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Langue disponible : anglais
All Saints' fourth album Red Flag -- their first in a decade -- is both a step forward and a step back for the British-Canadian group. They've moved past 2006's lackluster comeback Studio 1, while simultaneously resurrecting the authentic spirit that brought them fame in the late '90s. For the first time, the songs are all arranged by the group without label input (Shaznay Lewis wrote all but one of the tracks here). As such, the women sound liberated and joyful. The quartet's harmonizing is in top form -- an essential part of their allure when they debuted as street-smart, down-to-earth alternatives to the Spice Girls -- allowing the Appleton sisters, Melanie Blatt, and Lewis to shine in a way that was lost on Studio 1. Red Flag revisits the soulful vibe of early hits "Never Ever" and "I Know Where It's At," updating it with maturity and focus, like on "Puppet on a String" and "Make U Love Me." The album's biggest successes are grand pop statements, like the fierce one-two punch of openers "One Strike" and "One Woman Man," a pair of highlights concerning Nicole Appleton's split from Liam Gallagher. Life's heartbreaks pop up elsewhere, like on the powerfully cathartic, midtempo numbers "Summer Rain" and "This Is a War." Despite the reflective content, Red Flag isn't entirely bogged down by sadness; rather, the mood is elevated with a live-and-learn attitude that makes Red Flag all the more empowering. While front-loaded with potential singles, the second half sees All Saints stepping into new territory. The dancehall vibe on "Ratchet Behaviour" is their take on No Doubt, while the title track amps up the intensity with tribal chants and an earth-rumbling trip-hop throb. The starkest moment sneaks in on the Blatt-penned "Who Hurt Who," a stripped-down heartbreaker that recalls the sadder moments of Natalie Imbruglia's Come to Life. "Tribal" floats off on a stream-of-consciousness journey that flows into the closer, "Pieces," a triumphant swell of orchestration and harmony. Rather than clinging to the past and nostalgia, All Saints' sound has matured with confidence -- much like Kylie Minogue's or Melanie C's -- resulting in an album that is both secure and content.
© Neil Z. Yeung /TiVo
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Ruadhri Cushnan, Mixer, StudioPersonnel - All Saints, MainArtist - Shaznay Lewis, Vocals, AssociatedPerformer, ComposerLyricist - Dick Beetham, Mastering Engineer, StudioPersonnel - Hutch, Producer - Melanie Blatt, Vocals, AssociatedPerformer - Natalie Appleton, Vocals, AssociatedPerformer - Pete Hutchings, ComposerLyricist - Nicole Appleton, Vocals, AssociatedPerformer
℗ 2016 London Records, a division of Universal Music Operations Ltd
All Saints, MainArtist - Shaznay Lewis, Vocals, AssociatedPerformer, ComposerLyricist - Dick Beetham, Mastering Engineer, StudioPersonnel - Adrian Hall, Mixer, StudioPersonnel - Tim Wills, Programming, AssociatedPerformer - K-Gee, Producer - Melanie Blatt, Vocals, AssociatedPerformer - Viktoria Hansen, ComposerLyricist - Natalie Appleton, Vocals, AssociatedPerformer - Nicole Appleton, Vocals, AssociatedPerformer - Utters, Producer, Unknown, Other - Dan Radclyffe, ComposerLyricist
℗ 2016 London Records, a division of Universal Music Operations Ltd
James Dring, ComposerLyricist - Jody Street, ComposerLyricist - All Saints, MainArtist - Shaznay Lewis, Vocals, AssociatedPerformer, ComposerLyricist - Dick Beetham, Mastering Engineer, StudioPersonnel - K-Gee, Producer - Melanie Blatt, Vocals, AssociatedPerformer - Ben Cullum, Guitar, Bass Guitar, AssociatedPerformer - Natalie Appleton, Vocals, AssociatedPerformer - Nicole Appleton, Vocals, AssociatedPerformer - Dean James Barratt, Mixer, StudioPersonnel
℗ 2016 London Records, a division of Universal Music Operations Ltd
