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Bertine Zetlitz|Sweet Injections

Sweet Injections

Bertine Zetlitz

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Langue disponible : anglais

Continuing a gradual progression from the cosmopolitan singer/songwriter pop of her debut (and only U.S. release to date) Morbid Latenight Show, and the moody, trip-hop inflected Beautiful So Far towards the more fully electronic dance-pop of her later work, Bertine Zetlitz's third album contains her brightest and catchiest pop songs to date, as well as plenty of typically dark, cryptic material. Where Zetlitz is concerned, there's no great divide between darkness and pop -- just take a look at those adorably sinister, barbed candy-cane vines threatening to encircle her on the cover and you'll get the idea. Her characteristic juxtaposition of girlish sweetness with subtle, psychological menace pervades much of the album, as if to confirm her softly cooed assertion that she's "the sickest girl you'll ever find." Even the album's glossiest moment, the spun-sugar synth-disco of "Girl Like You" (produced by Richard X), involves the disquieting mind games of a needy, manipulative, obsessive lover. Other standouts include the start-stop funk of opener "For Fun," which offers even more unsettling promises ("I will make your soft hands tremble/I will make your ego burst"), and the stunningly gorgeous "Twisted Little Star," which, title notwithstanding, is relatively genuine in its sweetness. After a consistently stellar first half, up through the funky, widescreen synth pop of "Wild Kisses," the album loses steam with a run of sparser, calmer, less memorable material, even if nothing can really be called a misstep. Less consistent and slightly less cohesive than the excellent, fully realized albums that immediately preceded and followed it, Sweet Injections is nevertheless a worthwhile and enjoyable work by an undeniably talented, idiosyncratic artist, and well worth seeking out.

© K. Ross Hoffman /TiVo

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Sweet Injections

Bertine Zetlitz

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1
For Fun
00:03:26

Magnus Fiennes, Producer, Mixer, Beats, Engineer, Recorder, Synthesizer, Miscellaneous - Guy Pratt, Bass - Yoad Nevo, Mixer - Bertine Zetlitz, Composer, Vocals, MainArtist - Rob Haggett, Engineer - Rick Featherstone, Beats, Engineer, Recorder, Synthesizer, Miscellaneous - Peter Coyte, Beats, Synthesizer, Miscellaneous - Graham Kerns, Guitar

© 2003 Parlophone Music Norway AS This Labelcopy information is the subject of Copyright Protection. All rights reserved. (C) 2003 Parlophone Music Norway AS ℗ 2003 The Copyright in this sound recording is owned by EMI Music Norway AS

2
Sickest Girl
00:03:28

Morten Lund, Masterer, MasteringEngineer - HOWIE B, Producer - Louis Jardim, Percussion - Bertine Zetlitz, Composer, Vocals, MainArtist - Valgeir Sigurdsson, Banjo, Bass Guitar, Production, Engineer & Programmer, Bass, Pro Tools, Protools - Howie B., Arranger, Guitar, Piano, Synthesizer - Will O'Donovan, Mixer, Engineer, Guitar, Production, Recorder - Greg Flemming, Engineer, Guitar

© 2003 Parlophone Music Norway AS This Labelcopy information is the subject of Copyright Protection. All rights reserved. (C) 2003 Parlophone Music Norway AS ℗ 2003 The Copyright in this sound recording is owned by EMI Music Norway AS

3
Twisted Little Star
00:04:10

Magnus Fiennes, Composer, Producer, Mixer, Beats, Engineer, Recorder, Synthesizer, Miscellaneous - Yoad Nevo, Mixer, Beats, Synthesizer, Miscellaneous - Ric Featherstone, Beats, Engineer, Recorder, Synthesizer, Miscellaneous - Bertine Zetlitz, Composer, Vocals, Synthesizer, MainArtist - Rob Haggett, Engineer - Andrew Cronshaw, Zither

