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Stan Getz|Reflections

Reflections

Stan Getz

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Though in 1963 some purists considered Reflections to be certain evidence that Stan Getz had sold out and abandoned "real jazz" completely, the album is actually, while perhaps not a masterpiece, an artful and intriguing sidebar to the tenor saxophonist's now celebrated bossa nova period. Getz was always a sublimely smooth and lyrical player who had already recorded in an orchestral setting on the groundbreaking Focus, and had a number one pop hit with Jazz Samba. It was only natural, then, that he would want to combine the two concepts. Although Reflections does at times bear the slight stench of easy listening (sweeping strings, a Lawrence Welk-like vocal chorus), it's definitely not elevator music. Getz is in as fine form as ever, and the restrictive pop-based song structures challenge him to use his creative faculties in interesting ways. It's a true master musician who can make Bob Dylan's "Blowin' in the Wind" swing without descending into schmaltzy Trini Lopez territory or losing any of the tune's original melancholic urgency. There are a few tracks, of course, where Getz jumps back into a more straight-ahead and cool jazz bag. The Lalo Schifrin tune "Nitetime Street" features an appropriately bluesy and brooding guitar solo from Kenny Burrell, and Getz's take on "Love" is a wild Latin romp that matches the vitality of anything on his Gilberto/Jobim collaborations. A highly underrated and oft-ignored album, Reflections should be re-evaluated and viewed not as an acceptance of crass commercialism, but as a daring and brilliant artist's attempt to find pure music by blurring the boundaries between jazz and pop.

© Pemberton Roach /TiVo

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Reflections

Stan Getz

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1
Moonlight In Vermont
00:02:24

Paul Gershman, Violin, AssociatedPerformer - Charles McCracken, Cello, AssociatedPerformer - George Duvivier, Double Bass, AssociatedPerformer - Candido Camero, Percussion, AssociatedPerformer - Bob Bushnell, Double Bass, AssociatedPerformer - George Devens, Vibraphone, AssociatedPerformer - CLAUS OGERMAN, Conductor, Recording Arranger, AssociatedPerformer - Allen Hanlon, Guitar, AssociatedPerformer - Harry Lookofsky, Violin, AssociatedPerformer - Hank Jones, Piano, AssociatedPerformer - Karl Suessdorf, ComposerLyricist - Stan Getz, MainArtist - Kenny Burrell, Guitar, AssociatedPerformer - Jack Jennings, Percussion, AssociatedPerformer - Harvey Shapiro, Cello, AssociatedPerformer - Harry Glickman, Violin, AssociatedPerformer - Leo Kruczek, Violin, AssociatedPerformer - Julius Held, Violin, AssociatedPerformer - Lewis Eley, Violin, AssociatedPerformer - Raoul Poliakin, Violin, AssociatedPerformer - John M. Blackburn, ComposerLyricist - Creed Taylor, Producer - Sidney Edwards, Violin, AssociatedPerformer - Louis Haber, Violin, AssociatedPerformer - Willard Suyker, Guitar, AssociatedPerformer - Ralph Hollander, Violin, AssociatedPerformer - Morris Stonzek, Violin, AssociatedPerformer - James G. Johnson, Unknown, Other

℗ 1963 The Verve Music Group, a Division of UMG Recordings, Inc.

2
If Ever I Would Leave You
00:02:13

Paul Gershman, Violin, AssociatedPerformer - Charles McCracken, Cello, AssociatedPerformer - George Duvivier, Double Bass, AssociatedPerformer - Candido Camero, Percussion, AssociatedPerformer - Bob Bushnell, Double Bass, AssociatedPerformer - George Devens, Vibraphone, AssociatedPerformer - CLAUS OGERMAN, Recording Arranger, AssociatedPerformer - Allen Hanlon, Guitar, AssociatedPerformer - Harry Lookofsky, Violin, AssociatedPerformer - Hank Jones, Piano, AssociatedPerformer - Frederick Loewe, ComposerLyricist - Alan Jay Lerner, ComposerLyricist - Stan Getz, MainArtist - Kenny Burrell, Guitar, AssociatedPerformer - Jack Jennings, Percussion, AssociatedPerformer - Harvey Shapiro, Cello, AssociatedPerformer - Harry Glickman, Violin, AssociatedPerformer - Leo Kruczek, Violin, AssociatedPerformer - Julius Held, Violin, AssociatedPerformer - Lewis Eley, Violin, AssociatedPerformer - Raoul Poliakin, Violin, AssociatedPerformer - Creed Taylor, Producer - Sidney Edwards, Violin, AssociatedPerformer - Louis Haber, Violin, AssociatedPerformer - Willard Suyker, Guitar, AssociatedPerformer - Ralph Hollander, Violin, AssociatedPerformer - Morris Stonzek, Violin, AssociatedPerformer - James G. Johnson, Unknown, Other

℗ 1963 The Verve Music Group, a Division of UMG Recordings, Inc.

