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George Duke|Reach For It

Reach For It

George Duke

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By 1977, the jazz content of George Duke's albums had decreased considerably, and soul and funk had become his main priorities. Reach for It has more to offer from an R&B standpoint than a jazz standpoint, though the fusion it does contain is first rate -- including the Latin-influenced "Hot Fire" and "Lemme at It" (an aggressive gem that's in a class with some of the keyboardist/pianist's best work with the Billy Cobham/Duke Band). Reach's heavy R&B content resulted in Duke facing the same accusation as George Benson, Patrice Rushen and other improvisers who moved away from jazz in the '70s -- that he was a sellout. But none of this album's R&B content comes across as contrived or formulaic. In fact, Duke is downright inspired on the haunting "Just for You" and the Parliament-influenced title song. Even so, it's always regrettable when a gifted improviser pretty much abandons jazz -- and Duke is a prime example. It should be stressed that the high rating awarded this album is primarily from an R&B standpoint -- and that those strictly interested in hearing Duke playing jazz would be better off investing in earlier efforts like Faces in Reflection.

© Alex Henderson /TiVo

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Reach For It

George Duke

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1
The Beginning (Album Version)
00:01:50

Sybil Thomas, Vocal - Kerry McNabb, Engineer - Charles Icarus Johnson, Guitar - Deborah Thomas, Vocal - George Duke, Performer - George Duke, Vocal - George Duke, Composer - George Duke, Keyboards - George Duke, Producer - George Duke, Arranger - G. Duke, Composer - G. Duke, Lyricist - Dee Henrichs, Vocal - Mike Sembello, Percussion - Leon "Ndugu" Chancler, Drums - Johnny Golden, Mastering Engineer - Manolo Badrena, Congas - Manolo Badrena, Bongos

(P) 1977 Sony Music Entertainment Inc.

2
Lemme At It (Album Version)
00:04:13

Sybil Thomas, Vocal - Kerry McNabb, Engineer - Charles Icarus Johnson, Guitar - Deborah Thomas, Vocal - George Duke, Performer - George Duke, Vocal - George Duke, Composer - George Duke, Keyboards - George Duke, Producer - George Duke, Arranger - G. Duke, Composer - G. Duke, Lyricist - Dee Henrichs, Vocal - Mike Sembello, Percussion - Leon "Ndugu" Chancler, Drums - Johnny Golden, Mastering Engineer - Manolo Badrena, Congas - Manolo Badrena, Bongos

(P) 1977 Sony Music Entertainment Inc.

3
Hot Fire (Album Version)
00:05:31

Sybil Thomas, Vocal - Kerry McNabb, Engineer - Charles Icarus Johnson, Guitar - L.N. CHANCLER, Composer - L.N. CHANCLER, Lyricist - Deborah Thomas, Vocal - George Duke, Performer - George Duke, Vocal - George Duke, Composer - George Duke, Keyboards - George Duke, Producer - George Duke, Arranger - Dee Henrichs, Vocal - Mike Sembello, Percussion - Leon "Ndugu" Chancler, Drums - Johnny Golden, Mastering Engineer - Manolo Badrena, Congas - Manolo Badrena, Bongos

(P) 1977 Sony Music Entertainment Inc.

4
Reach For It (Album Version)
00:04:53

Sybil Thomas, Vocal - Kerry McNabb, Engineer - Charles Icarus Johnson, Vocal - Charles Icarus Johnson, Guitar - Deborah Thomas, Vocal - George Duke, Performer - George Duke, Vocal - George Duke, Composer - George Duke, Keyboards - George Duke, Producer - George Duke, Arranger - G. Duke, Composer - G. Duke, Lyricist - Dee Henrichs, Vocal - Mike Sembello, Percussion - Leon "Ndugu" Chancler, Vocal - Leon "Ndugu" Chancler, Drums - Johnny Golden, Mastering Engineer - Manolo Badrena, Congas - Manolo Badrena, Bongos

(P) 1977 SONY BMG MUSIC ENTERTAINMENT

5
Just For You (Album Version)
00:04:26

Charles Icarus Johnson, Guitar - George Duke, Keyboards - George Duke, Performer - George Duke, Vocal - George Duke, Producer - George Duke, Lyricist - George Duke, Composer - Leon "Ndugu" Chancler, Drums - Mike Sembello, Percussion - Byron Miller, Bass

(P) 1977 Sony Music Entertainment Inc.