© 2003 Parlophone Music Norway AS This Labelcopy information is the subject of Copyright Protection. All rights reserved. (C) 2003 Parlophone Music Norway AS ℗ 2002 Parlophone Music Norway AS

4
Blow Over
00:04:02

Morten Lund, Masterer, MasteringEngineer - Luis Jardim, Percussion - Bertine Zetlitz, Composer, Vocals, MainArtist - Valgeir Sigurdsson, Banjo, Bass Guitar, Production, Programmer, Engineer & Programmer, Bass, Pro Tools, Protools - Greg Fleming, Guitar - Howie B., Producer, Arranger, Guitar, Piano, Synthesizer - Will O'Donovan, Mixer, Engineer, Guitar, Production, Recorder - Greg Flemming, Engineer

© 2003 Parlophone Music Norway AS This Labelcopy information is the subject of Copyright Protection. All rights reserved. (C) 2003 Parlophone Music Norway AS ℗ 2003 The Copyright in this sound recording is owned by EMI Music Norway AS

5
Girl Like You
00:05:14

Richard x, Composer, Producer, Musician - Morten Lund, Masterer, MasteringEngineer - Lee Ormsby, Mixer, Engineer & Mixer - Bertine Zetlitz, Composer, Vocals, MainArtist

© 2003 Parlophone Music Norway AS This Labelcopy information is the subject of Copyright Protection. All rights reserved. (C) 2003 Parlophone Music Norway AS ℗ 2003 The Copyright in this sound recording is owned by EMI Music Norway AS

6
Wild Kisses (Good for Me)
00:03:19

Magnus Fiennes, Producer, Mixer, Beats, Engineer, Guitar, Recorder, Synthesizer, Miscellaneous - Yoad Nevo, Mixer, Bass - Morten Lund, Masterer, MasteringEngineer - Ric Featherstone, Beats, Engineer, Recorder, Synthesizer, Miscellaneous - Bertine Zetlitz, Composer, Vocals, MainArtist - Rob Haggett, Engineer - Peter Coyte, Beats, Synthesizer, Miscellaneous - Graham Kerns, Guitar - Havid Engmark, Composer

© 2003 Parlophone Music Norway AS This Labelcopy information is the subject of Copyright Protection. All rights reserved. (C) 2003 Parlophone Music Norway AS ℗ 2003 The Copyright in this sound recording is owned by EMI Music Norway AS

7
Piper Piper
00:03:59

Morten Lund, Masterer, MasteringEngineer - Luis Jardim, Percussion - Bertine Zetlitz, Composer, Vocals, MainArtist - Valgeir Sigurdsson, Banjo, Bass Guitar, Production, Programmer, Bass, Pro Tools, Protools - Howie B., Producer, Arranger, Guitar, Piano, Synthesizer - Will O'Donovan, Mixer, Engineer, Guitar, Production, Recorder - Greg Flemming, Engineer, Guitar

© 2003 Parlophone Music Norway AS This Labelcopy information is the subject of Copyright Protection. All rights reserved. (C) 2003 Parlophone Music Norway AS ℗ 2003 The Copyright in this sound recording is owned by EMI Music Norway AS

8
Chainsaw
00:04:05

Morten Lund, Masterer, MasteringEngineer - HOWIE B, Composer - Luis Jardim, Percussion - Bertine Zetlitz, Composer, Vocals, MainArtist - Valgeir Sigurdsson, Banjo, Bass Guitar, Production, Programmer, Bass, Pro Tools, Protools - Howie B., Producer, Arranger, Guitar, Piano, Synthesizer - Will O'Donovan, Composer, Mixer, Engineer, Guitar, Production, Recorder - Greg Flemming, Engineer, Guitar

© 2003 Parlophone Music Norway AS This Labelcopy information is the subject of Copyright Protection. All rights reserved. (C) 2003 Parlophone Music Norway AS ℗ 2003 The Copyright in this sound recording is owned by EMI Music Norway AS

9
So Beautiful
00:03:50

Richard x, Producer, Musician - Lee Ormsby, Mixer, Engineer & Mixer - Bertine Zetlitz, Composer, Vocals, MainArtist

