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Mississippi John Hurt|Last Sessions

Last Sessions

Mississippi John Hurt

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Langue disponible : anglais

Recorded in New York during February and July of 1966, the 17 songs on this collection represent Mississippi John Hurt's final studio efforts. It is astonishing that this man, in the final months of his life, could do 17 songs that were the equal of anything he had done at his first sessions 45 years earlier, his playing (supported on some tracks with producer Patrick Sky on second guitar) as alluringly complex as ever and his voice still in top form. Hurt is brilliant throughout, his voice overpowering in its mixture of warmth, gentleness, and power, and in addition to the expected crop of standards and originals, he covers songs by Bukka White ("Poor Boy, Long Ways from Home") and Leadbelly ("Goodnight Irene") -- all of it is worthwhile, with some tracks, such as "Let the Mermaids Flirt with Me," especially haunting.

© Bruce Eder /TiVo

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Last Sessions

Mississippi John Hurt

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1
Poor Boy, Long Ways From Home
00:02:14

Unknown, Composer - Mississippi John Hurt, MainArtist

(C) 1991 Vanguard Records, A Welk Music Group Company ℗ 1991 Vanguard Records

2
Boys, You're Welcome
00:03:01

Unknown, Composer - Mississippi John Hurt, MainArtist

(C) 1991 Vanguard Records, A Welk Music Group Company ℗ 1991 Vanguard Records

3
Joe Turner Blues
00:03:29

Mississippi John Hurt, MainArtist, ComposerLyricist

(C) 1991 Vanguard Records, A Welk Music Group Company ℗ 1991 Vanguard Records

4
First Shot Missed Him
00:01:44

Mississippi John Hurt, MainArtist, ComposerLyricist

(C) 1991 Vanguard Records, A Welk Music Group Company ℗ 1991 Vanguard Records

5
Farther Along
00:03:44

Mississippi John Hurt, MainArtist, ComposerLyricist

(C) 1991 Vanguard Records, A Welk Music Group Company ℗ 1991 Vanguard Records

6
Funky Butt
00:01:58

Mississippi John Hurt, MainArtist, ComposerLyricist

(C) 1991 Vanguard Records, A Welk Music Group Company ℗ 1991 Vanguard Records

7
Spider, Spider
00:01:32

Unknown, Composer - Mississippi John Hurt, MainArtist

(C) 1991 Vanguard Records, A Welk Music Group Company ℗ 1991 Vanguard Records

8
Waiting For You
00:03:36

Unknown, Composer - Mississippi John Hurt, MainArtist

(C) 1991 Vanguard Records, A Welk Music Group Company ℗ 1991 Vanguard Records

9
Shortnin' Bread
00:02:15

Traditional, ComposerLyricist - Mississippi John Hurt, MainArtist

(C) 1991 Vanguard Records, A Welk Music Group Company ℗ 1991 Vanguard Records

10
Trouble, I've Had It All My Days
00:03:04

Mississippi John Hurt, MainArtist, ComposerLyricist

(C) 1991 Vanguard Records, A Welk Music Group Company ℗ 1991 Vanguard Records

11
Let The Mermaids Flirt With Me
00:03:21

Mississippi John Hurt, MainArtist, ComposerLyricist

(C) 1991 Vanguard Records, A Welk Music Group Company ℗ 1991 Vanguard Records

12
Good Morning, Carrie
00:01:57

Unknown, Composer - Mississippi John Hurt, MainArtist

(C) 1991 Vanguard Records, A Welk Music Group Company ℗ 1991 Vanguard Records

13
Nobody Cares For Me
00:03:42

Mississippi John Hurt, MainArtist, ComposerLyricist

(C) 1991 Vanguard Records, A Welk Music Group Company ℗ 1991 Vanguard Records

14
All Night Long
00:02:44

Unknown, Composer - Mississippi John Hurt, MainArtist

(C) 1991 Vanguard Records, A Welk Music Group Company ℗ 1991 Vanguard Records

15
Hey, Honey, Right Away
00:02:01

Unknown, Composer - Mississippi John Hurt, MainArtist

(C) 1991 Vanguard Records, A Welk Music Group Company ℗ 1991 Vanguard Records

16
You've Got To Die
00:03:28

Unknown, Composer - Mississippi John Hurt, MainArtist

(C) 1991 Vanguard Records, A Welk Music Group Company ℗ 1991 Vanguard Records, a Welk Music Group Company

17
Goodnight Irene
00:02:25

John A. Lomax, ComposerLyricist - Lead Belly, ComposerLyricist - Mississippi John Hurt, MainArtist

(C) 1991 Vanguard Records, A Welk Music Group Company ℗ 1991 Vanguard Records

Chronique

Recorded in New York during February and July of 1966, the 17 songs on this collection represent Mississippi John Hurt's final studio efforts. It is astonishing that this man, in the final months of his life, could do 17 songs that were the equal of anything he had done at his first sessions 45 years earlier, his playing (supported on some tracks with producer Patrick Sky on second guitar) as alluringly complex as ever and his voice still in top form. Hurt is brilliant throughout, his voice overpowering in its mixture of warmth, gentleness, and power, and in addition to the expected crop of standards and originals, he covers songs by Bukka White ("Poor Boy, Long Ways from Home") and Leadbelly ("Goodnight Irene") -- all of it is worthwhile, with some tracks, such as "Let the Mermaids Flirt with Me," especially haunting.

© Bruce Eder /TiVo

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