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Kane|No Surrender: Platinum Edition

No Surrender: Platinum Edition

Kane

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16-Bit/44.1 kHz Stereo

Musique illimitée

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No Surrender plays like a textbook of modern mainstream rock, drawing mostly from American influences, which makes it a slightly curious affair, since the band itself is Dutch. But this geographic/stylistic mix-up is the most unpredictable thing about the record, which otherwise revels in predictability -- maybe replicating a foreign sound is pushing the envelope enough for Kane, or they are simply OK with following in someone's footsteps. To their credit, Kane seem to like a lot of other acts and don't replicate anyone in particular. The core sound is post-grunge as Matchbox Twenty did it -- simple guitar-based verse-chorus songs with a moderate amount of groove that allows them to sound cool, and a good deal of romantic melodies that don't sound sappy in such a setting. This sort of music is actually less commercialized grunge than heartland rock rearranged for a new musical era -- and as if to prove the point, the band often comes close to Counting Crows on No Surrender, and even seems to dip into pop-country, although of the kind that's virtually indistinguishable from pop/rock anyway. The group also tries to pull off a slick larger-than-life approach that U2 perfected, but while it adds another layer to the music, it doesn't quite work -- Kane are simply no match for Bono's self-righteous abandon. With a set of influences like this, it's evident that No Surrender is bound to be a pleasant affair, but it also comes off as too timid -- the band knows how to play in a given style, but power and delivery are harder to copy, and, with some exceptions ("Scream"), there's just not enough of them on this record.

© Alexey Eremenko /TiVo

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No Surrender: Platinum Edition

Kane

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À partir de 12,49€/mois

1
No Surrender
00:03:04

Kane, MainArtist - Dinand Woesthoff, Composer, Lyricist, Producer - Copyright Control, MusicPublisher

2010 Kane Records BV 2011 Kane Records BV

2
A Little Something
00:03:23

Tim Palmer, Mixer - Kane, MainArtist - Dinand Woesthoff, Composer, Lyricist - Talpa Music, MusicPublisher

2010 Kane Records BV 2009 Kane Records

3
Point Blank
00:03:03

Tim Palmer, Mixer - Kane, MainArtist - Dinand Woesthoff, Composer - Dennis van Leeuwen, Lyricist - Talpa Music, MusicPublisher

2010 Kane Records BV 2009 Kane Records

4
Devil In Me
00:03:45

Tim Palmer, Mixer - Kane, MainArtist - Dinand Woesthoff, Composer, Lyricist - Dennis van Leeuwen, Composer, Lyricist - Boots Ottestad, Composer, Lyricist, Producer - Talpa Music, MusicPublisher

2010 Kane Records BV 2011 Kane Records

5
In Over My Head
00:03:12

Kane, MainArtist - Dinand Woesthoff, Composer, Lyricist, Producer - Dennis van Leeuwen, Composer - Copyright Control, MusicPublisher

2010 Kane Records BV 2011 Kane Records BV

6
Heartbeat
00:02:57

Tim Palmer, Mixer - Kane, MainArtist - Dinand Woesthoff, Composer, Lyricist - Copyright Control, MusicPublisher

2010 Kane Records BV 2009 Kane Records

7
Dogma 2.0
00:03:34

Tim Palmer, Producer - Kane, MainArtist - Dinand Woesthoff, Composer, Lyricist - Copyright Control, MusicPublisher

2010 Kane Records BV 2009 Kane Records

8
Scream
00:02:58

Tim Palmer, Mixer - Kane, MainArtist - Dinand Woesthoff, Composer, Lyricist - Talpa Music, MusicPublisher

2010 Kane Records BV 2011 Kane Records

9
Love Over Healing
00:04:15

Kane, MainArtist - Dinand Woesthoff, Composer, Lyricist, Producer - Copyright Control, MusicPublisher

2010 Kane Records BV 2011 Kane Records BV

10
Here Comes The End
00:04:35

Tim Palmer, Mixer - Kane, MainArtist - Dinand Woesthoff, Composer, Lyricist - Talpa Music, MusicPublisher

2010 Kane Records BV 2009 Kane Records

11
High Places
00:04:57

Tim Palmer, Mixer - Kane, MainArtist - Dinand Woesthoff, Composer, Lyricist - Talpa Music, MusicPublisher

2010 Kane Records BV 2009 Kane Records

DISQUE 2

1
In Over My Head (acoustic)
00:03:56

Kane, MainArtist - Dinand Woesthoff, Composer, Lyricist - Dennis van Leeuwen, Composer - Talpa Music, MusicPublisher

2010 Kane Records BV 2009 Kane Records BV

2
No Surrender (acoustic)
00:03:03

Kane, MainArtist - Dinand Woesthoff, Composer, Lyricist - Talpa Music, MusicPublisher

2010 Kane Records BV 2009 Kane Records BV

3
Scream (acoustic)
00:03:09

Kane, MainArtist - Dinand Woesthoff, Composer, Lyricist - Talpa Music, MusicPublisher

2010 Kane Records BV 2009 Kane Records BV

4
Love Over Healing (acoustic)
00:04:44

Kane, MainArtist - Dinand Woesthoff, Composer, Lyricist - Talpa Music, MusicPublisher

2010 Kane Records BV 2009 Kane Records BV

5
Point Blank (acoustic)
00:03:13

Kane, MainArtist - Dinand Woesthoff, Composer - Dennis van Leeuwen, Lyricist - Talpa Music, MusicPublisher

2010 Kane Records BV 2009 Kane Records BV

6
No Surrender (Opposites remix)
00:03:27

Kane, MainArtist - Dinand Woesthoff, Composer, Lyricist - Talpa Music, MusicPublisher - Big2, MainArtist

2010 Kane Records BV 2009 Kane Records

7
No Surrender (Live)
00:03:00

Kane, MainArtist - Dinand Woesthoff, Composer, Lyricist - Talpa Music, MusicPublisher - Carice van Houten, MainArtist

2010 Kane Records BV 2009 Kane Records BV

Chronique

No Surrender plays like a textbook of modern mainstream rock, drawing mostly from American influences, which makes it a slightly curious affair, since the band itself is Dutch. But this geographic/stylistic mix-up is the most unpredictable thing about the record, which otherwise revels in predictability -- maybe replicating a foreign sound is pushing the envelope enough for Kane, or they are simply OK with following in someone's footsteps. To their credit, Kane seem to like a lot of other acts and don't replicate anyone in particular. The core sound is post-grunge as Matchbox Twenty did it -- simple guitar-based verse-chorus songs with a moderate amount of groove that allows them to sound cool, and a good deal of romantic melodies that don't sound sappy in such a setting. This sort of music is actually less commercialized grunge than heartland rock rearranged for a new musical era -- and as if to prove the point, the band often comes close to Counting Crows on No Surrender, and even seems to dip into pop-country, although of the kind that's virtually indistinguishable from pop/rock anyway. The group also tries to pull off a slick larger-than-life approach that U2 perfected, but while it adds another layer to the music, it doesn't quite work -- Kane are simply no match for Bono's self-righteous abandon. With a set of influences like this, it's evident that No Surrender is bound to be a pleasant affair, but it also comes off as too timid -- the band knows how to play in a given style, but power and delivery are harder to copy, and, with some exceptions ("Scream"), there's just not enough of them on this record.

© Alexey Eremenko /TiVo

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