All Saints, MainArtist - Shaznay Lewis, Vocals, AssociatedPerformer, ComposerLyricist - Dick Beetham, Mastering Engineer, StudioPersonnel - Adrian Hall, Mixer, StudioPersonnel - K-Gee, Producer, Keyboards, AssociatedPerformer - Melanie Blatt, Vocals, AssociatedPerformer - Ben Cullum, Bass Guitar, AssociatedPerformer - Natalie Appleton, Vocals, AssociatedPerformer - Nicole Appleton, Vocals, AssociatedPerformer - Ben Epstein, Guitar, AssociatedPerformer - Fredrik Ball, Producer, ComposerLyricist
℗ 2016 London Records, a division of Universal Music Operations Ltd
All Saints, MainArtist - Shaznay Lewis, Vocals, AssociatedPerformer, ComposerLyricist - Dick Beetham, Mastering Engineer, StudioPersonnel - Adrian Hall, Mixer, StudioPersonnel - Tim Wills, Programming, AssociatedPerformer - Jony Rockstar, Producer, Additional Producer - K-Gee, Producer, Keyboards, AssociatedPerformer - Melanie Blatt, Vocals, AssociatedPerformer - Ben Cullum, Bass Guitar, AssociatedPerformer - Natalie Appleton, Vocals, AssociatedPerformer - Nicole Appleton, Vocals, AssociatedPerformer - Jonathan Lipsey, ComposerLyricist - Jonny Coffer, ComposerLyricist
℗ 2016 London Records, a division of Universal Music Operations Ltd
All Saints, MainArtist - Shaznay Lewis, Vocals, AssociatedPerformer - DAVID DAVIDSON, String Arranger, AssociatedPerformer - SACHA SKARBEK, Producer, ComposerLyricist - Carole Rabinowitz, Cello, AssociatedPerformer - Melanie Blatt, Vocals, AssociatedPerformer, ComposerLyricist - Natalie Appleton, Vocals, AssociatedPerformer - The Love Sponge Strings, Strings, AssociatedPerformer - Nicole Appleton, Vocals, AssociatedPerformer - Flo Reutter, Producer, Engineer, Co-Producer, StudioPersonnel - Maximillian Von Amein, Producer, Engineer, Co-Producer, StudioPersonnel
℗ 2016 London Records, a division of Universal Music Operations Ltd
All Saints, MainArtist - Shaznay Lewis, Vocals, AssociatedPerformer, ComposerLyricist - Dick Beetham, Mastering Engineer, StudioPersonnel - Adrian Hall, Mixer, StudioPersonnel - Melanie Blatt, Vocals, AssociatedPerformer - Natalie Appleton, Vocals, AssociatedPerformer - Nicole Appleton, Vocals, AssociatedPerformer - Ben Epstein, Guitar, Bass Guitar, AssociatedPerformer - Fredrik Ball, Producer, Keyboards, Percussion, AssociatedPerformer, ComposerLyricist
℗ 2016 London Records, a division of Universal Music Operations Ltd
All Saints, MainArtist - Shaznay Lewis, Vocals, AssociatedPerformer, ComposerLyricist - Dick Beetham, Mastering Engineer, StudioPersonnel - Adrian Hall, Mixer, StudioPersonnel - Melanie Blatt, Vocals, AssociatedPerformer - The Invisible Men, Producer - George Astasio, Programming, AssociatedPerformer, ComposerLyricist - Jason Pebworth, Keyboards, AssociatedPerformer, ComposerLyricist - Jon Shave, Keyboards, Programming, AssociatedPerformer, ComposerLyricist - Natalie Appleton, Vocals, AssociatedPerformer - Nicole Appleton, Vocals, AssociatedPerformer - James Draper, Producer, Keyboards, Programming, AssociatedPerformer, ComposerLyricist
℗ 2016 London Records, a division of Universal Music Operations Ltd
All Saints, MainArtist - Shaznay Lewis, Vocals, AssociatedPerformer, ComposerLyricist - Dick Beetham, Mastering Engineer, StudioPersonnel - K-Gee, Producer, Keyboards, AssociatedPerformer - Melanie Blatt, Vocals, AssociatedPerformer - Natalie Appleton, Vocals, AssociatedPerformer - Nicole Appleton, Vocals, AssociatedPerformer - Lexie Lee, Vocals, AssociatedPerformer - Cleopatra Humphrey, ComposerLyricist - Dean James Barratt, Mixer, StudioPersonnel - Karl Clive Gordon, ComposerLyricist - Lexia Lechelt, ComposerLyricist - Cleo Nicole Georgette Didier, Vocals, AssociatedPerformer
℗ 2016 London Records, a division of Universal Music Operations Ltd
All Saints, MainArtist - Shaznay Lewis, Vocals, AssociatedPerformer, ComposerLyricist - Dick Beetham, Mastering Engineer, StudioPersonnel - K-Gee, Producer, Keyboards, AssociatedPerformer - Melanie Blatt, Vocals, AssociatedPerformer - Ben Cullum, Guitar, Keyboards, AssociatedPerformer - Natalie Appleton, Vocals, AssociatedPerformer - Nicole Appleton, Vocals, AssociatedPerformer - Dean James Barratt, Mixer, StudioPersonnel - Karl Clive Gordon, ComposerLyricist
