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Uriah Heep|Return To Fantasy (Bonus Track Edition) (Expanded Version)

Return To Fantasy (Bonus Track Edition) (Expanded Version)

Uriah Heep

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After two albums that downplayed their penchant for gothic sounds and mystical lyrics, Uriah Heep brought these elements back to the fore on 1975's Return to Fantasy. The resulting album retains the musical experimentation that marked Sweet Freedom and Wonderworld, but has an overall harder-rocking feel that makes it more consistent than either one of those albums. Return to Fantasy throws down the gauntlet with the title track, which builds from a tapestry of spooky synthesizer and organ riffs to a thunderous rock tune where the guitar and organ duel over a galloping backbeat laid down by Lee Kerslake. It's bracing stuff and one of the finest rockers in the Uriah Heep canon. The rest of the first side continues in a similarly strong hard rock vein and its other key highlight is "Beautiful Dream," a song that marries stomping hard rock verses to a spooky, ethereal chorus that sounds like it could have been plucked from a mid-'70s Pink Floyd album. On the second side, Heep give themselves over to experiments that, while listenable, cause the album to lose focus. For instance, "Prima Donna" is a sardonic commentary on the rock & roll world that features a prominent brass section and prominently overdubbed Beach Boys-style harmonies, while "Your Turn to Remember" is the kind of bluesy AOR ballad that groups like Journey would later specialize in. Both songs are fun listening but stray too far from the group's traditional sound and are too dissimilar to make Return to Fantasy a cohesive experience. Despite these problems, the group never turns in a less-than-engaging instrumental performance and the consistent quality of their work keeps the album from getting carried away by all the genre-hopping. In the end, Return to Fantasy lacks the coherence of a top-shelf Uriah Heep classic like Demons and Wizards but remains a strong and likable album that is guaranteed to please the group's fans.

© Donald A. Guarisco /TiVo

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Return To Fantasy (Bonus Track Edition) (Expanded Version)

Uriah Heep

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1
Return to Fantasy
00:05:51

Lee Kerslake, Drums, Percussion, Vocals - Ken Hensley, Composer, Guitar, Keyboards, Vocals, Synthesizer - Dave Burns, Assistant Recording Engineer - John Wetton, Bass Guitar, Vocals, Mellotron - Hensley, Composer - Byron, Composer - Gerry Bron, Producer - Harry Moss, MasteringEngineer - Mick Box, Guitar - David Byron, Composer, Lead Vocals - Uriah Heep, Composer, MainArtist - Dave Harris, Assistant Recording Engineer - Peter Gallen, RecordingEngineer

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1975 Sanctuary Records Group Ltd., a BMG Company

2
Shady Lady
00:04:47

Lee Kerslake, Composer, Drums, Percussion, Vocals - Ken Hensley, Composer, Guitar, Keyboards, Vocals, Synthesizer - Dave Burns, Assistant Recording Engineer - John Wetton, Bass Guitar, Vocals, Mellotron - Gerry Bron, Producer - Harry Moss, MasteringEngineer - Mick Box, Composer, Guitar - David Byron, Composer, Lead Vocals - Uriah Heep, MainArtist - Dave Harris, Assistant Recording Engineer - Peter Gallen, RecordingEngineer

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1975 Sanctuary Records Group Ltd., a BMG Company

3
Devil's Daughter
00:04:48

Lee Kerslake, Composer, Drums, Percussion, Vocals - Ken Hensley, Composer, Guitar, Keyboards, Vocals, Synthesizer - Dave Burns, Assistant Recording Engineer - John Wetton, Bass Guitar, Vocals, Mellotron - Gerry Bron, Producer - Harry Moss, MasteringEngineer - Mick Box, Composer, Guitar - David Byron, Composer, Lead Vocals - Uriah Heep, Composer, MainArtist - Dave Harris, Assistant Recording Engineer - Peter Gallen, RecordingEngineer

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1975 Sanctuary Records Group Ltd., a BMG Company

4
Beautiful Dream
00:04:52

Lee Kerslake, Composer, Drums, Percussion, Vocals - Ken Hensley, Composer, Guitar, Keyboards, Vocals, Synthesizer - Dave Burns, Assistant Recording Engineer - John Wetton, Bass Guitar, Vocals, Mellotron - Gerry Bron, Producer - Harry Moss, MasteringEngineer - Mick Box, Composer, Guitar - David Byron, Composer, Lead Vocals - Uriah Heep, MainArtist - Dave Harris, Assistant Recording Engineer - Peter Gallen, RecordingEngineer

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1975 Sanctuary Records Group Ltd., a BMG Company

