Qobuz Store wallpaper
Catégories :
Panier 0

Votre panier est vide

Ethel Merman|Merman Sings Merman

Merman Sings Merman

Ethel Merman, London Festival Orchestra, London Festival Chorus, Stanley Black

Disponible en
16-Bit/44.1 kHz Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Téléchargez cet album dans la qualité de votre choix

Langue disponible : anglais

When she wasn't appearing on Broadway, Ethel Merman made occasional forays into the recording studio; usually, all that record executives wanted her to do was record new versions of songs from her Broadway shows and films. She acquiesced to this request many times, resulting in such collections of re-recordings as Ethel Merman Sings Songs She Has Made Famous (Decca, 1949), Merman -- Her Greatest! (Reprise, 1961), and this LP, the first of three recorded in London in the early 1970s for one or the other of Decca's labels, backed by the London Festival Orchestra and Chorus, conducted by Stanley Black. In her early 60s, Merman reveals some vocal wear and tear as she digs into her catalog, going all the way back to her 1930 Broadway debut for "I Got Rhythm" from Girl Crazy. "Eadie Was a Lady" comes from the 1932 musical Take a Chance; "You're the Top," "I Get a Kick Out of You," and "Blow, Gabriel Blow" are from 1934's Anything Goes; "It's De-Lovely" from 1936's Red, Hot and Blue!; "Alexander's Ragtime Band" is the title song from a 1938 movie musical in which she starred; "There's No Business Like Show Business" and "They Say It's Wonderful" are from 1946's Annie Get Your Gun; "You're Just in Love" is from 1950's Call Me Madam; and "Everything's Coming Up Roses" is from 1959's Gypsy. Her vibrato is occasionally pronounced on these performances of songs she has sung hundreds, if not thousands, of times, but she can still hit her notes. And she even re-creates her long-held notes on "I Got Rhythm." Listeners may prefer the earlier recordings of these standards by the singer who introduced them, but Merman retains her command of the material here.

© William Ruhlmann /TiVo

Plus d'informations

Merman Sings Merman

Ethel Merman

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 100 millions de titres avec votre abonnement illimité.

Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.

À partir de 12,49€/mois

1
You're The Top
00:02:13

Cole Porter, ComposerLyricist - London Festival Orchestra, MainArtist - Ethel Merman, MainArtist - Stanley Black, MainArtist - Arthur Bannister, Recording Engineer, StudioPersonnel - London Festival Chorus, MainArtist - Raymond Few, Producer, Recording Producer

℗ 1972 Decca Music Group Limited

2
I Got Rhythm
00:02:34

George Gershwin, ComposerLyricist - Ira Gershwin, ComposerLyricist - London Festival Orchestra, MainArtist - Ethel Merman, MainArtist - Stanley Black, MainArtist - Arthur Bannister, Recording Engineer, StudioPersonnel - London Festival Chorus, MainArtist - Raymond Few, Producer, Recording Producer

℗ 1972 Decca Music Group Limited

3
You're Just In Love
00:02:46

Irving Berlin, ComposerLyricist - London Festival Orchestra, MainArtist - Ethel Merman, MainArtist - Stanley Black, MainArtist - Arthur Bannister, Recording Engineer, StudioPersonnel - Ray Few, Producer - London Festival Chorus, MainArtist - Raymond Few, Producer, Recording Producer

℗ 1972 Decca Music Group Limited

4
Alexander's Ragtime Band
00:01:56

Irving Berlin, ComposerLyricist - London Festival Orchestra, MainArtist - Ethel Merman, MainArtist - Stanley Black, MainArtist - Arthur Bannister, Recording Engineer, StudioPersonnel - Raymond Few, Producer, Recording Producer

℗ 1972 Decca Music Group Limited

5
I Got Lost In His Arms
00:03:28

Irving Berlin, ComposerLyricist - London Festival Orchestra, MainArtist - Ethel Merman, MainArtist - Stanley Black, MainArtist - Arthur Bannister, Recording Engineer, StudioPersonnel - Ray Few, Producer - London Festival Chorus, MainArtist - Raymond Few, Producer, Recording Producer

℗ 1972 Decca Music Group Limited

6
Eadie Was A Lady
00:05:42

NACIO HERB BROWN, Composer - London Festival Orchestra, MainArtist - Buddy DeSylva, Author - Richard A. Whiting, Composer - Ethel Merman, MainArtist - Stanley Black, MainArtist - Arthur Bannister, Recording Engineer, StudioPersonnel - London Festival Chorus, MainArtist - Raymond Few, Producer, Recording Producer

℗ 1972 Decca Music Group Limited

7
There's No Business Like Show Business
00:02:29

Irving Berlin, ComposerLyricist - London Festival Orchestra, MainArtist - Ethel Merman, MainArtist - Stanley Black, MainArtist - Arthur Bannister, Recording Engineer, StudioPersonnel - Ray Few, Producer - London Festival Chorus, MainArtist - Raymond Few, Producer, Recording Producer

