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DFL|Proud To Be

Proud To Be

DFL

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D.F.L. (that's Dead F*cking Last) made this, their first full-length, shortly after being discovered by the record's producer, the Beastie Boys' Adam Horowitz. It isn't that surprising, as the dirty, minute-long, three-chord punk songs sound almost exactly like the Beastie Boys' early hardcore days. Only one track of the 20 included makes it much further than the two-minute mark, and while there are no phenomenal messages on the record, it is an aggressive take on early hardcore and punk that doesn't seem to care if it fails or not. Opening with the obligatory self-referential hardcore anthem, in this case "Proud to Be DFL," the group proceeds to gripe at authority, verbally assault the popular kids, make stupid jokes, and find strength in unity. It isn't anything new, but it doesn't sound new, either, which is pretty impressive. D.F.L. came along at least ten years too late to influence anybody, but the hard work of Minor Threat, Gorilla Biscuits, and much of the Epitaph Records family clearly had a nice hand in all of this. Proud to Be definitely has enough snotty attitude to keep the kids happy, and hopefully anyone who stumbles across this group will also be lucky enough to find out what inspired its creation. D.F.L. are proud because they don't really care at all, and in the end, isn't that what makes a great punk band?

© Peter J. D'Angelo /TiVo

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Proud To Be

DFL

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1
Proud To Be DFL
00:01:25

Tom Davis, Writer - DFL, MainArtist - Monte Messex, Writer - Universal Music Publishing, MusicPublisher - Little Knucklehead (BMI), MusicPublisher

1995 Epitaph 1995 Epitaph

2
Word Of Mouth
00:01:01

Tom Davis, Writer - DFL, MainArtist - Monte Messex, Writer - Universal Music Publishing, MusicPublisher - Little Knucklehead (BMI), MusicPublisher

1995 Epitaph 1995 Epitaph

3
Lost Cause
00:01:40

Tom Davis, Writer - DFL, MainArtist - Monte Messex, Writer - Universal Music Publishing, MusicPublisher - Little Knucklehead (BMI), MusicPublisher

1995 Epitaph 1995 Epitaph

4
Return Of The Knucklehead
00:00:53

Tom Davis, Writer - DFL, MainArtist - Monte Messex, Writer - Universal Music Publishing, MusicPublisher - Little Knucklehead (BMI), MusicPublisher

1995 Epitaph 1995 Epitaph

5
Mr. Popular
00:00:56

Tom Davis, Writer - DFL, MainArtist - Monte Messex, Writer - Universal Music Publishing, MusicPublisher - Little Knucklehead (BMI), MusicPublisher

1995 Epitaph 1995 Epitaph

6
Function At The Center
00:01:11

Tom Davis, Writer - DFL, MainArtist - Monte Messex, Writer - Universal Music Publishing, MusicPublisher - Little Knucklehead (BMI), MusicPublisher

1995 Epitaph 1995 Epitaph

7
Home Is Where The Heart Is
00:01:05

Tom Davis, Writer - DFL, MainArtist - Monte Messex, Writer - Universal Music Publishing, MusicPublisher - Little Knucklehead (BMI), MusicPublisher

1995 Epitaph 1995 Epitaph

8
Hit The Floor
00:02:13

Tom Davis, Writer - DFL, MainArtist - Monte Messex, Writer - Universal Music Publishing, MusicPublisher - Little Knucklehead (BMI), MusicPublisher

1995 Epitaph 1995 Epitaph

9
Club Stupid
00:00:41

Tom Davis, Writer - DFL, MainArtist - Monte Messex, Writer - Universal Music Publishing, MusicPublisher - Little Knucklehead (BMI), MusicPublisher

1995 Epitaph 1995 Epitaph

10
Minus Adam
00:01:21

Tom Davis, Writer - DFL, MainArtist - Monte Messex, Writer - Universal Music Publishing, MusicPublisher - Little Knucklehead (BMI), MusicPublisher

