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Motor|Klunk

Klunk

Motor

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Klunk is the debut album from Motor, a transoceanic collaborative effort on the part of Minnesotan producer Bryan Black and Parisian drummer Mr. No. The duo has recorded and remixed before under the name Xlover; as Motor, they channel the sounds of 1980s industrial, EBM, and synth pop, at times sounding like the unholy spawn of Front 242 and Erasure. And yes, that's a compliment. Vocals are sparse and not generally noteworthy; there isn't too much singing as such. "Yak" features a processed voice grunting "Hey man, have you got any gak?," and "1 X 1" (on which Nitzer Ebb alumnus Douglas McCarthy makes a surprise guest appearance) is similarly rudimentary in the lyrics department. But instrumentally, the album is pretty compelling: even as it draws heavily on house and industrial formulas, it adds an extra layer of glitchy postmodernism that keeps things from getting heavy-handed or tedious. Note in particular how well they create a richly funky stew out of minimal ingredients on "MDXT-A" and "King of USA," the latter of which actually explores some really interesting polyrhythmic territory toward the end (they do something similar on "Spazm," which plays extensively with three-against-two rhythms). The abstract and arrhythmic "En Trans" ends things with more of a whimper than a bang, but up until then the program rocks along nicely, exploring a variety of electro-techno-industrial sounds.
© Rick Anderson /TiVo

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Klunk

Motor

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1
Black Powder
00:07:27

Copyright Control, MusicPublisher - Motor, Artist, MainArtist - Bryan Barton, Composer - Oliver Grasset, Composer

2006 Mute Records Limited This label copy information is the subject of copyright protection. All rights reserved. Mute Records Limited 2006 The copyright in this sound recording is owner by Mute Records Limited

2
Yak
00:05:10

Copyright Control, MusicPublisher - Motor, Artist, MainArtist - Bryan Barton, Composer - Oliver Grasset, Composer

2006 Mute Records Limited This label copy information is the subject of copyright protection. All rights reserved. Mute Records Limited 2006 The copyright in this sound recording is owner by Mute Records Limited

3
Stuka Stunt
00:03:02

Copyright Control, MusicPublisher - Motor, Artist, MainArtist - Bryan Barton, Composer - Oliver Grasset, Composer

2006 Mute Records Limited This label copy information is the subject of copyright protection. All rights reserved. Mute Records Limited 2006 The copyright in this sound recording is owner by Mute Records Limited

4
Killer
00:03:42

Copyright Control, MusicPublisher - Motor, Artist, MainArtist - Bryan Barton, Composer - Oliver Grasset, Composer

2006 Mute Records Limited This label copy information is the subject of copyright protection. All rights reserved. Mute Records Limited 2006 The copyright in this sound recording is owner by Mute Records Limited

5
Botox
00:04:52

Copyright Control, MusicPublisher - Motor, Artist, MainArtist - Bryan Barton, Composer - Oliver Grasset, Composer

2006 Mute Records Limited This label copy information is the subject of copyright protection. All rights reserved. Mute Records Limited 2006 The copyright in this sound recording is owner by Mute Records Limited

6
Mdxt-A
00:05:12

Copyright Control, MusicPublisher - Motor, Artist, MainArtist - Bryan Barton, Composer - Oliver Grasset, Composer

2006 Mute Records Limited This label copy information is the subject of copyright protection. All rights reserved. Mute Records Limited 2006 The copyright in this sound recording is owner by Mute Records Limited

7
1 X1
00:03:47

Copyright Control, MusicPublisher - Motor, Artist, MainArtist - Bryan Barton, Composer - Oliver Grasset, Composer

2006 Mute Records Limited This label copy information is the subject of copyright protection. All rights reserved. Mute Records Limited 2006 The copyright in this sound recording is owner by Mute Records Limited

8
Sweatbox
00:07:15

Copyright Control, MusicPublisher - Motor, Artist, MainArtist - Bryan Barton, Composer - Oliver Grasset, Composer

2006 Mute Records Limited This label copy information is the subject of copyright protection. All rights reserved. Mute Records Limited 2006 The copyright in this sound recording is owner by Mute Records Limited

9
King of Usa
00:04:36

Motor, Artist, MainArtist - Chrysalis Music Ltd, MusicPublisher - Bryan Barton, Composer - Oliver Grasset, Composer

2006 Mute Records Limited This label copy information is the subject of copyright protection. All rights reserved. Mute Records Limited 2006 The copyright in this sound recording is owner by Mute Records Limited

10
Spazm
00:05:26

Copyright Control, MusicPublisher - Motor, Artist, MainArtist - Bryan Barton, Composer - Oliver Grasset, Composer

2006 Mute Records Limited This label copy information is the subject of copyright protection. All rights reserved. Mute Records Limited 2006 The copyright in this sound recording is owner by Mute Records Limited

11
Din 13
00:04:50

Copyright Control, MusicPublisher - Motor, Artist, MainArtist - Bryan Barton, Composer - Oliver Grasset, Composer

2006 Mute Records Limited This label copy information is the subject of copyright protection. All rights reserved. Mute Records Limited 2006 The copyright in this sound recording is owner by Mute Records Limited

12
En Trans
00:04:18

Copyright Control, MusicPublisher - Motor, Artist, MainArtist - Bryan Barton, Composer - Oliver Grasset, Composer

2006 Mute Records Limited This label copy information is the subject of copyright protection. All rights reserved. Mute Records Limited 2006 The copyright in this sound recording is owner by Mute Records Limited

Chronique

Klunk is the debut album from Motor, a transoceanic collaborative effort on the part of Minnesotan producer Bryan Black and Parisian drummer Mr. No. The duo has recorded and remixed before under the name Xlover; as Motor, they channel the sounds of 1980s industrial, EBM, and synth pop, at times sounding like the unholy spawn of Front 242 and Erasure. And yes, that's a compliment. Vocals are sparse and not generally noteworthy; there isn't too much singing as such. "Yak" features a processed voice grunting "Hey man, have you got any gak?," and "1 X 1" (on which Nitzer Ebb alumnus Douglas McCarthy makes a surprise guest appearance) is similarly rudimentary in the lyrics department. But instrumentally, the album is pretty compelling: even as it draws heavily on house and industrial formulas, it adds an extra layer of glitchy postmodernism that keeps things from getting heavy-handed or tedious. Note in particular how well they create a richly funky stew out of minimal ingredients on "MDXT-A" and "King of USA," the latter of which actually explores some really interesting polyrhythmic territory toward the end (they do something similar on "Spazm," which plays extensively with three-against-two rhythms). The abstract and arrhythmic "En Trans" ends things with more of a whimper than a bang, but up until then the program rocks along nicely, exploring a variety of electro-techno-industrial sounds.
© Rick Anderson /TiVo

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