3
Love
00:02:40

George Duvivier, Double Bass, AssociatedPerformer - Candido Camero, Percussion, AssociatedPerformer - Lalo Schifrin, Recording Arranger, AssociatedPerformer - Osie Johnson, Percussion, AssociatedPerformer - George Devens, Vibraphone, AssociatedPerformer - Hugh Martin, ComposerLyricist - Ralph Blane, ComposerLyricist - Mel Lewis, Drums, AssociatedPerformer - Hank Jones, Piano, AssociatedPerformer - Stan Getz, MainArtist - Kenny Burrell, Guitar, AssociatedPerformer - Creed Taylor, Producer

℗ 1963 The Verve Music Group, a Division of UMG Recordings, Inc.

4
Reflections
00:02:41

George Duvivier, Double Bass, AssociatedPerformer - Lalo Schifrin, Recording Arranger, AssociatedPerformer, ComposerLyricist - George Devens, Vibraphone, AssociatedPerformer - Mel Lewis, Drums, AssociatedPerformer - Hank Jones, Piano, AssociatedPerformer - Stan Getz, MainArtist - Kenny Burrell, Guitar, AssociatedPerformer - Creed Taylor, Producer

℗ 1963 The Verve Music Group, a Division of UMG Recordings, Inc.

5
Sleeping Bee
00:02:41

George Duvivier, Double Bass, AssociatedPerformer - Candido Camero, Percussion, AssociatedPerformer - Lalo Schifrin, Recording Arranger, AssociatedPerformer - Bob Bushnell, Double Bass, AssociatedPerformer - George Devens, Vibraphone, AssociatedPerformer - Harold Arlen, ComposerLyricist - Allen Hanlon, Guitar, AssociatedPerformer - Hank Jones, Piano, AssociatedPerformer - Stan Getz, MainArtist - Kenny Burrell, Guitar, AssociatedPerformer - Jack Jennings, Percussion, AssociatedPerformer - Truman Capote, ComposerLyricist - Creed Taylor, Producer - Willard Suyker, Guitar, AssociatedPerformer - James G. Johnson, Unknown, Other

℗ 1963 The Verve Music Group, a Division of UMG Recordings, Inc.

6
Charade
00:02:37

Jimmy Buffington, French Horn, AssociatedPerformer - George Duvivier, Double Bass, AssociatedPerformer - Lalo Schifrin, Unknown, Recording Arranger, Other, AssociatedPerformer - Johnny Mercer, ComposerLyricist - Henry Mancini, ComposerLyricist - George Devens, Percussion, Vibraphone, AssociatedPerformer - Ernie Royal, Trumpet, AssociatedPerformer - Mel Lewis, Drums, Percussion, AssociatedPerformer - Hank Jones, Piano, AssociatedPerformer - Stan Getz, MainArtist - Kenny Burrell, Guitar, AssociatedPerformer - Don Butterfield, Tuba, AssociatedPerformer - Urbie Green, Trombone, AssociatedPerformer - Creed Taylor, Producer - Mark Markowitz, Trumpet, AssociatedPerformer

℗ 1963 The Verve Music Group, a Division of UMG Recordings, Inc.

7
Early Autumn
00:04:00

Ralph Burns, ComposerLyricist - George Duvivier, Double Bass, AssociatedPerformer - Candido Camero, Percussion, AssociatedPerformer - Lalo Schifrin, Recording Arranger, AssociatedPerformer - Johnny Mercer, ComposerLyricist - Bob Bushnell, Double Bass, AssociatedPerformer - George Devens, Vibraphone, AssociatedPerformer - Allen Hanlon, Guitar, AssociatedPerformer - Hank Jones, Piano, AssociatedPerformer - Stan Getz, MainArtist - Kenny Burrell, Guitar, AssociatedPerformer - Jack Jennings, Percussion, AssociatedPerformer - Woody Herman, ComposerLyricist - Creed Taylor, Producer - Willard Suyker, Guitar, AssociatedPerformer - James G. Johnson, Unknown, Other

℗ 1963 The Verve Music Group, a Division of UMG Recordings, Inc.

8
Penthouse Serenade
00:03:13

George Duvivier, Double Bass, AssociatedPerformer - Candido Camero, Percussion, AssociatedPerformer - Lalo Schifrin, Recording Arranger, AssociatedPerformer - Osie Johnson, Percussion, AssociatedPerformer - George Devens, Vibraphone, AssociatedPerformer - Mel Lewis, Drums, AssociatedPerformer - Hank Jones, Piano, AssociatedPerformer - Stan Getz, MainArtist - Kenny Burrell, Guitar, AssociatedPerformer - Will Jason, ComposerLyricist - Val Burton, ComposerLyricist - Creed Taylor, Producer

℗ 1963 The Verve Music Group, a Division of UMG Recordings, Inc.

