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Milt Jackson|The Jazz Skyline

The Jazz Skyline

Milt Jackson

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This session has interest as an example of Milt Jackson's mid-'50s work in a non-Modern Jazz Quartet context. And despite the many critical assertions that the vibist was restrained by pianist John Lewis' direction, his playing here revealed no marked changed. The overall feel of the group (Lucky Thompson, tenor sax; Hank Jones, piano; Wendell Marshall; bass, Kenny Clarke, drums; Jackson, vibes), however, was somewhat more dynamic than that of The MJQ, as Clarke and Jones generally achieved a greater sense of forward momentum than Connie Kay or Lewis.

© Bob Rusch, Cadence /TiVo

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The Jazz Skyline

Milt Jackson

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1
Lover
00:07:49

Richard Rodgers, ComposerLyricist - Lorenz Hart, ComposerLyricist - Milt Jackson, MainArtist - Herman Lubinsky, Producer, Recording Producer

℗ 1986 Savoy Records, a division of Concord Music Group, Inc.

2
Can't Help Lovin' That Man
00:04:40

Jerome Kern, Composer - Oscar Hammerstein II , Composer - Milt Jackson, MainArtist - Herman Lubinsky, Producer, Recording Producer

℗ 1986 Savoy Records, a division of Concord Music Group, Inc.

3
The Lady Is A Tramp
00:07:22

Richard Rodgers, Composer - Lorenz Hart, Author - Milt Jackson, MainArtist - Herman Lubinsky, Producer, Recording Producer

℗ 1986 Savoy Records, a division of Concord Music Group, Inc.

4
Angel Face
00:06:41

Nat Adderley, ComposerLyricist - Milt Jackson, MainArtist - Herman Lubinsky, Producer, Recording Producer

℗ 1986 Savoy Records, a division of Concord Music Group, Inc.

5
Sometimes I'm Happy
00:07:19

Vincent Youmans, ComposerLyricist - Irving Caesar, ComposerLyricist - Milt Jackson, MainArtist

℗ 1986 Savoy Records, a division of Concord Music Group, Inc.

6
What's New
00:03:52

Milt Jackson, MainArtist - Johnny Burke, ComposerLyricist - Bob Haggart, ComposerLyricist - Herman Lubinsky, Producer, Recording Producer

℗ 1986 Savoy Records, a division of Concord Music Group, Inc.

Chronique

This session has interest as an example of Milt Jackson's mid-'50s work in a non-Modern Jazz Quartet context. And despite the many critical assertions that the vibist was restrained by pianist John Lewis' direction, his playing here revealed no marked changed. The overall feel of the group (Lucky Thompson, tenor sax; Hank Jones, piano; Wendell Marshall; bass, Kenny Clarke, drums; Jackson, vibes), however, was somewhat more dynamic than that of The MJQ, as Clarke and Jones generally achieved a greater sense of forward momentum than Connie Kay or Lewis.

© Bob Rusch, Cadence /TiVo

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