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Iron & Wine|The Sea & The Rhythm (Album)

The Sea & The Rhythm (Album)

Iron & Wine

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Iron & Wine was one of the surprises of 2002. The Creek Drank the Cradle was a lo-fi melancholic gem of a record that drew apt comparisons to classic bedroom pop artists like Lou Barlow and Sebadoh, the Mountain Goats, and Nick Drake. Sam Beam, the man behind Iron & Wine, possesses a honey-soft voice that caresses his literate lyrics so very gently and a dense guitar style that fills up space without ever playing a wrong note. So often voice-and-guitar records can begin to sound monotonous, and Iron & Wine never even approaches that shortcoming. The Sea & the Rhythm is a five-track EP made up of songs recorded at the same time as Creek. Low-key, melancholy, and unfailingly beautiful, all the songs are good enough to have been on the album. "Beneath the Balcony" and "Jesus the Mexican Boy" have the crispest melodies; "Someday the Waves" is the song that will stick with you the longest. It sounds like a lost Crosby, Stills & Nash track, only without hippie-ish lyrics and with only one guy creating the towering vocal harmonies. The Sea & the Rhythm is a lovely stopgap to help ease the painful wait for the next Iron & Wine album -- 21 minutes of sweet, quiet pain.

© Tim Sendra /TiVo

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The Sea & The Rhythm (Album)

Iron & Wine

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1
Beneath The Balcony (Album)
00:03:30

Iron & Wine, MainArtist

© 2003 Sub Pop Records ℗ 2003 Sub Pop Records

2
The Sea And The Rhythm (Album)
00:05:23

Iron & Wine, MainArtist

© 2003 Sub Pop Records ℗ 2003 Sub Pop Records

3
The Night Descending (Album)
00:03:13

Iron & Wine, MainArtist

© 2003 Sub Pop Records ℗ 2003 Sub Pop Records

4
Jesus The Mexican Boy (Album)
00:04:56

Iron & Wine, MainArtist

© 2003 Sub Pop Records ℗ 2003 Sub Pop Records

5
Someday The Waves (Album)
00:04:14

Iron & Wine, MainArtist

© 2003 Sub Pop Records ℗ 2003 Sub Pop Records

Chronique

Iron & Wine was one of the surprises of 2002. The Creek Drank the Cradle was a lo-fi melancholic gem of a record that drew apt comparisons to classic bedroom pop artists like Lou Barlow and Sebadoh, the Mountain Goats, and Nick Drake. Sam Beam, the man behind Iron & Wine, possesses a honey-soft voice that caresses his literate lyrics so very gently and a dense guitar style that fills up space without ever playing a wrong note. So often voice-and-guitar records can begin to sound monotonous, and Iron & Wine never even approaches that shortcoming. The Sea & the Rhythm is a five-track EP made up of songs recorded at the same time as Creek. Low-key, melancholy, and unfailingly beautiful, all the songs are good enough to have been on the album. "Beneath the Balcony" and "Jesus the Mexican Boy" have the crispest melodies; "Someday the Waves" is the song that will stick with you the longest. It sounds like a lost Crosby, Stills & Nash track, only without hippie-ish lyrics and with only one guy creating the towering vocal harmonies. The Sea & the Rhythm is a lovely stopgap to help ease the painful wait for the next Iron & Wine album -- 21 minutes of sweet, quiet pain.

© Tim Sendra /TiVo

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