9
Spring Can Really Hang You Up The Most
00:03:56

Frances Landesman, ComposerLyricist - Jimmy Buffington, French Horn, AssociatedPerformer - George Duvivier, Double Bass, AssociatedPerformer - Lalo Schifrin, Recording Arranger, AssociatedPerformer - George Devens, Percussion, Vibraphone, AssociatedPerformer - Ernie Royal, Trumpet, AssociatedPerformer - Mel Lewis, Drums, Percussion, AssociatedPerformer - Hank Jones, Piano, AssociatedPerformer - Stan Getz, MainArtist - Kenny Burrell, Guitar, AssociatedPerformer - Don Butterfield, Tuba, AssociatedPerformer - Urbie Green, Trombone, AssociatedPerformer - Thomas J. Wolf Jr., ComposerLyricist - Creed Taylor, Producer - Mark Markowitz, Trumpet, AssociatedPerformer

℗ 1963 The Verve Music Group, a Division of UMG Recordings, Inc.

10
Nitetime Street
00:03:51

Jimmy Buffington, French Horn, AssociatedPerformer - George Duvivier, Double Bass, AssociatedPerformer - Lalo Schifrin, Recording Arranger, AssociatedPerformer, ComposerLyricist - George Devens, Percussion, Vibraphone, AssociatedPerformer - Ernie Royal, Trumpet, AssociatedPerformer - Mel Lewis, Drums, Percussion, AssociatedPerformer - Hank Jones, Piano, AssociatedPerformer - Stan Getz, MainArtist - Kenny Burrell, Guitar, AssociatedPerformer - Don Butterfield, Tuba, AssociatedPerformer - Urbie Green, Trombone, AssociatedPerformer - Creed Taylor, Producer - Mark Markowitz, Trumpet, AssociatedPerformer

℗ 1963 The Verve Music Group, a Division of UMG Recordings, Inc.

11
Blowin' In The Wind
00:02:32

Paul Gershman, Violin, AssociatedPerformer - Charles McCracken, Cello, AssociatedPerformer - George Duvivier, Double Bass, AssociatedPerformer - Candido Camero, Percussion, AssociatedPerformer - Bob Dylan, ComposerLyricist - Bob Bushnell, Double Bass, AssociatedPerformer - George Devens, Vibraphone, AssociatedPerformer - CLAUS OGERMAN, Recording Arranger, AssociatedPerformer - Allen Hanlon, Guitar, AssociatedPerformer - Harry Lookofsky, Violin, AssociatedPerformer - Hank Jones, Piano, AssociatedPerformer - Stan Getz, MainArtist - Kenny Burrell, Guitar, AssociatedPerformer - Jack Jennings, Percussion, AssociatedPerformer - Harvey Shapiro, Cello, AssociatedPerformer - Harry Glickman, Violin, AssociatedPerformer - Leo Kruczek, Violin, AssociatedPerformer - Julius Held, Violin, AssociatedPerformer - Lewis Eley, Violin, AssociatedPerformer - Raoul Poliakin, Violin, AssociatedPerformer - Creed Taylor, Producer - Sidney Edwards, Violin, AssociatedPerformer - Louis Haber, Violin, AssociatedPerformer - Willard Suyker, Guitar, AssociatedPerformer - Ralph Hollander, Violin, AssociatedPerformer - Morris Stonzek, Violin, AssociatedPerformer - James G. Johnson, Unknown, Other

℗ 1963 The Verve Music Group, a Division of UMG Recordings, Inc.

Chronique

Though in 1963 some purists considered Reflections to be certain evidence that Stan Getz had sold out and abandoned "real jazz" completely, the album is actually, while perhaps not a masterpiece, an artful and intriguing sidebar to the tenor saxophonist's now celebrated bossa nova period. Getz was always a sublimely smooth and lyrical player who had already recorded in an orchestral setting on the groundbreaking Focus, and had a number one pop hit with Jazz Samba. It was only natural, then, that he would want to combine the two concepts. Although Reflections does at times bear the slight stench of easy listening (sweeping strings, a Lawrence Welk-like vocal chorus), it's definitely not elevator music. Getz is in as fine form as ever, and the restrictive pop-based song structures challenge him to use his creative faculties in interesting ways. It's a true master musician who can make Bob Dylan's "Blowin' in the Wind" swing without descending into schmaltzy Trini Lopez territory or losing any of the tune's original melancholic urgency. There are a few tracks, of course, where Getz jumps back into a more straight-ahead and cool jazz bag. The Lalo Schifrin tune "Nitetime Street" features an appropriately bluesy and brooding guitar solo from Kenny Burrell, and Getz's take on "Love" is a wild Latin romp that matches the vitality of anything on his Gilberto/Jobim collaborations. A highly underrated and oft-ignored album, Reflections should be re-evaluated and viewed not as an acceptance of crass commercialism, but as a daring and brilliant artist's attempt to find pure music by blurring the boundaries between jazz and pop.

© Pemberton Roach /TiVo

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