© 2003 Parlophone Music Norway AS This Labelcopy information is the subject of Copyright Protection. All rights reserved. (C) 2003 Parlophone Music Norway AS ℗ 2003 The Copyright in this sound recording is owned by EMI Music Norway AS

10
Death in Her Room
00:03:49

Yoad Nevo, Producer, Mixer, Engineer, Recorder, Musician - Morten Lund, Masterer, MasteringEngineer - Bertine Zetlitz, Composer, Vocals, MainArtist

© 2003 Parlophone Music Norway AS This Labelcopy information is the subject of Copyright Protection. All rights reserved. (C) 2003 Parlophone Music Norway AS ℗ 2003 The Copyright in this sound recording is owned by EMI Music Norway AS

11
Let Armies Loose
00:04:34

Magnus Fiennes, Composer, Producer, Mixer, Engineer, Programmer, Recorder - Yoad Nevo, Mixer - Morten Lund, Masterer, MasteringEngineer - Damian Taylor, Beats, Synthesizer, Miscellaneous - Ric Featherstone, Engineer, Programmer, Recorder - Bertine Zetlitz, Composer, Vocals, MainArtist - Rob Haggett, Engineer - Graham Kerns, Guitar

© 2003 Parlophone Music Norway AS This Labelcopy information is the subject of Copyright Protection. All rights reserved. (C) 2003 Parlophone Music Norway AS ℗ 2003 The Copyright in this sound recording is owned by EMI Music Norway AS

12
Slowly
00:03:05

Morten Lund, Masterer, MasteringEngineer - HOWIE B, Composer - Luis Jardim, Percussion - Bertine Zetlitz, Composer, Vocals, MainArtist - Valgeir Sigurdsson, Banjo, Bass Guitar, Production, Programmer, Bass, Pro Tools, Protools - Howie B., Producer, Arranger, Guitar, Piano, Synthesizer - Will O'Donovan, Composer, Mixer, Engineer, Guitar, Production, Recorder - Greg Flemming, Engineer, Guitar

© 2003 Parlophone Music Norway AS This Labelcopy information is the subject of Copyright Protection. All rights reserved. (C) 2003 Parlophone Music Norway AS ℗ 2003 The Copyright in this sound recording is owned by EMI Music Norway AS

Chronique

Continuing a gradual progression from the cosmopolitan singer/songwriter pop of her debut (and only U.S. release to date) Morbid Latenight Show, and the moody, trip-hop inflected Beautiful So Far towards the more fully electronic dance-pop of her later work, Bertine Zetlitz's third album contains her brightest and catchiest pop songs to date, as well as plenty of typically dark, cryptic material. Where Zetlitz is concerned, there's no great divide between darkness and pop -- just take a look at those adorably sinister, barbed candy-cane vines threatening to encircle her on the cover and you'll get the idea. Her characteristic juxtaposition of girlish sweetness with subtle, psychological menace pervades much of the album, as if to confirm her softly cooed assertion that she's "the sickest girl you'll ever find." Even the album's glossiest moment, the spun-sugar synth-disco of "Girl Like You" (produced by Richard X), involves the disquieting mind games of a needy, manipulative, obsessive lover. Other standouts include the start-stop funk of opener "For Fun," which offers even more unsettling promises ("I will make your soft hands tremble/I will make your ego burst"), and the stunningly gorgeous "Twisted Little Star," which, title notwithstanding, is relatively genuine in its sweetness. After a consistently stellar first half, up through the funky, widescreen synth pop of "Wild Kisses," the album loses steam with a run of sparser, calmer, less memorable material, even if nothing can really be called a misstep. Less consistent and slightly less cohesive than the excellent, fully realized albums that immediately preceded and followed it, Sweet Injections is nevertheless a worthwhile and enjoyable work by an undeniably talented, idiosyncratic artist, and well worth seeking out.

© K. Ross Hoffman /TiVo

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