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Mark Selby|More Storms Comin'

More Storms Comin'

Mark Selby

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With the power-riffs of a blues-rock band and the thick, pop sensibility of say, John Mellencamp, Mark Selby zeros-in on the essence of timeless roots rock. "Don't You Throw That Mojo on Me," has an intro that effectively weds modern, almost alternative studio devices with traditional acoustic blues then rolls along with New Orleans-style piano and a mean slide lead. Choogling through pop tunes ("She's Like Mercury") and the final, title song (which makes up for any lack of subtlety throughout), Selby has fashioned an atypically appealing modern blues-rock sound, easily filed between Kenny Wayne Shepherd and the Black Crowes.

© Denise Sullivan /TiVo

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More Storms Comin'

Mark Selby

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1
Don't You Throw That Mojo On Me
00:04:06

Mark Selby, MainArtist - Unknown, Composer

℗ 2000 Vanguard Records

2
She's Like Mercury
00:03:44

Mark Selby, MainArtist - Unknown, Composer

℗ 2000 Vanguard Records

3
I'm The Lucky One
00:04:35

Mark Selby, MainArtist - Unknown, Composer

℗ 2000 Vanguard Records

4
You're Gonna Miss My Love
00:04:47

Mark Selby, MainArtist - Unknown, Composer

℗ 2000 Vanguard Records

5
Blind Since Birth
00:03:32

Mark Selby, MainArtist - Unknown, Composer

℗ 2000 Vanguard Records

6
What Am I Doin'
00:03:41

Mark Selby, MainArtist - Unknown, Composer

℗ 2000 Vanguard Records

7
Kink In The Chain
00:03:34

Mark Selby, MainArtist - Unknown, Composer

℗ 2000 Vanguard Records

8
Down By The Tracks
00:04:23

Mark Selby, MainArtist - Unknown, Composer

℗ 2000 Vanguard Records

9
Smoked
00:03:32

Mark Selby, MainArtist - Unknown, Composer

℗ 2000 Vanguard Records

10
Satisfied
00:05:00

Mark Selby, MainArtist - Unknown, Composer

℗ 2000 Vanguard Records

11
More Storms Comin'
00:03:30

Mark Selby, MainArtist - Unknown, Composer

℗ 2000 Vanguard Records

Chronique

With the power-riffs of a blues-rock band and the thick, pop sensibility of say, John Mellencamp, Mark Selby zeros-in on the essence of timeless roots rock. "Don't You Throw That Mojo on Me," has an intro that effectively weds modern, almost alternative studio devices with traditional acoustic blues then rolls along with New Orleans-style piano and a mean slide lead. Choogling through pop tunes ("She's Like Mercury") and the final, title song (which makes up for any lack of subtlety throughout), Selby has fashioned an atypically appealing modern blues-rock sound, easily filed between Kenny Wayne Shepherd and the Black Crowes.

© Denise Sullivan /TiVo

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