Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Langue disponible : anglais
This is classic Mountain Goats: songs about broken (or soon to be broken) relationships, food, and flora rendered in vivid detail and recorded straight to boom box. Atop characteristically ragged and percussive guitar playing, John Darnielle works wonders of condensation, creating lively, complex characters in less than three minutes. Despite the flag on the cover and hilarious liner notes about the "Swede conspiracy," this isn't a concept album about the homeland of Ace of Base and ABBA, nor are there any covers of those two Darnielle favorites. There is, however, perhaps the best cover of Steely Dan's "FM" imaginable. No Alpha songs here either, but two more in the "Going to" series -- "Going to Queens" and "Going to Bolivia" -- and the outstanding "Tahitian Ambrosia Maker," which is something of a mix between Gilligan's Island and Heart of Darkness (beginning, "We were real hungry, half dead, when you broke out a half a loaf of sourdough bread, and in the tropical air the scent rose like a spirit"), make Sweden among the best of the early releases from the Mountain Goats. Zopilote Machine is maybe more consistent, but 1995's Sweden sets a high-water mark not surpassed until The Coroner's Gambit in 2000.
© Jason Nickey /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
The Mountain Goats, MainArtist
(C) 1995 Copyright control (P) 1995 Copyright control
The Mountain Goats, MainArtist
(C) 1995 Copyright control (P) 1995 Copyright control
The Mountain Goats, MainArtist
(C) 1995 Copyright control (P) 1995 Copyright control
The Mountain Goats, MainArtist
(C) 1995 Copyright control (P) 1995 Copyright control
The Mountain Goats, MainArtist
(C) 1995 Copyright control (P) 1995 Copyright control
The Mountain Goats, MainArtist
(C) 1995 Copyright control (P) 1995 Copyright control
The Mountain Goats, MainArtist
(C) 1995 Copyright control (P) 1995 Copyright control
The Mountain Goats, MainArtist
(C) 1995 Copyright control (P) 1995 Copyright control
The Mountain Goats, MainArtist
(C) 1995 Copyright control (P) 1995 Copyright control
The Mountain Goats, MainArtist
(C) 1995 Copyright control (P) 1995 Copyright control
The Mountain Goats, MainArtist
(C) 1995 Copyright control (P) 1995 Copyright control
The Mountain Goats, MainArtist
(C) 1995 Copyright control (P) 1995 Copyright control
The Mountain Goats, MainArtist
(C) 1995 Copyright control (P) 1995 Copyright control
The Mountain Goats, MainArtist
(C) 1995 Copyright control (P) 1995 Copyright control
The Mountain Goats, MainArtist
(C) 1995 Copyright control (P) 1995 Copyright control
The Mountain Goats, MainArtist
(C) 1995 Copyright control (P) 1995 Copyright control
The Mountain Goats, MainArtist
(C) 1995 Copyright control (P) 1995 Copyright control
The Mountain Goats, MainArtist
(C) 1995 Copyright control (P) 1995 Copyright control
The Mountain Goats, MainArtist
(C) 1995 Copyright control (P) 1995 Copyright control
Chronique
This is classic Mountain Goats: songs about broken (or soon to be broken) relationships, food, and flora rendered in vivid detail and recorded straight to boom box. Atop characteristically ragged and percussive guitar playing, John Darnielle works wonders of condensation, creating lively, complex characters in less than three minutes. Despite the flag on the cover and hilarious liner notes about the "Swede conspiracy," this isn't a concept album about the homeland of Ace of Base and ABBA, nor are there any covers of those two Darnielle favorites. There is, however, perhaps the best cover of Steely Dan's "FM" imaginable. No Alpha songs here either, but two more in the "Going to" series -- "Going to Queens" and "Going to Bolivia" -- and the outstanding "Tahitian Ambrosia Maker," which is something of a mix between Gilligan's Island and Heart of Darkness (beginning, "We were real hungry, half dead, when you broke out a half a loaf of sourdough bread, and in the tropical air the scent rose like a spirit"), make Sweden among the best of the early releases from the Mountain Goats. Zopilote Machine is maybe more consistent, but 1995's Sweden sets a high-water mark not surpassed until The Coroner's Gambit in 2000.
© Jason Nickey /TiVo
À propos
- 1 disque(s) - 19 piste(s)
- Durée totale : 00:45:19
- Artistes principaux : The Mountain Goats
- Label : Shrimper
- Genre : Pop/Rock Rock Alternatif et Indé
(C) 1995 Copyright control (P) 1995 Copyright control
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.