5
Prima Donna
00:03:08

Lee Kerslake, Composer, Drums, Percussion, Vocals - Ken Hensley, Composer, Guitar, Keyboards, Vocals, Synthesizer - Dave Burns, Assistant Recording Engineer - John Wetton, Bass Guitar, Vocals, Mellotron - Gerry Bron, Producer - Harry Moss, MasteringEngineer - Mick Box, Composer, Guitar - David Byron, Composer, Lead Vocals - Uriah Heep, MainArtist - Dave Harris, Assistant Recording Engineer - Peter Gallen, RecordingEngineer

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1975 Sanctuary Records Group Ltd., a BMG Company

6
Your Turn to Remember
00:04:21

Lee Kerslake, Drums, Percussion, Vocals - Ken Hensley, Composer, Guitar, Keyboards, Vocals, Synthesizer - Dave Burns, Assistant Recording Engineer - John Wetton, Bass Guitar, Vocals, Mellotron - Gerry Bron, Producer - Harry Moss, MasteringEngineer - Mick Box, Guitar - David Byron, Lead Vocals - Uriah Heep, MainArtist - Dave Harris, Assistant Recording Engineer - Peter Gallen, RecordingEngineer

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1975 Sanctuary Records Group Ltd., a BMG Company

7
Showdown
00:04:17

Lee Kerslake, Composer, Drums, Percussion, Vocals - Ken Hensley, Composer, Guitar, Keyboards, Vocals, Synthesizer - Dave Burns, Assistant Recording Engineer - John Wetton, Bass Guitar, Vocals, Mellotron - Gerry Bron, Producer - Harry Moss, MasteringEngineer - Mick Box, Composer, Guitar - David Byron, Composer, Lead Vocals - Uriah Heep, MainArtist - Dave Harris, Assistant Recording Engineer - Peter Gallen, RecordingEngineer

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1975 Sanctuary Records Group Ltd., a BMG Company

8
Why Did You Go
00:03:52

Lee Kerslake, Composer, Drums, Percussion, Vocals - Ken Hensley, Composer, Guitar, Keyboards, Vocals, Synthesizer - Dave Burns, Assistant Recording Engineer - John Wetton, Bass Guitar, Vocals, Mellotron - Gerry Bron, Producer - Harry Moss, MasteringEngineer - Mick Box, Composer, Guitar - David Byron, Composer, Lead Vocals - Uriah Heep, MainArtist - Dave Harris, Assistant Recording Engineer - Peter Gallen, RecordingEngineer

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1975 Sanctuary Records Group Ltd., a BMG Company

9
A Year or a Day
00:04:25

Lee Kerslake, Drums, Percussion, Vocals - Ken Hensley, Composer, Guitar, Keyboards, Vocals, Synthesizer - Dave Burns, Assistant Recording Engineer - John Wetton, Bass Guitar, Vocals, Mellotron - Gerry Bron, Producer - Harry Moss, MasteringEngineer - Mick Box, Guitar - David Byron, Lead Vocals - Uriah Heep, MainArtist - Dave Harris, Assistant Recording Engineer - Peter Gallen, RecordingEngineer

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1975 Sanctuary Records Group Ltd., a BMG Company

10
Shout It Out
00:03:32

Lee Kerslake, Drums, Percussion, Vocals - Ken Hensley, Guitar, Keyboards, Vocals, Synthesizer - Dave Burns, Assistant Recording Engineer - John Wetton, Bass Guitar, Vocals, Mellotron - Gerry Bron, Producer - Harry Moss, MasteringEngineer - Mick Box, Guitar - David Byron, Lead Vocals - Uriah Heep, MainArtist - Dave Harris, Assistant Recording Engineer - Peter Gallen, RecordingEngineer

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1975 Sanctuary Records Group Ltd., a BMG Company

11
The Time Will Come
00:04:07

Lee Kerslake, Drums, Percussion, Vocals - Ken Hensley, Guitar, Keyboards, Vocals, Synthesizer - Dave Burns, Assistant Recording Engineer - John Wetton, Bass Guitar, Vocals, Mellotron - Gerry Bron, Producer - Harry Moss, MasteringEngineer - Mick Box, Guitar - David Byron, Lead Vocals - Uriah Heep, MainArtist - Dave Harris, Assistant Recording Engineer - Peter Gallen, RecordingEngineer

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1975 Sanctuary Records Group Ltd., a BMG Company

12
Prima Donna (Alternate Demo Version)
00:04:04

Lee Kerslake, Composer, Drums, Percussion, Vocals - Ken Hensley, Composer, Guitar, Keyboards, Vocals, Synthesizer - Dave Burns, Assistant Recording Engineer - John Wetton, Bass Guitar, Vocals, Mellotron - Gerry Bron, Producer - Harry Moss, MasteringEngineer - Mick Box, Composer, Guitar - David Byron, Composer, Lead Vocals - Uriah Heep, MainArtist - Dave Harris, Assistant Recording Engineer - Peter Gallen, RecordingEngineer

