Qobuz Store wallpaper
Catégories :
Panier 0

Votre panier est vide

Anthony Coleman|The Abysmal Richness Of The Infinite Proximity Of The Same

The Abysmal Richness Of The Infinite Proximity Of The Same

Anthony Coleman

Disponible en
16-Bit/44.1 kHz Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Téléchargez cet album dans la qualité de votre choix

The follow-up release to Anthony Coleman's Selfhaters, The Abysmal Richness of the Infinite Proximity of the Same finds the Selfhaters Orchestra realizing a music that yields a different experience with each listen. The title track, in eight parts, never fully opens, remaining part shadows and space, and part substance throughout. The Selfhaters abide no boundaries between jazz, improvisation, klezmer, and classical; all of these form one pool -- music -- from which they draw. "His Masquerade" is a comparatively short piece by Coleman solo on piano, adding occasional vocal tones. The final piece, Fifty-Seven Something, is a backyard of stretched, discordant clotheslines on which small clusters of action and melody are hung out to stiffen and dry, with very engaging results. This release is less accessible than the first album (which was mostly live recordings), but is still rewarding.

© Joslyn Layne /TiVo

Plus d'informations

The Abysmal Richness Of The Infinite Proximity Of The Same

Anthony Coleman

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 100 millions de titres avec votre abonnement illimité.

Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.

À partir de 12,49€/mois

1
The Abysmal Richness Of The Infinite Proximity Of The Same 1
00:02:57

Anthony Coleman, Composer, MainArtist - Tzadik, MusicPublisher

1998 Tzadik 1998 Tzadik

2
The Abysmal Richness Of The Infinite Proximity Of The Same 2
00:02:34

Anthony Coleman, Composer, MainArtist - Tzadik, MusicPublisher

1998 Tzadik 1998 Tzadik

3
The Abysmal Richness Of The Infinite Proximity Of The Same 3
00:01:16

Anthony Coleman, Composer, MainArtist - Tzadik, MusicPublisher

1998 Tzadik 1998 Tzadik

4
The Abysmal Richness Of The Infinite Proximity Of The Same 4
00:02:36

Anthony Coleman, Composer, MainArtist - Tzadik, MusicPublisher

1998 Tzadik 1998 Tzadik

5
The Abysmal Richness Of The Infinite Proximity Of The Same 5
00:04:20

Anthony Coleman, Composer, MainArtist - Tzadik, MusicPublisher

1998 Tzadik 1998 Tzadik

6
The Abysmal Richness Of The Infinite Proximity Of The Same 6
00:03:43

Anthony Coleman, Composer, MainArtist - Tzadik, MusicPublisher

1998 Tzadik 1998 Tzadik

7
The Abysmal Richness Of The Infinite Proximity Of The Same 7
00:02:14

Anthony Coleman, Composer, MainArtist - Tzadik, MusicPublisher

1998 Tzadik 1998 Tzadik

8
The Abysmal Richness Of The Infinite Proximity Of The Same 8
00:02:32

Anthony Coleman, Composer, MainArtist - Tzadik, MusicPublisher

1998 Tzadik 1998 Tzadik

9
His Masquerade
00:05:15

Anthony Coleman, Composer, MainArtist - Tzadik, MusicPublisher

1998 Tzadik 1998 Tzadik

10
Fifty-seven Something
00:12:30

Anthony Coleman, Composer, MainArtist - Tzadik, MusicPublisher

1998 Tzadik 1998 Tzadik

Chronique

The follow-up release to Anthony Coleman's Selfhaters, The Abysmal Richness of the Infinite Proximity of the Same finds the Selfhaters Orchestra realizing a music that yields a different experience with each listen. The title track, in eight parts, never fully opens, remaining part shadows and space, and part substance throughout. The Selfhaters abide no boundaries between jazz, improvisation, klezmer, and classical; all of these form one pool -- music -- from which they draw. "His Masquerade" is a comparatively short piece by Coleman solo on piano, adding occasional vocal tones. The final piece, Fifty-Seven Something, is a backyard of stretched, discordant clotheslines on which small clusters of action and melody are hung out to stiffen and dry, with very engaging results. This release is less accessible than the first album (which was mostly live recordings), but is still rewarding.

© Joslyn Layne /TiVo

À propos

Améliorer les informations de l'album

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...

Money For Nothing

Dire Straits

Money For Nothing Dire Straits

The Studio Albums 2009 – 2018

Mark Knopfler

Brothers In Arms

Dire Straits

Brothers In Arms Dire Straits

Live 1978 - 1992

Dire Straits

Live 1978 - 1992 Dire Straits
À découvrir également
Par Anthony Coleman

Shmutsige Magnaten

Anthony Coleman

Shmutsige Magnaten Anthony Coleman

Freakish

Anthony Coleman

Freakish Anthony Coleman

Sephardic Tinge

Anthony Coleman

Sephardic Tinge Anthony Coleman

Selfhaters

Anthony Coleman

Selfhaters Anthony Coleman

Arcades

Anthony Coleman

Arcades Anthony Coleman
Dans la même thématique...

Wall Of Eyes

The Smile

Wall Of Eyes The Smile

All Born Screaming

St. Vincent

All Born Screaming St. Vincent

Born To Die

Lana Del Rey

Born To Die Lana Del Rey

In Times New Roman...

Queens Of The Stone Age

In Times New Roman... Queens Of The Stone Age

WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?

Billie Eilish