Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Between the Buried and Me's 2007 album, Colors, marked a departure for the band from the expansive technical death metal of its earlier career into more progressive rock-influenced territory. Released in 2009, The Great Misdirect refined BTBAM's new approach, and their split from Victory Records that year afforded them the freedom to further push the limits of progressive death metal. The companion piece to last year's The Parallax: Hypersleep Dialogues, The Parallax II: Future Sequence is the slickest and best-paced of their latter-era releases -- and at over 70 minutes in length, the sugary-sweet choruses and serene jazz-rock interludes are necessary to break up the relentless energy of tracks like "Astral Body." Conscious of making the record flow more seamlessly, The Parallax II begins with "Goodbye to Everything," a short intro piece on acoustic guitar that sees frontman Tommy Rogers sing a layered melody so sickly sweet it could almost be lifted from a fun. record, while interludes like "Autumn" and "Parallax," as well as the "Goodbye to Everything Reprise" outro, proceed along similar lines. The meat of the album is closer to what we've come to expect from the North Carolina five-piece -- ten-plus-minute death metal epics, of which "Melting City" and the sci-fi-themed "Extremophile Elite" are the picks. Rogers' guttural growls sound more menacing than ever, and what the album lacks in originality it makes up for with feverishly inventive riffs and melodies, making The Parallax II: Future Sequence the band's most inspired release since Alaska.
© Dave Donnelly /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
Between the Buried and Me, MainArtist
(C) 2012 Metal Blade Records, Inc (P) 2012 Metal Blade Records, Inc
Between the Buried and Me, MainArtist
(C) 2012 Metal Blade Records, Inc (P) 2012 Metal Blade Records, Inc
Between the Buried and Me, MainArtist
(C) 2012 Metal Blade Records, Inc (P) 2012 Metal Blade Records, Inc
Between the Buried and Me, MainArtist
(C) 2012 Metal Blade Records, Inc (P) 2012 Metal Blade Records, Inc
Between the Buried and Me, MainArtist
(C) 2012 Metal Blade Records, Inc (P) 2012 Metal Blade Records, Inc
Between the Buried and Me, MainArtist
(C) 2012 Metal Blade Records, Inc (P) 2012 Metal Blade Records, Inc
Between the Buried and Me, MainArtist
(C) 2012 Metal Blade Records, Inc (P) 2012 Metal Blade Records, Inc
Between the Buried and Me, MainArtist
(C) 2012 Metal Blade Records, Inc (P) 2012 Metal Blade Records, Inc
Between the Buried and Me, MainArtist
(C) 2012 Metal Blade Records, Inc (P) 2012 Metal Blade Records, Inc
Between the Buried and Me, MainArtist
(C) 2012 Metal Blade Records, Inc (P) 2012 Metal Blade Records, Inc
Between the Buried and Me, MainArtist
(C) 2012 Metal Blade Records, Inc (P) 2012 Metal Blade Records, Inc
Between the Buried and Me, MainArtist
(C) 2012 Metal Blade Records, Inc (P) 2012 Metal Blade Records, Inc
Chronique
Between the Buried and Me's 2007 album, Colors, marked a departure for the band from the expansive technical death metal of its earlier career into more progressive rock-influenced territory. Released in 2009, The Great Misdirect refined BTBAM's new approach, and their split from Victory Records that year afforded them the freedom to further push the limits of progressive death metal. The companion piece to last year's The Parallax: Hypersleep Dialogues, The Parallax II: Future Sequence is the slickest and best-paced of their latter-era releases -- and at over 70 minutes in length, the sugary-sweet choruses and serene jazz-rock interludes are necessary to break up the relentless energy of tracks like "Astral Body." Conscious of making the record flow more seamlessly, The Parallax II begins with "Goodbye to Everything," a short intro piece on acoustic guitar that sees frontman Tommy Rogers sing a layered melody so sickly sweet it could almost be lifted from a fun. record, while interludes like "Autumn" and "Parallax," as well as the "Goodbye to Everything Reprise" outro, proceed along similar lines. The meat of the album is closer to what we've come to expect from the North Carolina five-piece -- ten-plus-minute death metal epics, of which "Melting City" and the sci-fi-themed "Extremophile Elite" are the picks. Rogers' guttural growls sound more menacing than ever, and what the album lacks in originality it makes up for with feverishly inventive riffs and melodies, making The Parallax II: Future Sequence the band's most inspired release since Alaska.
© Dave Donnelly /TiVo
À propos
- 1 disque(s) - 12 piste(s)
- Durée totale : 01:12:32
- Artistes principaux : Between the Buried and Me
- Label : Metal Blade Records
- Genre : Metal
(C) 2012 Metal Blade Records, Inc (P) 2012 Metal Blade Records, Inc
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.