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The Tallest Man On Earth|Sometimes The Blues Is Just A Passing Bird

Sometimes The Blues Is Just A Passing Bird

The Tallest Man On Earth

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Sweden’s Kristian Matsson, aka the Tallest Man on Earth, keeps it sparse with a summertime EP of fingerpicked acoustic guitar and vocals, written on the road just after the release of The Wild Hunt. Comparisons to a young Bob Dylan are common, and in a rustic, intimate setting such as this, the similarities are hard to ignore. Sometimes the Blues Is Just a Passing Bird, Matsson's quietest EP, demonstrates just how powerful a man can be alone with a guitar and a voice. “Little River” and “Thrown at Me” find him at his most near and dear, further validating that there is no need for added frills when someone can perform this tender-heartedly. For a change of pace, there's "The Dreamer," where Matsson trades in his acoustic for an electric, plugged into a reverby amp, without ever breaking from his austere style.
© Jason Lymangrover /TiVo

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Sometimes The Blues Is Just A Passing Bird

The Tallest Man On Earth

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1
Little River
00:03:45

The Tallest Man On Earth, Artist, MainArtist

2010 Dead Oceans 2010 Dead Oceans

2
The Dreamer
00:04:05

The Tallest Man On Earth, Artist, MainArtist

2010 Dead Oceans 2010 Dead Oceans

3
Like the Wheel
00:03:28

The Tallest Man On Earth, Artist, MainArtist

2010 Dead Oceans 2010 Dead Oceans

4
Tangle in This Trampled Wheat
00:03:03

The Tallest Man On Earth, Artist, MainArtist

2010 Dead Oceans 2010 Dead Oceans

5
Thrown Right At Me
00:02:59

The Tallest Man On Earth, Artist, MainArtist

2010 Dead Oceans 2010 Dead Oceans

Chronique

Sweden’s Kristian Matsson, aka the Tallest Man on Earth, keeps it sparse with a summertime EP of fingerpicked acoustic guitar and vocals, written on the road just after the release of The Wild Hunt. Comparisons to a young Bob Dylan are common, and in a rustic, intimate setting such as this, the similarities are hard to ignore. Sometimes the Blues Is Just a Passing Bird, Matsson's quietest EP, demonstrates just how powerful a man can be alone with a guitar and a voice. “Little River” and “Thrown at Me” find him at his most near and dear, further validating that there is no need for added frills when someone can perform this tender-heartedly. For a change of pace, there's "The Dreamer," where Matsson trades in his acoustic for an electric, plugged into a reverby amp, without ever breaking from his austere style.
© Jason Lymangrover /TiVo

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