscroft, 2nd Engineer - Dave Kent Watson, Engineer

(P) 1978 Sony Music Entertainment UK Limited

3
Valley of the Lost Women (Album Version)
00:04:15

Hopkins, Composer - Hopkins, Lyricist - Hannett, Composer - Hannett, Lyricist - Ray Staff, Mastering Engineer - Paul Burgess, Percussion - Paul Burgess, Drums - Steve Hopkins, Keyboards - Laurence Diana, Engineer - John Cooper Clarke, Performer - MARTIN HANNETT, Producer - MARTIN HANNETT, Guitar - MARTIN HANNETT, Bass - Phil Bush, Engineer - Clarke, Lyricist - Clarke, Composer - Pete Wolliscroft, 2nd Engineer - Dave Kent Watson, Engineer

(P) 1978 Sony Music Entertainment UK Limited

4
Post-War Glamour Girls
00:03:31

John Cooper Clarke, Performer - Clarke, Composer - Clarke, Lyricist - Unknown, Producer - Hannett, Composer - Hannett, Lyricist - Hopkins, Composer - Hopkins, Lyricist

(P) 1978 Sony Music Entertainment (UK) Ltd.

5
Kung Fu International
00:01:40

John Cooper Clarke, Performer - John Cooper Clarke, Composer - John Cooper Clarke, Lyricist - Unknown, Producer

(P) 1978 Sony Music Entertainment UK Limited

6
Psycle Sluts (Album Version)
00:03:14

Ray Staff, Mastering Engineer - Paul Burgess, Percussion - Paul Burgess, Drums - Steve Hopkins, Keyboards - Laurence Diana, Engineer - John Cooper Clarke, Performer - MARTIN HANNETT, Producer - MARTIN HANNETT, Guitar - MARTIN HANNETT, Bass - Phil Bush, Engineer - Clarke, Lyricist - Clarke, Composer - Pete Wolliscroft, 2nd Engineer - Dave Kent Watson, Engineer

(P) 1978 Sony Music Entertainment UK Limited

7
Twat (Live)
00:02:21

John Cooper Clarke, Performer - John Cooper Clarke, Composer - John Cooper Clarke, Lyricist - Unknown, Producer

(P) 1978 Sony Music Entertainment UK Limited

8
Majorca (Live from Rafters, Manchester, 1979)
00:02:13

John Cooper Clarke, Performer - John Cooper Clarke, Composer - John Cooper Clarke, Lyricist - Unknown, Producer

(P) 1979 Sony Music Entertainment UK Limited

9
Gimmix! Play Loud
00:03:31

John Cooper Clarke, Performer - John Cooper Clarke, Composer - John Cooper Clarke, Lyricist - Unknown, Producer - Steve Hannett, Composer - Steve Hannett, Lyricist - Ferret, Composer - Ferret, Lyricist

(P) 1978 Sony Music Entertainment UK Limited

10
Beasley Street (Album)
00:06:44

John Cooper Clarke, Performer - John Cooper Clarke, Composer - John Cooper Clarke, Lyricist - MARTIN HANNETT, Producer - MARTIN HANNETT, Composer - MARTIN HANNETT, Lyricist - Steve Hopkins, Composer - Steve Hopkins, Lyricist

(P) 1980 Sony Music Entertainment UK Limited

11
Evidently Chickentown (Album Version)
00:02:20

John Cooper Clarke, Performer - Clarke, Lyricist - Clarke, Composer - Invisible Girls, Producer - Hannett, Composer - Hannett, Lyricist - Hopkins, Composer - Hopkins, Lyricist

(P) 1980 Sony Music Entertainment UK Limited

12
Conditional Discharge (Album Version)
00:03:06

John Cooper Clarke, Performer - John Cooper Clarke, Composer - John Cooper Clarke, Lyricist - MARTIN HANNETT, Composer - MARTIN HANNETT, Lyricist - Invisible Girls, Producer - Steve Hopkins, Composer - Steve Hopkins, Lyricist

