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The Fall|The Marshall Suite

The Marshall Suite

The Fall

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Langue disponible : anglais

With the release of The Marshall Suite, there are probably an even dozen comeback albums in the Fall discography. Featuring virtually a new lineup comprised of untested musicians, The Marshall Suite returns Mark E. Smith to the music industry after a debacle of sorts. Given his unswerving control of any new Fall material that appears on the shelves, it's unsurprising that this edition of the band sounds similar to its recent forebears -- this is still a shambling, energetic garage band whose members record right next to their mics for maximum speaker-thrashing. If anything, this group is even more propulsive and noise-oriented than other editions of the Fall, which suits Smith perfectly. He sounds much more focused than he's been in a while, working in that marvelous state of genius artistry that resists any attempt to explain how it's happened. The album is a three-part suite that cycles through a variety of roughshod originals and a few excellent covers (Tommy Blake's "F-'Oldin' Money," the Saints' "This Perfect Day"). In many ways, The Marshall Suite is similar to previous Fall albums -- a couple of British psychobilly stomps balanced with several experimental pieces featuring Smith ranting over a skeletal musical framework. Though it appears to usher in a new era of the Fall's incredible history, The Marshall Suite also thankfully displays that Mark E. Smith is still in complete control of his unique artistic vision.

© John Bush /TiVo

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The Marshall Suite

The Fall

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1
Touch Sensitive
00:03:15

Philip Galdston, Composer - Mark Smith, Composer - John Van Tongeren, Composer - Mark E. Smith, Composer, Producer, Keyboards - The Fall, MainArtist - Julia Nagle, Composer, Keyboards - Steve Hitchcock, Composer - Karen Leatham, Bass - Tom Head, Drums - Neville Wilding, Guitar - Bernard MacMahon, Producer - Stephen Hitchcock, Producer - Stephen Sharples, Composer

© 1999 BMG Rights Management (UK) Ltd. ℗ 1999 Cavalcade Records Ltd., a BMG Company

2
F-'oldin' Money
00:02:45

Carl Belew, Composer - William Stevenson, Composer - Mark E. Smith, Producer, Keyboards - The Fall, MainArtist - Tommy Blake, Composer - Julia Nagle, Keyboards - Karen Leatham, Bass - Tom Head, Drums - Neville Wilding, Guitar - Ben Pritchard, Composer - Brian Fanning, Composer - Bernard MacMahon, Producer - Stephen Hitchcock, Producer

© 1999 BMG Rights Management (UK) Ltd. ℗ 1999 Cavalcade Records Ltd., a BMG Company

3
Shake-Off
00:03:03

Mark E. Smith, Composer, Producer, Keyboards - The Fall, MainArtist - Julia Nagle, Composer, Keyboards - Karen Leatham, Composer, Bass - Tom Head, Drums - Neville Wilding, Composer, Guitar - Thomas Murphy, Composer - Tommy Head, Composer - Bernard MacMahon, Producer - Stephen Hitchcock, Producer - Stephen Sharples, Composer

© 1999 BMG Rights Management (UK) Ltd. ℗ 1999 Cavalcade Records Ltd., a BMG Company

4
Bound
00:03:19

Mark E. Smith, Composer, Producer, Keyboards - The Fall, MainArtist - Julia Nagle, Keyboards - Karen Leatham, Bass - Tom Head, Drums - Neville Wilding, Guitar - Bernard MacMahon, Producer - Stephen Hitchcock, Producer

© 1999 BMG Rights Management (UK) Ltd. ℗ 1999 Cavalcade Records Ltd., a BMG Company

5
This Perfect Day
00:02:10

Chris Bailey, Composer - Ed Kuepper, Composer - Mark E. Smith, Producer, Keyboards - The Fall, MainArtist - Julia Nagle, Keyboards - Karen Leatham, Bass - Tom Head, Drums - Neville Wilding, Guitar - Bernard MacMahon, Producer - Stephen Hitchcock, Producer

© 1999 BMG Rights Management (UK) Ltd. ℗ 1999 Cavalcade Records Ltd., a BMG Company

6
(Jung Nev's) Antidotes
00:03:27

Mark E. Smith, Producer, Keyboards - The Fall, MainArtist - Julia Nagle, Keyboards - Karen Leatham, Bass - Tom Head, Drums - Neville Wilding, Guitar - Bernard MacMahon, Producer - Stephen Hitchcock, Producer

© 1999 BMG Rights Management (UK) Ltd. ℗ 1999 Cavalcade Records Ltd., a BMG Company