6
Omi (Fresh Water) (Album Version)
00:04:50

Sybil Thomas, Vocal - Kerry McNabb, Engineer - Charles Icarus Johnson, Guitar - Deborah Thomas, Vocal - George Duke, Performer - George Duke, Composer - George Duke, Vocal - George Duke, Keyboards - George Duke, Producer - George Duke, Arranger - G. Duke, Composer - G. Duke, Lyricist - Raul De Souza, Trombone - Dee Henrichs, Vocal - Mike Sembello, Percussion - Leon "Ndugu" Chancler, Drums - Johnny Golden, Mastering Engineer - Manolo Badrena, Congas - Manolo Badrena, Bongos

(P) 1977 Epic Records, a division of Sony Music Entertainment

7
Searchin' My Mind (Album Version)
00:03:11

Sybil Thomas, Vocal - Kerry McNabb, Engineer - Charles Icarus Johnson, Guitar - Deborah Thomas, Vocal - George Duke, Performer - George Duke, Vocal - George Duke, Composer - George Duke, Keyboards - George Duke, Producer - George Duke, Arranger - G. Duke, Composer - G. Duke, Lyricist - Dee Henrichs, Vocal - Mike Sembello, Percussion - Leon "Ndugu" Chancler, Drums - Johnny Golden, Mastering Engineer - Manolo Badrena, Congas - Manolo Badrena, Bongos

(P) 1977 Sony Music Entertainment Inc.

8
Watch Out Baby! (Album Version)
00:05:24

Sybil Thomas, Vocal - Kerry McNabb, Engineer - Charles Icarus Johnson, Guitar - Deborah Thomas, Vocal - George Duke, Performer - George Duke, Vocal - George Duke, Composer - George Duke, Keyboards - George Duke, Producer - George Duke, Arranger - G. Duke, Composer - G. Duke, Lyricist - Dee Henrichs, Vocal - Leon "Ndugu" Chancler, Vocal - Leon "Ndugu" Chancler, Drums - Stanley Clarke, Bass - Mike Sembello, Guitar - Johnny Golden, Mastering Engineer - Manolo Badrena, Percussion - Manolo Badrena, Congas - Manolo Badrena, Bongos

(P) 1977 Sony Music Entertainment Inc.

9
Diamonds (Album Version)
00:06:45

Sybil Thomas, Vocal - Kerry McNabb, Engineer - Charles Icarus Johnson, Vocal - Charles Icarus Johnson, Guitar - Deborah Thomas, Vocal - George Duke, Performer - George Duke, Vocal - George Duke, Composer - George Duke, Keyboards - George Duke, Producer - George Duke, Arranger - G. Duke, Composer - G. Duke, Lyricist - Dee Henrichs, Vocal - Mike Sembello, Percussion - Leon "Ndugu" Chancler, Drums - Byron Miller, Bass - Johnny Golden, Engineer - Manolo Badrena, Congas - Manolo Badrena, Bongos

(P) 1977 Epic Records, a division of Sony Music Entertainment

10
The End (Album Version)
00:01:07

Sybil Thomas, Vocal - Kerry McNabb, Engineer - Charles Icarus Johnson, Guitar - Deborah Thomas, Vocal - George Duke, Performer - George Duke, Vocal - George Duke, Composer - George Duke, Keyboards - George Duke, Producer - George Duke, Arranger - G. Duke, Composer - G. Duke, Lyricist - Dee Henrichs, Vocal - Mike Sembello, Percussion - Leon "Ndugu" Chancler, Drums - Johnny Golden, Mastering Engineer - Manolo Badrena, Congas - Manolo Badrena, Bongos

(P) 1977 Sony Music Entertainment Inc.

11
Bring It On Home (Album Version)
00:04:24

Sybil Thomas, Vocal - Kerry McNabb, Engineer - Charles Icarus Johnson, Guitar - Deborah Thomas, Vocal - George Duke, Performer - George Duke, Vocal - George Duke, Composer - George Duke, Keyboards - George Duke, Producer - George Duke, Arranger - G. Duke, Composer - G. Duke, Lyricist - Dee Henrichs, Vocal - Leon "Ndugu" Chancler, Drums - Mike Sembello, Percussion - Byron Miller, Keyboards - Byron Miller, Bass - Johnny Golden, Mastering Engineer - Manolo Badrena, Congas - Manolo Badrena, Bongos

(P) 1977 Sony Music Entertainment Inc.

Chronique

By 1977, the jazz content of George Duke's albums had decreased considerably, and soul and funk had become his main priorities. Reach for It has more to offer from an R&B standpoint than a jazz standpoint, though the fusion it does contain is first rate -- including the Latin-influenced "Hot Fire" and "Lemme at It" (an aggressive gem that's in a class with some of the keyboardist/pianist's best work with the Billy Cobham/Duke Band). Reach's heavy R&B content resulted in Duke facing the same accusation as George Benson, Patrice Rushen and other improvisers who moved away from jazz in the '70s -- that he was a sellout. But none of this album's R&B content comes across as contrived or formulaic. In fact, Duke is downright inspired on the haunting "Just for You" and the Parliament-influenced title song. Even so, it's always regrettable when a gifted improviser pretty much abandons jazz -- and Duke is a prime example. It should be stressed that the high rating awarded this album is primarily from an R&B standpoint -- and that those strictly interested in hearing Duke playing jazz would be better off investing in earlier efforts like Faces in Reflection.

© Alex Henderson /TiVo

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