℗ 1972 Decca Music Group Limited

8
They Say It's Wonderful
00:03:57

Irving Berlin, ComposerLyricist - London Festival Orchestra, MainArtist - Ethel Merman, MainArtist - Stanley Black, MainArtist - Arthur Bannister, Recording Engineer, StudioPersonnel - London Festival Chorus, MainArtist - Raymond Few, Producer, Recording Producer

℗ 1972 Decca Music Group Limited

9
It's D'Lovely
00:02:34

Cole Porter, Composer - London Festival Orchestra, MainArtist - Ethel Merman, MainArtist - Stanley Black, MainArtist - Arthur Bannister, Recording Engineer, StudioPersonnel - Raymond Few, Producer, Recording Producer

℗ 1972 Decca Music Group Limited

10
I Get A Kick Out Of You
00:03:18

Cole Porter, ComposerLyricist - London Festival Orchestra, MainArtist - Ethel Merman, MainArtist - Stanley Black, MainArtist - Arthur Bannister, Recording Engineer, StudioPersonnel - Raymond Few, Producer, Recording Producer

℗ 1972 Decca Music Group Limited

11
Everything's Coming Up Roses
00:03:13

Stephen Sondheim, Author - Jule Styne, Composer - London Festival Orchestra, MainArtist - Ethel Merman, MainArtist - Stanley Black, MainArtist - Arthur Bannister, Recording Engineer, StudioPersonnel - Ray Few, Producer - Raymond Few, Producer, Recording Producer

℗ 1972 Decca Music Group Limited

12
Blow, Gabriel Blow
00:03:09

Cole Porter, ComposerLyricist - London Festival Orchestra, MainArtist - Ethel Merman, MainArtist - Stanley Black, MainArtist - Arthur Bannister, Recording Engineer, StudioPersonnel - London Festival Chorus, MainArtist - Raymond Few, Producer, Recording Producer

℗ 1972 Decca Music Group Limited

Chronique

When she wasn't appearing on Broadway, Ethel Merman made occasional forays into the recording studio; usually, all that record executives wanted her to do was record new versions of songs from her Broadway shows and films. She acquiesced to this request many times, resulting in such collections of re-recordings as Ethel Merman Sings Songs She Has Made Famous (Decca, 1949), Merman -- Her Greatest! (Reprise, 1961), and this LP, the first of three recorded in London in the early 1970s for one or the other of Decca's labels, backed by the London Festival Orchestra and Chorus, conducted by Stanley Black. In her early 60s, Merman reveals some vocal wear and tear as she digs into her catalog, going all the way back to her 1930 Broadway debut for "I Got Rhythm" from Girl Crazy. "Eadie Was a Lady" comes from the 1932 musical Take a Chance; "You're the Top," "I Get a Kick Out of You," and "Blow, Gabriel Blow" are from 1934's Anything Goes; "It's De-Lovely" from 1936's Red, Hot and Blue!; "Alexander's Ragtime Band" is the title song from a 1938 movie musical in which she starred; "There's No Business Like Show Business" and "They Say It's Wonderful" are from 1946's Annie Get Your Gun; "You're Just in Love" is from 1950's Call Me Madam; and "Everything's Coming Up Roses" is from 1959's Gypsy. Her vibrato is occasionally pronounced on these performances of songs she has sung hundreds, if not thousands, of times, but she can still hit her notes. And she even re-creates her long-held notes on "I Got Rhythm." Listeners may prefer the earlier recordings of these standards by the singer who introduced them, but Merman retains her command of the material here.

© William Ruhlmann /TiVo

À propos

Améliorer les informations de l'album

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...

Money For Nothing

Dire Straits

Money For Nothing Dire Straits

It's Time

Michael Bublé

It's Time Michael Bublé

Sailing To Philadelphia

Mark Knopfler

Sailing To Philadelphia Mark Knopfler

Live 1978 - 1992

Dire Straits

Live 1978 - 1992 Dire Straits
À découvrir également
Par Ethel Merman

The Ethel Merman Disco Album

Ethel Merman

Annie Get Your Gun

Ethel Merman

Annie Get Your Gun Ethel Merman

Gypsy (Original Broadway Cast Recording)

Ethel Merman

Annie Get Your Gun Medley

Ethel Merman

Blow, Gabriel, Blow

Ethel Merman

Blow, Gabriel, Blow Ethel Merman

Playlists

Dans la même thématique...

Come Away With Me

Norah Jones

Come Away With Me Norah Jones

Tubular Bells

Mike Oldfield

Tubular Bells Mike Oldfield

Crime Of The Century [2014 - HD Remaster]

Supertramp

Tea For The Tillerman

Cat Stevens

Tea For The Tillerman Cat Stevens

THE TORTURED POETS DEPARTMENT: THE ANTHOLOGY

Taylor Swift