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Slavic Soul Party!|Taketron

Taketron

Slavic Soul Party!

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Langue disponible : anglais

There's no denying that Slavic Soul Party! are inspired by the giants of Balkan brass, and on their fifth outing, they continue to grow in stature. What they create isn't some slavish imitation of their heroes, but work that uses the idea and feel of the Balkans, mixed with their own histories and experiences. But that doesn't mean they can't do Balkan music very well indeed, as on the Macedonian "Sviraj Srecko" or the title cut, which use it as a base for some mix'n'match styles, all the while keeping to some death-defying playing and rhythms that threaten to career out of control but never do. "Real Simple," of course, is anything but, a showcase of extraordinary chops, while "Sarba" takes a little detour into Moldova. The Balkan bands aren't afraid to look outside their borders and pick up on other ideas, and this group does it too, which some electrifying results, The gospel tune "Canaan Land" starts out straightforwardly enough, then morphs onto something that would fit in down in New Orleans, with the freedom to do some real blowing that's not always there on the other tracks, while "Sancti Peri," which began life as a flamenco piece, is taken south of the border. While, quite understandably, brass predominates, a couple of pieces let accordion up for air, bringing a little variety, and the slower, elegiac closer, "Hymn" sounds as if the entire ensemble is finally catching its breath. A magnificent, daring ride that broadens the group's horizons, and consolidates their previous glory.
© Chris Nickson /TiVo

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Slavic Soul Party!

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1
Welcome
00:00:08

Slavic Soul Party!, Artist, MainArtist

2009 Barbès Records 2009 Barbès Records

2
Taketron
00:04:11

Slavic Soul Party!, Artist, MainArtist

2009 Barbès Records 2009 Barbès Records

3
Baltika
00:03:19

Slavic Soul Party!, Artist, MainArtist

2009 Barbès Records 2009 Barbès Records

4
Get It How You Live
00:02:55

Slavic Soul Party!, Artist, MainArtist

2009 Barbès Records 2009 Barbès Records

5
Sviraj Srecko
00:05:14

Slavic Soul Party!, Artist, MainArtist

2009 Barbès Records 2009 Barbès Records

6
Tatiana
00:03:30

Slavic Soul Party!, Artist, MainArtist

2009 Barbès Records 2009 Barbès Records

7
Pavkretov Stakato
00:02:48

Slavic Soul Party!, Artist, MainArtist

2009 Barbès Records 2009 Barbès Records

8
Real Simple
00:03:53

Slavic Soul Party!, Artist, MainArtist

2009 Barbès Records 2009 Barbès Records

9
Sarba
00:01:23

Slavic Soul Party!, Artist, MainArtist - Hogoe Publishing, MusicPublisher

2009 Barbès Records 2009 Barbès Records

10
Canaan Land
00:03:45

Slavic Soul Party!, Artist, MainArtist - Hogoe Publishing, MusicPublisher

2009 Barbès Records 2009 Barbès Records

11
Laughter Club
00:02:28

Slavic Soul Party!, Artist, MainArtist

2009 Barbès Records 2009 Barbès Records

12
Sancti Petri
00:03:22

Slavic Soul Party!, Artist, MainArtist - Sociedad General de Autores de Espana, MusicPublisher

2009 Barbès Records 2009 Barbès Records

13
Hymn
00:05:59

Slavic Soul Party!, Artist, MainArtist

2009 Barbès Records 2009 Barbès Records

Chronique

There's no denying that Slavic Soul Party! are inspired by the giants of Balkan brass, and on their fifth outing, they continue to grow in stature. What they create isn't some slavish imitation of their heroes, but work that uses the idea and feel of the Balkans, mixed with their own histories and experiences. But that doesn't mean they can't do Balkan music very well indeed, as on the Macedonian "Sviraj Srecko" or the title cut, which use it as a base for some mix'n'match styles, all the while keeping to some death-defying playing and rhythms that threaten to career out of control but never do. "Real Simple," of course, is anything but, a showcase of extraordinary chops, while "Sarba" takes a little detour into Moldova. The Balkan bands aren't afraid to look outside their borders and pick up on other ideas, and this group does it too, which some electrifying results, The gospel tune "Canaan Land" starts out straightforwardly enough, then morphs onto something that would fit in down in New Orleans, with the freedom to do some real blowing that's not always there on the other tracks, while "Sancti Peri," which began life as a flamenco piece, is taken south of the border. While, quite understandably, brass predominates, a couple of pieces let accordion up for air, bringing a little variety, and the slower, elegiac closer, "Hymn" sounds as if the entire ensemble is finally catching its breath. A magnificent, daring ride that broadens the group's horizons, and consolidates their previous glory.
© Chris Nickson /TiVo

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