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Joe Louis Walker|Preacher And The President (Album Version)

Preacher And The President (Album Version)

Joe Louis Walker

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Langue disponible : anglais

San Francisco blues pilgrim Joe Louis Walker documents an eclectic career with a landmark album, assembling elements from his productive stabs at Delta and Chicago blues, slide acoustic and funk-rock, motor jazz and gospel. He even throws a taste of social commentary into the mix with the title cut of The Preacher and the President, which is mostly a tribute to (and graduation from) his preferred (and stricter) urban-pulpit forms of late. Sure to be criticized by some as lacking in depth, Walker makes up for it in range, with viable demonstrations of influence by Buddy Guy, B.B. King, and old roommate Mike Bloomfield. Those in the need of a smidge of convincing should cut directly to the way-down "Uhhh!" and the reassuringly lustful "Yveline," since "Repay My Love" wouldn't offend a fan of easy listening, and the oddly colorless "I Ain't Messin' Around" speaks accurately of itself: it ain't. Too bad -- Walker's restraint reminds many blues fans of the glossy filler of Robert Cray rather than the gritty business of Otis Rush or T-Bone Walker, all considered influences of Walker's. A sturdy example of the multiple flavors of the modern blues.

© Becky Byrkit /TiVo

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Preacher And The President (Album Version)

Joe Louis Walker

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1
Preacher And The President (Album Version)
00:04:05

Joe Louis Walker, Interprète Instrumental, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1998 Decca Records France

2
Yveline (Album Version)
00:03:29

Joe Louis Walker, Interprète Instrumental, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1998 Decca Records France

3
Repay My Love (Album Version)
00:05:04

Joe Louis Walker, Interprète Instrumental, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1998 Decca Records France

4
I'm Not Messin' Around (Album Version)
00:04:46

Joe Louis Walker, Recording Arranger, Interprète Instrumental, MainArtist, AssociatedPerformer - Tom Rose, ComposerLyricist

℗ 1998 Decca Records France

5
Y & T (Album Version)
00:05:41

Joe Louis Walker, Interprète Instrumental, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1998 Decca Records France

6
Lyin' In The Name Of Love (Album Version)
00:05:08

Jim Horn, Recording Arranger, AssociatedPerformer - Joe Louis Walker, Interprète Instrumental, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1998 Decca Records France

7
Pride Of A Fool (Album Version)
00:06:47

Joe Louis Walker, Interprète Instrumental, MainArtist, AssociatedPerformer, ComposerLyricist - Mike Eppley, Interprète Instrumental, AssociatedPerformer

℗ 1998 Decca Records France

8
Uhh (Album Version)
00:05:22

Joe Louis Walker, Recording Arranger, Interprète Instrumental, MainArtist, AssociatedPerformer - Christian Ariester, ComposerLyricist

℗ 1998 Decca Records France

9
Tell The Truth (Album Version)
00:04:47

Joe Louis Walker, Interprète Instrumental, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1998 Decca Records France

10
My Real Fantasy (Album Version)
00:03:39

Joe Louis Walker, Interprète Instrumental, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1998 Decca Records France

Chronique

San Francisco blues pilgrim Joe Louis Walker documents an eclectic career with a landmark album, assembling elements from his productive stabs at Delta and Chicago blues, slide acoustic and funk-rock, motor jazz and gospel. He even throws a taste of social commentary into the mix with the title cut of The Preacher and the President, which is mostly a tribute to (and graduation from) his preferred (and stricter) urban-pulpit forms of late. Sure to be criticized by some as lacking in depth, Walker makes up for it in range, with viable demonstrations of influence by Buddy Guy, B.B. King, and old roommate Mike Bloomfield. Those in the need of a smidge of convincing should cut directly to the way-down "Uhhh!" and the reassuringly lustful "Yveline," since "Repay My Love" wouldn't offend a fan of easy listening, and the oddly colorless "I Ain't Messin' Around" speaks accurately of itself: it ain't. Too bad -- Walker's restraint reminds many blues fans of the glossy filler of Robert Cray rather than the gritty business of Otis Rush or T-Bone Walker, all considered influences of Walker's. A sturdy example of the multiple flavors of the modern blues.

© Becky Byrkit /TiVo

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