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Ronnie Laws|Pressure Sensitive

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Ronnie Laws

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Langue disponible : anglais

Ronnie Laws has always been an R&B-oriented saxophonist miscast in the jazz world, starting with his early association with the rapidly declining Blue Note label. His debut album (reissued on CD) has a couple of decent melodies (the opening "Always There" is the most memorable), some soulful tenor and soprano playing by the leader in a style heavily influenced by Grover Washington, Jr., and vocals on only one of the eight selections; Laws's attempts to make it as a singer were still in the future. However this obviously commercial effort (every song fades out before it hits the five-minute mark) can only be recommended in comparison to Ronnie Laws's later more inferior recordings.

© Scott Yanow /TiVo

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1
Always There
00:04:54

Roland Bautista, Guitar, AssociatedPerformer - George Butler, Producer, Executive Producer - RONNIE LAWS, Composer, Tenor Saxophone, MainArtist, AssociatedPerformer - Wayne Henderson, Producer - Peter Joe Clayton, Conga, AssociatedPerformer - Steve Guttierez, Drums, AssociatedPerformer - Mike Cavanaugh, Keyboards, Piano, AssociatedPerformer - Joe Clayton, Tambourine, Conga, AssociatedPerformer - Clint Moseley, Bass Guitar, Electric Bass, AssociatedPerformer - Paul B Allen III, Composer - William Fulton Jeffries, Composer - F. Byron Clark, Mixer, Recording Engineer, StudioPersonnel

(C) 1995 Blue Note Records ℗ 1975 Capitol Records, LLC

2
Momma
00:04:23

Roland Bautista, Composer - George Butler, Producer, Executive Producer - RONNIE LAWS, Tenor Saxophone, MainArtist, AssociatedPerformer - Wayne Henderson, Producer - F. Byron Clark, Mixer, Recording Engineer, StudioPersonnel

(C) 1995 Blue Note Records ℗ 1975 Capitol Records, LLC

3
Never Be The Same
00:04:25

Roland Bautista, Composer - George Butler, Producer, Executive Producer - RONNIE LAWS, Composer, Tenor Saxophone, MainArtist, AssociatedPerformer - Wayne Henderson, Producer - Mike Cavanaugh, Composer - F. Byron Clark, Mixer, Recording Engineer, StudioPersonnel

(C) 1995 Blue Note Records ℗ 1975 Capitol Records, LLC

4
Tell Me Something Good
00:04:51

Stevie Wonder, ComposerLyricist - George Butler, Producer, Executive Producer - RONNIE LAWS, Tenor Saxophone, MainArtist, AssociatedPerformer - Wayne Henderson, Producer - F. Byron Clark, Mixer, Recording Engineer, StudioPersonnel

(C) 1995 Blue Note Records ℗ 1975 Capitol Records, LLC

5
Nothing To Lose
00:04:55

George Butler, Producer, Executive Producer - RONNIE LAWS, Composer, Tenor Saxophone, MainArtist, AssociatedPerformer - Wayne Henderson, Producer - F. Byron Clark, Mixer, Recording Engineer, StudioPersonnel

(C) 1995 Blue Note Records ℗ 1975 Capitol Records, LLC

6
Tidal Wave
00:04:12

William Jeffrey, Composer - George Butler, Producer, Executive Producer - RONNIE LAWS, Tenor Saxophone, MainArtist, AssociatedPerformer - Wayne Henderson, Producer - F. Byron Clark, Mixer, Recording Engineer, StudioPersonnel

(C) 1995 Blue Note Records ℗ 1975 Capitol Records, LLC

7
Why Do You Laugh At Me
00:03:59

W. Henderson, Composer - George Butler, Producer, Executive Producer - RONNIE LAWS, Tenor Saxophone, MainArtist, AssociatedPerformer - Wayne Henderson, Producer - F. Byron Clark, Mixer, Recording Engineer, StudioPersonnel

(C) 1995 Blue Note Records ℗ 1975 Capitol Records, LLC

8
Mis' Mary's Place
00:03:34

George Butler, Producer, Executive Producer - RONNIE LAWS, Composer, Tenor Saxophone, MainArtist, AssociatedPerformer - Wayne Henderson, Producer - F. Byron Clark, Mixer, Recording Engineer, StudioPersonnel

(C) 1995 Blue Note Records ℗ 1975 Capitol Records, LLC

Chronique

Ronnie Laws has always been an R&B-oriented saxophonist miscast in the jazz world, starting with his early association with the rapidly declining Blue Note label. His debut album (reissued on CD) has a couple of decent melodies (the opening "Always There" is the most memorable), some soulful tenor and soprano playing by the leader in a style heavily influenced by Grover Washington, Jr., and vocals on only one of the eight selections; Laws's attempts to make it as a singer were still in the future. However this obviously commercial effort (every song fades out before it hits the five-minute mark) can only be recommended in comparison to Ronnie Laws's later more inferior recordings.

© Scott Yanow /TiVo

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