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1996 Sanctuary Records Group Ltd., a BMG Company

13
Why Did You Go (Demo Version)
00:05:17

Lee Kerslake, Composer, Drums, Percussion, Vocals - Ken Hensley, Composer, Guitar, Keyboards, Vocals, Synthesizer - Dave Burns, Assistant Recording Engineer - John Wetton, Bass Guitar, Vocals, Mellotron - Gerry Bron, Producer - Harry Moss, MasteringEngineer - Mick Box, Composer, Guitar - David Byron, Composer, Lead Vocals - Uriah Heep, MainArtist - Dave Harris, Assistant Recording Engineer - Peter Gallen, RecordingEngineer

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1996 Sanctuary Records Group Ltd., a BMG Company

14
Showdown (Alternate Demo Version)
00:04:18

Lee Kerslake, Composer, Drums, Percussion, Vocals - Ken Hensley, Composer, Guitar, Keyboards, Vocals, Synthesizer - Dave Burns, Assistant Recording Engineer - John Wetton, Bass Guitar, Vocals, Mellotron - Gerry Bron, Producer - Harry Moss, MasteringEngineer - Mick Box, Composer, Guitar - David Byron, Composer, Lead Vocals - Uriah Heep, MainArtist - Dave Harris, Assistant Recording Engineer - Peter Gallen, RecordingEngineer

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 1996 Sanctuary Records Group Ltd., a BMG Company

15
Beautiful Dream (Alternative Demo Version)
00:05:47

Lee Kerslake, Composer, Drums, Percussion, Vocals - Ken Hensley, Composer, Guitar, Keyboards, Vocals, Synthesizer - Dave Burns, Assistant Recording Engineer - John Wetton, Bass Guitar, Vocals, Mellotron - Gerry Bron, Producer - Harry Moss, MasteringEngineer - Mick Box, Composer, Guitar - David Byron, Composer, Lead Vocals - Uriah Heep, MainArtist - Dave Harris, Assistant Recording Engineer - Peter Gallen, RecordingEngineer

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 2005 Sanctuary Records Group Ltd., a BMG Company

16
Return to Fantasy (Extended Version)
00:07:19

Lee Kerslake, Drums, Percussion, Vocals - Ken Hensley, Composer, Guitar, Keyboards, Vocals, Synthesizer - Dave Burns, Assistant Recording Engineer - John Wetton, Bass Guitar, Vocals, Mellotron - Hensley, Composer - Byron, Composer - Gerry Bron, Producer - Harry Moss, MasteringEngineer - Mick Box, Guitar - David Byron, Composer, Lead Vocals - Uriah Heep, Composer, MainArtist - Dave Harris, Assistant Recording Engineer - Peter Gallen, RecordingEngineer

© 2004 Sanctuary Records Group Ltd., a BMG Company ℗ 2004 Sanctuary Records Group Ltd., a BMG Company

Chronique

After two albums that downplayed their penchant for gothic sounds and mystical lyrics, Uriah Heep brought these elements back to the fore on 1975's Return to Fantasy. The resulting album retains the musical experimentation that marked Sweet Freedom and Wonderworld, but has an overall harder-rocking feel that makes it more consistent than either one of those albums. Return to Fantasy throws down the gauntlet with the title track, which builds from a tapestry of spooky synthesizer and organ riffs to a thunderous rock tune where the guitar and organ duel over a galloping backbeat laid down by Lee Kerslake. It's bracing stuff and one of the finest rockers in the Uriah Heep canon. The rest of the first side continues in a similarly strong hard rock vein and its other key highlight is "Beautiful Dream," a song that marries stomping hard rock verses to a spooky, ethereal chorus that sounds like it could have been plucked from a mid-'70s Pink Floyd album. On the second side, Heep give themselves over to experiments that, while listenable, cause the album to lose focus. For instance, "Prima Donna" is a sardonic commentary on the rock & roll world that features a prominent brass section and prominently overdubbed Beach Boys-style harmonies, while "Your Turn to Remember" is the kind of bluesy AOR ballad that groups like Journey would later specialize in. Both songs are fun listening but stray too far from the group's traditional sound and are too dissimilar to make Return to Fantasy a cohesive experience. Despite these problems, the group never turns in a less-than-engaging instrumental performance and the consistent quality of their work keeps the album from getting carried away by all the genre-hopping. In the end, Return to Fantasy lacks the coherence of a top-shelf Uriah Heep classic like Demons and Wizards but remains a strong and likable album that is guaranteed to please the group's fans.

© Donald A. Guarisco /TiVo

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