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Claire Martin|Old Boyfriends

Old Boyfriends

Claire Martin

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Langue disponible : anglais

Many jazz singers young and old make the mistake of arbitrarily avoiding the pop, rock, and R&B songs of the 1960s, '70s, and '80s, but for Claire Martin they're fair game. This outstanding CD finds her demonstrating the jazz potential in such unlikely vehicles as Rupert Holmes' incisive "Partners in Crime" and Tom Waits' "Old Boyfriends" -- not exactly songs jazz singers are usually quick to embrace. True to form, she unearths her share of wrongly neglected classics, including Artie Shaw's "Moon Ray" (a major hit for him during the swing era) and Burt Bacharach's "Out of My Continental Mind" (associated with Lena Horne). As daring as Martin is in her choice of material, her vocal style is actually quite straightforward and lucid and not overly abstract. Martin consistently uses subtlety and restraint to maximum advantage and -- like Chris Connor and Julie London before her -- makes it clear that cool jazz certainly doesn't have to be cold.
© Alex Henderson /TiVo

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Old Boyfriends

Claire Martin

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1
When the Sun Comes Out
00:04:29

Harold Arlen, Composer - Ted Koehler, Lyricist - Claire Martin, MainArtist - CHAPPELL AND CO LTD (LONDON), MusicPublisher

1994 Linn Records 1994 Linn Records

2
Close as Pages in a Book
00:05:50

Dorothy Fields, Composer, Lyricist - Sigmund Romberg, Composer, Lyricist - Imagem, MusicPublisher - Claire Martin, MainArtist

1994 Linn Records 1994 Linn Records

3
Partners in Crime
00:06:18

Rupert Holmes, Composer - Anonymous, Lyricist - Claire Martin, MainArtist - Widescreen Publ Inc, MusicPublisher

1994 Linn Records 1994 Linn Records

4
Chased Out
00:04:28

Liam Howlett, Composer - Anonymous, Lyricist - Copyright Control, MusicPublisher - Claire Martin, Composer, MainArtist - Arnie Somogyi, Composer

1994 Linn Records 1994 Linn Records

5
Moonray
00:05:29

Arthur Quenzer, Composer - Paul Madison, Composer, Lyricist - Artie SHAW, Composer - Claire Martin, MainArtist - EMI MUSIC PUBL FRANCE, FRENCH FRIED MUSIC, MusicPublisher

1994 Linn Records 1994 Linn Records

6
Old Boyfriends
00:06:36

Tom Waits, Composer, Lyricist - Claire Martin, MainArtist - Six Palms Music Corporation, MusicPublisher

1994 Linn Records 1994 Linn Records

7
Out of My Continental Mind
00:02:54

Burt Bacharach, Composer - Sydney Shaw, Lyricist - Claire Martin, MainArtist - RONDOR MUSIC (FRANCE), MusicPublisher

1994 Linn Records 1994 Linn Records

8
I've Got News for You
00:03:04

Anonymous, Lyricist - Copyright Control, MusicPublisher - Jonathan Blair, Composer - Claire Martin, MainArtist

1994 Linn Records 1994 Linn Records

9
The Wheelers and Dealers
00:04:35

Copyright Control, MusicPublisher - Dave Frishberg, Composer, Lyricist - Claire Martin, MainArtist - Dan Frishberg, Composer, Lyricist

1994 Linn Records 1994 Linn Records

10
I Was Telling Him About You
00:05:30

Copyright Control, MusicPublisher - Don George, Composer, Lyricist - Mark Charlap, Composer, Lyricist - Claire Martin, MainArtist

1994 Linn Records 1994 Linn Records

11
Gentleman Friend
00:04:17

Richard Lewine, Composer, Lyricist - Claire Martin, MainArtist - Arnold B. Horwitt, Composer, Lyricist - HARMS T B COMPANY, MusicPublisher

1994 Linn Records 1994 Linn Records

12
Killing Time
00:03:39

Jule Styne, Composer, Lyricist - CAROLYN LEIGH, Composer, Lyricist - Claire Martin, MainArtist - Chappell Sa, MusicPublisher

1994 Linn Records 1994 Linn Records

Chronique

Many jazz singers young and old make the mistake of arbitrarily avoiding the pop, rock, and R&B songs of the 1960s, '70s, and '80s, but for Claire Martin they're fair game. This outstanding CD finds her demonstrating the jazz potential in such unlikely vehicles as Rupert Holmes' incisive "Partners in Crime" and Tom Waits' "Old Boyfriends" -- not exactly songs jazz singers are usually quick to embrace. True to form, she unearths her share of wrongly neglected classics, including Artie Shaw's "Moon Ray" (a major hit for him during the swing era) and Burt Bacharach's "Out of My Continental Mind" (associated with Lena Horne). As daring as Martin is in her choice of material, her vocal style is actually quite straightforward and lucid and not overly abstract. Martin consistently uses subtlety and restraint to maximum advantage and -- like Chris Connor and Julie London before her -- makes it clear that cool jazz certainly doesn't have to be cold.
© Alex Henderson /TiVo

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