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Perrey And Kingsley|The In Sound From Way Out

The In Sound From Way Out

Perrey And Kingsley

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Langue disponible : anglais

From a technical standpoint, this early attempt to bring electronic music to the masses is commendable. The result of 275 hours of work and several miles of tape (according to the liner notes), these electronically modified sounds were combined with electronics ranging from oscillators to tone generators to feedback loops, to create something resembling pop melodies. Live musicians then embellished these materials with both electronic and natural instruments. The problem is, the end product -- certainly after decades have removed the novelty value of electronic tones -- is cheesy enough to skirt the boundaries of kitsch, with a boxy, mechanical texture and a music-box-run-amok feel that makes it sound like a direct ancestor of Hot Butter's 1972 hit instrumental "Popcorn." There is a goofy charm to the mischievous placement of burps, gurgles, animal noises, and naive outer space-tinged themes. But with material that would be far more at home on the soundtrack of a children's TV cartoon than a work of contemporary composition, this album is more of a curiosity than anything else.

© Richie Unterberger /TiVo

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The In Sound From Way Out

Perrey And Kingsley

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1
The Unidentified Flying Object
00:01:59

Gershon Kingsley, ComposerLyricist - Jean-Jacques Perrey, ComposerLyricist - Perrey And Kingsley, MainArtist - Seymour Solomon, Producer

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

2
The Little Man From Mars
00:02:28

Unknown, Composer - Perrey And Kingsley, MainArtist

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

3
Cosmic Ballad
00:03:28

Gershon Kingsley, ComposerLyricist - Jean-Jacques Perrey, ComposerLyricist - Perrey And Kingsley, MainArtist - Seymour Solomon, Producer

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

4
Swan's Splashdown
00:02:20

Gershon Kingsley, ComposerLyricist - Jean-Jacques Perrey, ComposerLyricist - Perrey And Kingsley, MainArtist - Seymour Solomon, Producer

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

5
Countdown At 6
00:02:53

Gershon Kingsley, ComposerLyricist - Jean-Jacques Perrey, ComposerLyricist - Perrey And Kingsley, MainArtist - Seymour Solomon, Producer

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

6
Baroque Hoedown
00:02:27

Gershon Kingsley, ComposerLyricist - Jean-Jacques Perrey, ComposerLyricist - Perrey And Kingsley, MainArtist - Seymour Solomon, Producer

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

7
Spooks In Space
00:02:05

Gershon Kingsley, ComposerLyricist - Jean-Jacques Perrey, ComposerLyricist - Perrey And Kingsley, MainArtist - Seymour Solomon, Producer

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

8
Girl From Venus
00:02:25

Gershon Kingsley, ComposerLyricist - Jean-Jacques Perrey, ComposerLyricist - Perrey And Kingsley, MainArtist - Seymour Solomon, Producer

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

9
Electronic Can-Can
00:02:04

Gershon Kingsley, ComposerLyricist - Jean-Jacques Perrey, ComposerLyricist - Perrey And Kingsley, MainArtist - Seymour Solomon, Producer

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

10
Jungle Blues From Jupiter
00:02:58

Gershon Kingsley, ComposerLyricist - Jean-Jacques Perrey, ComposerLyricist - Perrey And Kingsley, MainArtist - Seymour Solomon, Producer

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

11
Computer In Love
00:02:07

Gershon Kingsley, ComposerLyricist - Jean-Jacques Perrey, ComposerLyricist - Perrey And Kingsley, MainArtist - Seymour Solomon, Producer

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

12
Visa To The Stars
00:02:14

Jean-Jacques Perrey, ComposerLyricist - Andy Badale, ComposerLyricist - Perrey And Kingsley, MainArtist - Seymour Solomon, Producer

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

Chronique

From a technical standpoint, this early attempt to bring electronic music to the masses is commendable. The result of 275 hours of work and several miles of tape (according to the liner notes), these electronically modified sounds were combined with electronics ranging from oscillators to tone generators to feedback loops, to create something resembling pop melodies. Live musicians then embellished these materials with both electronic and natural instruments. The problem is, the end product -- certainly after decades have removed the novelty value of electronic tones -- is cheesy enough to skirt the boundaries of kitsch, with a boxy, mechanical texture and a music-box-run-amok feel that makes it sound like a direct ancestor of Hot Butter's 1972 hit instrumental "Popcorn." There is a goofy charm to the mischievous placement of burps, gurgles, animal noises, and naive outer space-tinged themes. But with material that would be far more at home on the soundtrack of a children's TV cartoon than a work of contemporary composition, this album is more of a curiosity than anything else.

© Richie Unterberger /TiVo

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