℗ 2016 London Records, a division of Universal Music Operations Ltd
All Saints, MainArtist - Shaznay Lewis, Vocals, AssociatedPerformer, ComposerLyricist - Dick Beetham, Mastering Engineer, StudioPersonnel - Tim Wills, Programming, AssociatedPerformer - K-Gee, Producer, Keyboards, AssociatedPerformer - Melanie Blatt, Vocals, AssociatedPerformer - Natalie Appleton, Vocals, AssociatedPerformer - Nicole Appleton, Vocals, AssociatedPerformer - Dean James Barratt, Mixer, StudioPersonnel - Karl Clive Gordon, ComposerLyricist
℗ 2016 London Records, a division of Universal Music Operations Ltd
Tim Hutton, Horn, AssociatedPerformer - All Saints, MainArtist - Shaznay Lewis, Vocals, AssociatedPerformer, ComposerLyricist - Dick Beetham, Mastering Engineer, StudioPersonnel - Adrian Hall, Mixer, StudioPersonnel - K-Gee, Producer - Melanie Blatt, Vocals, AssociatedPerformer - Ben Cullum, Guitar, Keyboards, AssociatedPerformer - Natalie Appleton, Vocals, AssociatedPerformer - Nicole Appleton, Vocals, AssociatedPerformer - Karl Clive Gordon, ComposerLyricist
℗ 2016 London Records, a division of Universal Music Operations Ltd
Chronique
All Saints' fourth album Red Flag -- their first in a decade -- is both a step forward and a step back for the British-Canadian group. They've moved past 2006's lackluster comeback Studio 1, while simultaneously resurrecting the authentic spirit that brought them fame in the late '90s. For the first time, the songs are all arranged by the group without label input (Shaznay Lewis wrote all but one of the tracks here). As such, the women sound liberated and joyful. The quartet's harmonizing is in top form -- an essential part of their allure when they debuted as street-smart, down-to-earth alternatives to the Spice Girls -- allowing the Appleton sisters, Melanie Blatt, and Lewis to shine in a way that was lost on Studio 1. Red Flag revisits the soulful vibe of early hits "Never Ever" and "I Know Where It's At," updating it with maturity and focus, like on "Puppet on a String" and "Make U Love Me." The album's biggest successes are grand pop statements, like the fierce one-two punch of openers "One Strike" and "One Woman Man," a pair of highlights concerning Nicole Appleton's split from Liam Gallagher. Life's heartbreaks pop up elsewhere, like on the powerfully cathartic, midtempo numbers "Summer Rain" and "This Is a War." Despite the reflective content, Red Flag isn't entirely bogged down by sadness; rather, the mood is elevated with a live-and-learn attitude that makes Red Flag all the more empowering. While front-loaded with potential singles, the second half sees All Saints stepping into new territory. The dancehall vibe on "Ratchet Behaviour" is their take on No Doubt, while the title track amps up the intensity with tribal chants and an earth-rumbling trip-hop throb. The starkest moment sneaks in on the Blatt-penned "Who Hurt Who," a stripped-down heartbreaker that recalls the sadder moments of Natalie Imbruglia's Come to Life. "Tribal" floats off on a stream-of-consciousness journey that flows into the closer, "Pieces," a triumphant swell of orchestration and harmony. Rather than clinging to the past and nostalgia, All Saints' sound has matured with confidence -- much like Kylie Minogue's or Melanie C's -- resulting in an album that is both secure and content.
© Neil Z. Yeung /TiVo
À propos
- 1 disque(s) - 12 piste(s)
- Durée totale : 00:47:31
- Artistes principaux : All Saints
- Compositeur : Various Composers
- Label : UMOD (Universal Music On Demand)
- Genre : Pop/Rock Pop
© 2016 London Records, a division of Universal Music Operations Ltd ℗ 2016 London Records, a division of Universal Music Operations Ltd
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