1995 Epitaph 1995 Epitaph

11
Better Off Dead
00:00:41

Tom Davis, Writer - DFL, MainArtist - Monte Messex, Writer - Universal Music Publishing, MusicPublisher - Little Knucklehead (BMI), MusicPublisher

1995 Epitaph 1995 Epitaph

12
S.B.C.G.
00:00:52

Tom Davis, Writer - DFL, MainArtist - Monte Messex, Writer - Universal Music Publishing, MusicPublisher - Little Knucklehead (BMI), MusicPublisher

1995 Epitaph 1995 Epitaph

13
Free Haircut
00:01:18

Tom Davis, Writer - DFL, MainArtist - Monte Messex, Writer - Universal Music Publishing, MusicPublisher - Little Knucklehead (BMI), MusicPublisher

1995 Epitaph 1995 Epitaph

14
Society's Pressure
00:01:04

Tom Davis, Writer - DFL, MainArtist - Monte Messex, Writer - Universal Music Publishing, MusicPublisher - Little Knucklehead (BMI), MusicPublisher

1995 Epitaph 1995 Epitaph

15
Self Pity
00:01:01

Tom Davis, Writer - DFL, MainArtist - Monte Messex, Writer - Universal Music Publishing, MusicPublisher - Little Knucklehead (BMI), MusicPublisher

1995 Epitaph 1995 Epitaph

16
Action Everybody
00:01:10

Tom Davis, Writer - DFL, MainArtist - Monte Messex, Writer - Universal Music Publishing, MusicPublisher - Little Knucklehead (BMI), MusicPublisher

1995 Epitaph 1995 Epitaph

17
Sourpuss
00:01:10

Tom Davis, Writer - DFL, MainArtist - Monte Messex, Writer - Universal Music Publishing, MusicPublisher - Little Knucklehead (BMI), MusicPublisher

1995 Epitaph 1995 Epitaph

18
Insane Authority
00:01:09

Tom Davis, Writer - DFL, MainArtist - Monte Messex, Writer - Universal Music Publishing, MusicPublisher - Little Knucklehead (BMI), MusicPublisher

1995 Epitaph 1995 Epitaph

19
Good Cop, Bad Cop
00:01:38

Tom Davis, Writer - DFL, MainArtist - Monte Messex, Writer - Universal Music Publishing, MusicPublisher - Little Knucklehead (BMI), MusicPublisher

1995 Epitaph 1995 Epitaph

20
What's The Difference
00:07:12

Tom Davis, Writer - DFL, MainArtist - Monte Messex, Writer - Universal Music Publishing, MusicPublisher - Little Knucklehead (BMI), MusicPublisher

1995 Epitaph 1995 Epitaph

Chronique

D.F.L. (that's Dead F*cking Last) made this, their first full-length, shortly after being discovered by the record's producer, the Beastie Boys' Adam Horowitz. It isn't that surprising, as the dirty, minute-long, three-chord punk songs sound almost exactly like the Beastie Boys' early hardcore days. Only one track of the 20 included makes it much further than the two-minute mark, and while there are no phenomenal messages on the record, it is an aggressive take on early hardcore and punk that doesn't seem to care if it fails or not. Opening with the obligatory self-referential hardcore anthem, in this case "Proud to Be DFL," the group proceeds to gripe at authority, verbally assault the popular kids, make stupid jokes, and find strength in unity. It isn't anything new, but it doesn't sound new, either, which is pretty impressive. D.F.L. came along at least ten years too late to influence anybody, but the hard work of Minor Threat, Gorilla Biscuits, and much of the Epitaph Records family clearly had a nice hand in all of this. Proud to Be definitely has enough snotty attitude to keep the kids happy, and hopefully anyone who stumbles across this group will also be lucky enough to find out what inspired its creation. D.F.L. are proud because they don't really care at all, and in the end, isn't that what makes a great punk band?

© Peter J. D'Angelo /TiVo

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