Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Langue disponible : anglais
The Vandermark 5 are remarkable on their third recording. Reedmen Ken Vandermark and Dave Rempis are joined by trombonist/guitarist Jeb Bishop, Kent Kessler on bass, and drummer Tim Mulvenna in making some of the most exciting new jazz in the world today. Using American jazzmen for their spiritual inspiration and the European model of free jazz improv, Vandermark and company have come up with something entirely their own: a solid, gritty, soulful funk and squall band who holds within their collective grasp the souls of Sun Ra, Steve Lacy, Albert Ayler, and James Brown's JBs. The eight tunes on Simpatico are all tributes to various jazz and improv greats who have been influential to Vandermark in one way or another. There's the sleet-sheet skronk of "Vent," with Bishop's guitar creating an edgy tension for the horns to play in counterpoint to the rhythm section. In "Fact or Fiction (For Curtis Counce)," the spirit of Les Koenig's Contemporary Records is evoked with its open-wristed swing and minor modes that land just this side of blue. "Point Blank (For Frank Rosalino)" has the bass clarinet solo actually touch on Rosalino's own sense of harmonic architecture, growing out from E-flat into a spider web angularity that embraces the bop arpeggio technique as well as Eric Dolphy's sense of spatial breath. By the time listeners get to Bishop's trombone solo, the entire axis of harmony has been shifted to an imploding sense of phraseology versus teleology and linguistic exchange. What is taking place in the improv is that the three horn players are fighting over Rosalino's clipped modalism. Simpatico is the finest movement yet from a band who seems to be just getting started.
© Thom Jurek /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
The Vandermark 5, Primary
1999 Atavistic Atavistic 1999
The Vandermark 5, Primary
1999 Atavistic Atavistic 1999
The Vandermark 5, Primary
1999 Atavistic Atavistic 1999
The Vandermark 5, Primary
1999 Atavistic Atavistic 1999
The Vandermark 5, Primary
1999 Atavistic Atavistic 1999
The Vandermark 5, Primary
1999 Atavistic Atavistic 1999
The Vandermark 5, Primary
1999 Atavistic Atavistic 1999
The Vandermark 5, Primary
1999 Atavistic Atavistic 1999
Chronique
The Vandermark 5 are remarkable on their third recording. Reedmen Ken Vandermark and Dave Rempis are joined by trombonist/guitarist Jeb Bishop, Kent Kessler on bass, and drummer Tim Mulvenna in making some of the most exciting new jazz in the world today. Using American jazzmen for their spiritual inspiration and the European model of free jazz improv, Vandermark and company have come up with something entirely their own: a solid, gritty, soulful funk and squall band who holds within their collective grasp the souls of Sun Ra, Steve Lacy, Albert Ayler, and James Brown's JBs. The eight tunes on Simpatico are all tributes to various jazz and improv greats who have been influential to Vandermark in one way or another. There's the sleet-sheet skronk of "Vent," with Bishop's guitar creating an edgy tension for the horns to play in counterpoint to the rhythm section. In "Fact or Fiction (For Curtis Counce)," the spirit of Les Koenig's Contemporary Records is evoked with its open-wristed swing and minor modes that land just this side of blue. "Point Blank (For Frank Rosalino)" has the bass clarinet solo actually touch on Rosalino's own sense of harmonic architecture, growing out from E-flat into a spider web angularity that embraces the bop arpeggio technique as well as Eric Dolphy's sense of spatial breath. By the time listeners get to Bishop's trombone solo, the entire axis of harmony has been shifted to an imploding sense of phraseology versus teleology and linguistic exchange. What is taking place in the improv is that the three horn players are fighting over Rosalino's clipped modalism. Simpatico is the finest movement yet from a band who seems to be just getting started.
© Thom Jurek /TiVo
À propos
- 1 disque(s) - 8 piste(s)
- Durée totale : 01:05:37
- Artistes principaux : The Vandermark 5
- Label : Atavistic
- Genre : Pop/Rock Rock
1999 Atavistic Atavistic 1999
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.