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Jimmy Buffett|Son Of A Son Of A Sailor

Son Of A Son Of A Sailor

Jimmy Buffett

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Langue disponible : anglais

After his debut with 1970's Down to Earth, Jimmy Buffett released an album a year from 1973 to 1977, culminating with his commercial and artistic breakthrough, Changes in Latitudes, Changes in Attitudes, which apotheosized his beach-bum persona in its hit single "Margaritaville." A year later, he's back with his seventh album, Son of a Son of a Sailor, but things have changed. Now, Buffett has a high-profile manager in Irving Azoff (who is dressed like Napoleon in the high-fashion photo spread across the gatefold of the LP), and as his smiling, well-upholstered image on the cover shows, he's not a beach bum anymore; now he looks like the happy owner of a yacht. Accordingly, he isn't writing songs like "Margaritaville" anymore, either. The closest approximation to that is "Cheeseburger in Paradise," which might as well be a commercial jingle for a fast-food chain. The locus of the songs still tends to be in the Caribbean, the characters still lowlifes, but the personal touch is missing. Buffett is writing fiction now, and the edge is off. Having achieved the perfect expression of his world-view the last time around, and profited handsomely as a result, he is now no longer funny in a self-deprecating way that makes his songs touching. He was never one to take himself too seriously, but now he's veering toward self-parody.

© William Ruhlmann /TiVo

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Son Of A Son Of A Sailor

Jimmy Buffett

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1
Son Of A Son Of A Sailor (Album Version)
00:03:24

Jimmy Buffett, MainArtist, ComposerLyricist - Norbert Putnam, Producer

℗ 1978 Geffen Records

2
Fool Button (Album Version)
00:02:49

Jimmy Buffett, MainArtist, ComposerLyricist - Norbert Putnam, Producer

℗ 1978 Geffen Records

3
The Last Line (Album Version)
00:03:39

Jimmy Buffett, MainArtist - Norbert Putnam, Producer - KEITH SYKES, ComposerLyricist

℗ 1978 Geffen Records

4
Livingston Saturday Night (Album Version)
00:03:11

Jimmy Buffett, MainArtist, ComposerLyricist - Norbert Putnam, Producer - Rand Holston, Producer

℗ 1978 Geffen Records

5
Cheeseburger In Paradise (Album Version)
00:02:56

Jimmy Buffett, MainArtist, ComposerLyricist - Norbert Putnam, Producer

℗ 1978 UMG Recordings, Inc.

6
Coast Of Marseilles (Album Version)
00:05:02

Jimmy Buffett, MainArtist - Norbert Putnam, Producer - KEITH SYKES, ComposerLyricist

℗ 1978 Geffen Records

7
Cowboy In The Jungle (Album Version)
00:05:09

Jimmy Buffett, MainArtist, ComposerLyricist - Norbert Putnam, Producer

℗ 1978 UMG Recordings, Inc.

8
Mañana (Album Version)
00:04:15

Jimmy Buffett, MainArtist, ComposerLyricist - Norbert Putnam, Producer

℗ 1978 Geffen Records

9
African Friend (Album Version)
00:04:03

Jimmy Buffett, MainArtist, ComposerLyricist - Norbert Putnam, Producer

℗ 1978 Geffen Records

Chronique

After his debut with 1970's Down to Earth, Jimmy Buffett released an album a year from 1973 to 1977, culminating with his commercial and artistic breakthrough, Changes in Latitudes, Changes in Attitudes, which apotheosized his beach-bum persona in its hit single "Margaritaville." A year later, he's back with his seventh album, Son of a Son of a Sailor, but things have changed. Now, Buffett has a high-profile manager in Irving Azoff (who is dressed like Napoleon in the high-fashion photo spread across the gatefold of the LP), and as his smiling, well-upholstered image on the cover shows, he's not a beach bum anymore; now he looks like the happy owner of a yacht. Accordingly, he isn't writing songs like "Margaritaville" anymore, either. The closest approximation to that is "Cheeseburger in Paradise," which might as well be a commercial jingle for a fast-food chain. The locus of the songs still tends to be in the Caribbean, the characters still lowlifes, but the personal touch is missing. Buffett is writing fiction now, and the edge is off. Having achieved the perfect expression of his world-view the last time around, and profited handsomely as a result, he is now no longer funny in a self-deprecating way that makes his songs touching. He was never one to take himself too seriously, but now he's veering toward self-parody.

© William Ruhlmann /TiVo

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