(P) 1980 Sony Music Entertainment UK Limited

13
Limbo (Baby Limbo) (Album Version)
00:04:27

John Cooper Clarke, Performer - John Cooper Clarke, Composer - John Cooper Clarke, Lyricist - MARTIN HANNETT, Composer - MARTIN HANNETT, Lyricist - Invisible Girls, Producer - Steve Hopkins, Composer - Steve Hopkins, Lyricist

(P) 1980 Sony Music Entertainment UK Limited

14
The it Man (Album Version)
00:03:43

John Cooper Clarke, Performer - John Cooper Clarke, Composer - John Cooper Clarke, Lyricist - MARTIN HANNETT, Composer - MARTIN HANNETT, Lyricist - Invisible Girls, Producer - Steve Hopkins, Composer - Steve Hopkins, Lyricist

(P) 1980 Sony Music Entertainment UK Limited

15
Thirty Six Hours (Album Version)
00:03:29

John Cooper Clarke, Performer - John Cooper Clarke, Composer - John Cooper Clarke, Lyricist - MARTIN HANNETT, Composer - MARTIN HANNETT, Lyricist - Invisible Girls, Producer - Steve Hopkins, Composer - Steve Hopkins, Lyricist

(P) 1980 Sony Music Entertainment UK Limited

16
Midnight Shift
00:06:25

John Cooper Clarke, Performer - Clarke, Lyricist - Clarke, Composer - Unknown, Producer - Hannett, Composer - Hannett, Lyricist - Hopkins, Composer - Hopkins, Lyricist

(P) 1982 Sony Music Entertainment UK Limited

17
I Wanna Be Yours
00:02:02

John Cooper Clarke, Performer - Clarke, Composer - Clarke, Lyricist - Unknown, Producer - Hannett, Composer - Hannett, Lyricist - Hopkins, Composer - Hopkins, Lyricist

(P) 1982 Sony Music Entertainment UK Limited

18
The Day My Pad Went Mad
00:03:10

John Cooper Clarke, Performer - John Cooper Clarke, Composer - John Cooper Clarke, Lyricist - MARTIN HANNETT, Composer - MARTIN HANNETT, Lyricist - Unknown, Producer - Steve Hopkins, Composer - Steve Hopkins, Lyricist

(P) 1982 Sony Music Entertainment UK Limited

19
A Heart Disease Called Love
00:03:31

John Cooper Clarke, Performer - Clarke, Lyricist - Clarke, Composer - Unknown, Producer - Hannett, Composer - Hannett, Lyricist - Hopkins, Composer - Hopkins, Lyricist

(P) 1982 Sony Music Entertainment UK Limited

20
Night People
00:04:01

John Cooper Clarke, Performer - John Cooper Clarke, Composer - John Cooper Clarke, Lyricist - MARTIN HANNETT, Composer - MARTIN HANNETT, Lyricist - Unknown, Producer - Steve Hopkins, Composer - Steve Hopkins, Lyricist

(P) 1982 Sony Music Entertainment UK Limited

Chronique

Maybe John Cooper Clarke's brief window of fame passed with the demise of punk. But his poems are every bit as arch and funny now as they were in the '70s. There are sly wordplay, groaning puns, and also plenty of strong social observation. He essentially took the ethos of the Liverpool poets of the '60s, using common language and bringing in lots of humor, but made his mark through speech, not print. This collection, cherry-picked from his major-label work, is an absolute joy. Backed by the relatively all-star Invisible Girls (which included Pete Shelley of the Buzzcocks), the Bard of Salford deadpans his way through the epic "Psycle Sluts (Parts 1 & 2)," "The Day My Pad Went Mad," and the piece that really gave him his first big exposure, "I Married a Monster From Outer Space." But in "Beasley Street" and "Postwar Glamour Girls" there's a more serious undercurrent happening, while "Kung Fu International," for all its lightheartedness, shows that little has changed in English street violence, and "Twat" remains as deliberately outrageous and hilarious as it was on its initial release. Culled from the four albums Cooper Clarke did for Epic, it shows that what was good then is still good. The world needs a Cooper Clarke for the new millennium.

© Chris Nickson /TiVo

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