Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Hacride is one of the most broad-minded bands in contemporary metal. There are definite precedents audible in their sound: vocalist Samuel Bourreau's hoarse bark is reminiscent of Sepultura/Soulfly frontman Max Cavalera, while the band's churning, repetitive riffs recall Meshuggah, Tool, and fellow Frenchmen Gojira in equal measure. Some of the oceanic, drifting interludes (in the middle of the title track, say) also point to Isis as an influence. But the sonic surprises they routinely throw at the listener -- from the saxophone that augmented 2005's Deviant Current Signals to the cover of electro-flamenco group Ojos de Brujo's "Zambra" on 2007's Amoeba -- make them unique. Lazarus is the group's third album, and while it's also the longest at just under an hour, it features only seven tracks -- the first of which, "To Walk Among Them," is 15 minutes long. And while that's at least five minutes longer than anything else on the disc, even Lazarus's shortest track, the instrumental "Phenomenon," feels epic. But Hacride never sacrifices metal's cathartic power in service of progressive dreamscaping; the last two minutes of "Awakening," featuring a computer-gone-berserk guitar solo and a drum break that sounds like Meshuggah's Tomas Haake imitating Steve Gadd's famous solo on Steely Dan's "Aja," is some of the most head-crushing metal of recent years. This is a band that deserves to be every bit as influential and revered as their better-known contemporaries.
© Phil Freeman /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
Hacride, Performer - Adrien Grousset, Composer, Writer
2009 Listenable Records 2009 Listenable Records
Hacride, Performer - Adrien Grousset, Composer, Writer
2009 Listenable Records 2009 Listenable Records
Hacride, Performer - Adrien Grousset, Composer, Writer
2009 Listenable Records 2009 Listenable Records
Hacride, Performer - Adrien Grousset, Composer, Writer
2009 Listenable Records 2009 Listenable Records
Hacride, Performer - Adrien Grousset, Composer, Writer
2009 Listenable Records 2009 Listenable Records
Hacride, Performer - Adrien Grousset, Composer, Writer
2009 Listenable Records 2009 Listenable Records
Hacride, Performer - Adrien Grousset, Composer, Writer
2009 Listenable Records 2009 Listenable Records
Chronique
Hacride is one of the most broad-minded bands in contemporary metal. There are definite precedents audible in their sound: vocalist Samuel Bourreau's hoarse bark is reminiscent of Sepultura/Soulfly frontman Max Cavalera, while the band's churning, repetitive riffs recall Meshuggah, Tool, and fellow Frenchmen Gojira in equal measure. Some of the oceanic, drifting interludes (in the middle of the title track, say) also point to Isis as an influence. But the sonic surprises they routinely throw at the listener -- from the saxophone that augmented 2005's Deviant Current Signals to the cover of electro-flamenco group Ojos de Brujo's "Zambra" on 2007's Amoeba -- make them unique. Lazarus is the group's third album, and while it's also the longest at just under an hour, it features only seven tracks -- the first of which, "To Walk Among Them," is 15 minutes long. And while that's at least five minutes longer than anything else on the disc, even Lazarus's shortest track, the instrumental "Phenomenon," feels epic. But Hacride never sacrifices metal's cathartic power in service of progressive dreamscaping; the last two minutes of "Awakening," featuring a computer-gone-berserk guitar solo and a drum break that sounds like Meshuggah's Tomas Haake imitating Steve Gadd's famous solo on Steely Dan's "Aja," is some of the most head-crushing metal of recent years. This is a band that deserves to be every bit as influential and revered as their better-known contemporaries.
© Phil Freeman /TiVo
À propos
- 1 disque(s) - 7 piste(s)
- Durée totale : 00:59:23
- Artistes principaux : Hacride
- Compositeur : Adrien Grousset
- Label : Listenable records
- Genre : Pop/Rock Rock
2009 Listenable Records 2009 Listenable Records
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.