Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Langue disponible : anglais
One of the finest jazz soundtracks to come out of the '50s, The Man with the Golden Arm is taken from the Otto Preminger film of the same name. Preminger was always very jazz influenced, and on this film he took his chances with Elmer Bernstein. Although the entire film is not strictly jazz, the awesome dynamics and oddball structure of the music is very based in the genre. Admittedly, the soundtrack works a little better with knowledge of the film, but on its own it still shines as an excellent example of how good film music can get. Bernstein's control over the smallest details of the music is what gives it the energy it contains; his blustery horns and deep percussion are only the front while some gorgeous orchestration happens almost unnoticed behind the music. Fans of Bernstein should definitely give this a listen, as should any fans of mainstream musicians' reaction to the post-bop era of jazz. This is on par with Henry Mancini's brilliant Touch of Evil score and Duke Ellington's strikingly similar Anatomy of a Murder soundtrack.
© Bradley Torreano /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
Pete Candoli, Trumpet, AssociatedPerformer - Shorty Rogers, Recording Arranger, AssociatedPerformer - Elmer Bernstein, Composer, Producer, MainArtist
℗ 1956 Geffen Records
Shorty Rogers, Recording Arranger, AssociatedPerformer - Elmer Bernstein, Composer, Producer, MainArtist
℗ 1956 Geffen Records
Shorty Rogers, Flugelhorn, Recording Arranger, AssociatedPerformer - Elmer Bernstein, Composer, Producer, MainArtist
℗ 1956 Geffen Records
Shorty Rogers, Recording Arranger, AssociatedPerformer - Elmer Bernstein, Composer, Producer, MainArtist
℗ 1956 Geffen Records
Shorty Rogers, Recording Arranger, AssociatedPerformer - Elmer Bernstein, Composer, Producer, MainArtist
℗ 1956 Geffen Records
Shorty Rogers, Recording Arranger, AssociatedPerformer - Elmer Bernstein, Composer, Producer, MainArtist
℗ 1956 Geffen Records
Shorty Rogers, Recording Arranger, AssociatedPerformer - Elmer Bernstein, Composer, Producer, MainArtist
℗ 1956 Geffen Records
Shorty Rogers, Recording Arranger, AssociatedPerformer - Elmer Bernstein, Composer, Producer, MainArtist
℗ 1956 Geffen Records
Shorty Rogers, Flugelhorn, Recording Arranger, AssociatedPerformer - Shelly Manne, Drums, AssociatedPerformer - Elmer Bernstein, Composer, Producer, MainArtist - Milt Bernhart, Trombone, AssociatedPerformer
℗ 1956 Geffen Records
Shorty Rogers, Recording Arranger, AssociatedPerformer - Elmer Bernstein, Composer, Producer, MainArtist
℗ 1956 Geffen Records
Shorty Rogers, Recording Arranger, AssociatedPerformer - Elmer Bernstein, Composer, Producer, MainArtist
℗ 1956 Geffen Records
Chronique
One of the finest jazz soundtracks to come out of the '50s, The Man with the Golden Arm is taken from the Otto Preminger film of the same name. Preminger was always very jazz influenced, and on this film he took his chances with Elmer Bernstein. Although the entire film is not strictly jazz, the awesome dynamics and oddball structure of the music is very based in the genre. Admittedly, the soundtrack works a little better with knowledge of the film, but on its own it still shines as an excellent example of how good film music can get. Bernstein's control over the smallest details of the music is what gives it the energy it contains; his blustery horns and deep percussion are only the front while some gorgeous orchestration happens almost unnoticed behind the music. Fans of Bernstein should definitely give this a listen, as should any fans of mainstream musicians' reaction to the post-bop era of jazz. This is on par with Henry Mancini's brilliant Touch of Evil score and Duke Ellington's strikingly similar Anatomy of a Murder soundtrack.
© Bradley Torreano /TiVo
À propos
- 1 disque(s) - 11 piste(s)
- Durée totale : 00:45:07
- Artistes principaux : Elmer Bernstein
- Compositeur : Elmer Bernstein
- Label : Geffen
- Genre : Bandes originales Bandes originales de films
© 1956 Geffen Records ℗ 2013 Geffen Records
Améliorer les informations de l'album
Pourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.