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Sonny Stitt|Personal Appearance

Personal Appearance

Sonny Stitt

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Langue disponible : anglais

While the comparisons to Charlie Parker were inevitable throughout a good part of his career, Sonny Stitt was very much his own man. He is in top form throughout this 1957 session made for Verve, featuring a very young Bobby Timmons on piano, bassist Edgar Willis, and drummer Kenny Dennis. Alternating between alto and tenor saxophone in a program consisting mostly of standards, Stitt is equally at home on each horn. His soulful tenor shines in "Easy Living," while the loping "Autumn in New York" showcases his exuberant alto. Timmons, who had just made his recording debut as a sideman with Kenny Burrell the previous year, hints at his potential with a blues-drenched solo in "You'd Be So Nice to Come Home To." One of Stitt's best recordings at this point in his career

© Ken Dryden /TiVo

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Personal Appearance

Sonny Stitt

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1
Easy To Love
00:04:42

Cole Porter, ComposerLyricist - Edgar Willis, Double Bass, AssociatedPerformer - Sonny Stitt, MainArtist - Bobby Timmons, Piano, AssociatedPerformer - Kenny Dennis, Drums, AssociatedPerformer

℗ 1957 UMG Recordings, Inc.

2
Easy Living
00:04:46

Edgar Willis, Double Bass, AssociatedPerformer - Sonny Stitt, MainArtist - Bobby Timmons, Piano, AssociatedPerformer - Leo Robin, ComposerLyricist - Ralph Rainger, ComposerLyricist - Kenny Dennis, Drums, AssociatedPerformer

℗ 1957 UMG Recordings, Inc.

3
Autumn In New York
00:02:17

Edgar Willis, Double Bass, AssociatedPerformer - Sonny Stitt, MainArtist - Bobby Timmons, Piano, AssociatedPerformer - Vernon Duke, ComposerLyricist - Kenny Dennis, Drums, AssociatedPerformer - Norman Granz, Producer

℗ 1957 The Verve Music Group, a Division of UMG Recordings, Inc.

4
You'd Be So Nice To Come Home To
00:04:49

Cole Porter, ComposerLyricist - Edgar Willis, Double Bass, AssociatedPerformer - Sonny Stitt, MainArtist - Bobby Timmons, Piano, AssociatedPerformer - Kenny Dennis, Drums, AssociatedPerformer

℗ 1957 UMG Recordings, Inc.

5
For Some Friends
00:04:41

Edgar Willis, Double Bass, AssociatedPerformer - Sonny Stitt, MainArtist, ComposerLyricist - Bobby Timmons, Piano, AssociatedPerformer - Kenny Dennis, Drums, AssociatedPerformer

℗ 1957 UMG Recordings, Inc.

6
I Never Knew
00:04:24

Johnny Mercer, ComposerLyricist - Edgar Willis, Double Bass, AssociatedPerformer - Sonny Stitt, MainArtist - Bobby Timmons, Piano, AssociatedPerformer - Kenny Dennis, Drums, AssociatedPerformer

℗ 1957 UMG Recordings, Inc.

7
Between The Devil And The Deep Blue Sea
00:05:11

Edgar Willis, Double Bass, AssociatedPerformer - Harold Arlen, ComposerLyricist - Ted Koehler, ComposerLyricist - Sonny Stitt, MainArtist - Bobby Timmons, Piano, AssociatedPerformer - Kenny Dennis, Drums, AssociatedPerformer

℗ 1957 UMG Recordings, Inc.

8
East Of The Sun (And West Of The Moon)
00:05:27

Edgar Willis, Double Bass, AssociatedPerformer - Sonny Stitt, MainArtist - Bobby Timmons, Piano, AssociatedPerformer - BROOKS BOWMAN, ComposerLyricist - Kenny Dennis, Drums, AssociatedPerformer

℗ 1957 UMG Recordings, Inc.

9
Original?
00:04:30

Edgar Willis, Double Bass, AssociatedPerformer - Sonny Stitt, MainArtist, ComposerLyricist - Bobby Timmons, Piano, AssociatedPerformer - Kenny Dennis, Drums, AssociatedPerformer

℗ 1957 UMG Recordings, Inc.

10
Avalon
00:02:52

Edgar Willis, Double Bass, AssociatedPerformer - Sonny Stitt, MainArtist - Bobby Timmons, Piano, AssociatedPerformer - Al Jolson, Author - Vincent Rose, Composer - Buddy DeSylva, Author - Kenny Dennis, Drums, AssociatedPerformer

℗ 1957 UMG Recordings, Inc.

11
Blues Greasy
00:03:19

Edgar Willis, Double Bass, AssociatedPerformer - Sonny Stitt, MainArtist, ComposerLyricist - Bobby Timmons, Piano, AssociatedPerformer - Kenny Dennis, Drums, AssociatedPerformer

℗ 1957 The Verve Music Group, a Division of UMG Recordings, Inc.

Chronique

While the comparisons to Charlie Parker were inevitable throughout a good part of his career, Sonny Stitt was very much his own man. He is in top form throughout this 1957 session made for Verve, featuring a very young Bobby Timmons on piano, bassist Edgar Willis, and drummer Kenny Dennis. Alternating between alto and tenor saxophone in a program consisting mostly of standards, Stitt is equally at home on each horn. His soulful tenor shines in "Easy Living," while the loping "Autumn in New York" showcases his exuberant alto. Timmons, who had just made his recording debut as a sideman with Kenny Burrell the previous year, hints at his potential with a blues-drenched solo in "You'd Be So Nice to Come Home To." One of Stitt's best recordings at this point in his career

© Ken Dryden /TiVo

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