7
Inevitable
00:03:51

Mark E. Smith, Producer, Keyboards - The Fall, MainArtist - Julia Nagle, Keyboards - Karen Leatham, Bass - Tom Head, Drums - Neville Wilding, Guitar - Bernard MacMahon, Producer - Stephen Hitchcock, Producer

© 1999 BMG Rights Management (UK) Ltd. ℗ 1999 Cavalcade Records Ltd., a BMG Company

8
Anecdotes and Antidotes in B#
00:02:59

Mark E. Smith, Producer, Keyboards - The Fall, MainArtist - Julia Nagle, Keyboards - Karen Leatham, Bass - Tom Head, Drums - Neville Wilding, Guitar - Bernard MacMahon, Producer - Stephen Hitchcock, Producer

© 1999 BMG Rights Management (UK) Ltd. ℗ 1999 Cavalcade Records Ltd., a BMG Company

9
Early Life of Crying Marshall
00:00:50

Mark E. Smith, Producer, Keyboards - The Fall, MainArtist - Julia Nagle, Keyboards - Karen Leatham, Bass - Tom Head, Drums - Neville Wilding, Guitar - Bernard MacMahon, Producer - Stephen Hitchcock, Producer

© 1999 BMG Rights Management (UK) Ltd. ℗ 1999 Cavalcade Records Ltd., a BMG Company

10
The Crying Marshall
00:04:39

Mark E. Smith, Producer, Keyboards - The Fall, MainArtist - Julia Nagle, Keyboards - Karen Leatham, Bass - Tom Head, Drums - Neville Wilding, Guitar - Bernard MacMahon, Producer - Stephen Hitchcock, Producer

© 1999 BMG Rights Management (UK) Ltd. ℗ 1999 Cavalcade Records Ltd., a BMG Company

11
Birthday Song
00:03:38

Mark E. Smith, Composer, Producer, Keyboards - The Fall, MainArtist - Julia Nagle, Composer, Keyboards - Karen Leatham, Bass - Tom Head, Drums - Neville Wilding, Guitar - Bernard MacMahon, Producer - Stephen Hitchcock, Producer

© 1999 BMG Rights Management (UK) Ltd. ℗ 1999 Cavalcade Records Ltd., a BMG Company

12
Mad.Men-Eng.Dog
00:02:18

Mark E. Smith, Composer, Producer, Keyboards - The Fall, MainArtist - Julia Nagle, Composer, Keyboards - Karen Leatham, Bass - Tom Head, Drums - Neville Wilding, Guitar - Bernard MacMahon, Producer - Stephen Hitchcock, Producer - Spencer Marsden, Composer

© 1999 BMG Rights Management (UK) Ltd. ℗ 1999 Cavalcade Records Ltd., a BMG Company

13
On My Own
00:03:14

Simon Wolstencroft, Composer - Mark E. Smith, Composer, Producer, Keyboards - The Fall, MainArtist - Julia Nagle, Composer, Keyboards - Karen Leatham, Bass - Tom Head, Drums - Neville Wilding, Guitar - Bernard MacMahon, Producer - Stephen Hitchcock, Producer

© 1999 BMG Rights Management (UK) Ltd. ℗ 1999 Cavalcade Records Ltd., a BMG Company

Chronique

With the release of The Marshall Suite, there are probably an even dozen comeback albums in the Fall discography. Featuring virtually a new lineup comprised of untested musicians, The Marshall Suite returns Mark E. Smith to the music industry after a debacle of sorts. Given his unswerving control of any new Fall material that appears on the shelves, it's unsurprising that this edition of the band sounds similar to its recent forebears -- this is still a shambling, energetic garage band whose members record right next to their mics for maximum speaker-thrashing. If anything, this group is even more propulsive and noise-oriented than other editions of the Fall, which suits Smith perfectly. He sounds much more focused than he's been in a while, working in that marvelous state of genius artistry that resists any attempt to explain how it's happened. The album is a three-part suite that cycles through a variety of roughshod originals and a few excellent covers (Tommy Blake's "F-'Oldin' Money," the Saints' "This Perfect Day"). In many ways, The Marshall Suite is similar to previous Fall albums -- a couple of British psychobilly stomps balanced with several experimental pieces featuring Smith ranting over a skeletal musical framework. Though it appears to usher in a new era of the Fall's incredible history, The Marshall Suite also thankfully displays that Mark E. Smith is still in complete control of his unique artistic vision.

© John Bush /TiVo

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