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Cannonball Adderley|Jazz Profile: Cannonball Adderley

Jazz Profile: Cannonball Adderley

Cannonball Adderley

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Langue disponible : anglais

Cannonball Adderley only recorded once as a leader for Blue Note, but this sampler manages to cover most of his prime years. There are cuts taken from the Riverside catalog ("Au Privave" with Wes Montgomery, "Sack O' Woe" and "Gemini"), plus Adderley's big Capitol hit "Mercy, Mercy, Mercy," "One for Daddy-O" (taken from the Blue Note set with Miles Davis as a sideman), and a previously unreleased "Bohemia After Dark" from 1966. The latter (a hot uptempo version taken from a Japanese concert) will drive completists mad, since they will undoubtedly already own all of the rest of the material. For beginners, this is an excellent overview of the exuberant altoist's bop-oriented years, before he gradually switched to funkier sounds.

© Scott Yanow /TiVo

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Jazz Profile: Cannonball Adderley

Cannonball Adderley

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1
One For Daddy-O
Cannonball Adderley
00:08:26

Nat Adderley, Composer - Miles Davis, Trumpet, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Ron McMaster, Mastering Engineer, StudioPersonnel - Alfred Lion, Producer - Art Blakey, Drums, AssociatedPerformer - Hank Jones, Piano, AssociatedPerformer - Cannonball Adderley, Alto Saxophone, MainArtist, AssociatedPerformer - Sam Jones, Double Bass, AssociatedPerformer

(C) 1997 Blue Note Records ℗ 1958 Blue Note Records

2
Au Privave (Live)
Cannonball Adderley
00:03:54

Charlie Parker, Composer - Ron McMaster, Mastering Engineer, StudioPersonnel - Cannonball Adderley, Producer, MainArtist

(C) 1997 Blue Note Records ℗ 1960 Blue Note Records

3
Sack O' Woe (Live/Remastered)
Cannonball Adderley Quintet
00:10:34

Jon Hendricks, ComposerLyricist - Ron McMaster, Mastering Engineer, StudioPersonnel - Cannonball Adderley, MainArtist, ComposerLyricist - Wally Heider, Recording Engineer, StudioPersonnel - Orrin Keepnews, Producer - Cannonball Adderley Quintet, MainArtist

(C) 1997 Blue Note Records ℗ 1997 Blue Note Records

4
Gemini (Live)
Cannonball Adderley
00:12:46

Nat Adderley, Cornet, AssociatedPerformer - Ron McMaster, Mastering Engineer, StudioPersonnel - Jimmy Heath, Composer - Cannonball Adderley, Producer, Alto Saxophone, MainArtist, AssociatedPerformer - Sam Jones, AssociatedPerformer, Bass (Vocal) - Yusef Lateef, Flute, Tenor Saxophone, AssociatedPerformer - Louis Hayes, Drums, AssociatedPerformer - Joe Zawinul, Piano, AssociatedPerformer

(C) 1997 Blue Note Records ℗ 1962 Blue Note Records

5
Mercy, Mercy, Mercy
Cannonball Adderley
00:05:13

David Axelrod, Producer - Cannonball Adderley, MainArtist - Josef Zawinul, ComposerLyricist

(C) 1997 Blue Note Records ℗ 1966 Capitol Records, LLC

6
Bohemia After Dark (1997 Digital Remaster)
Cannonball Adderley
00:07:16

Roy McCurdy, Drums, AssociatedPerformer - Nat Adderley, Cornet, AssociatedPerformer - Oscar Pettiford, Composer - Ron McMaster, Mastering Engineer, StudioPersonnel - Cannonball Adderley, Producer, Alto Saxophone, MainArtist, AssociatedPerformer - Yusef Lateef, Flute, Tenor Saxophone, AssociatedPerformer - Joe Zawinul, Piano, AssociatedPerformer - Victor Gaskin, AssociatedPerformer, Bass (Vocal)

(C) 1997 Blue Note Records ℗ 1997 Blue Note Records

Chronique

Cannonball Adderley only recorded once as a leader for Blue Note, but this sampler manages to cover most of his prime years. There are cuts taken from the Riverside catalog ("Au Privave" with Wes Montgomery, "Sack O' Woe" and "Gemini"), plus Adderley's big Capitol hit "Mercy, Mercy, Mercy," "One for Daddy-O" (taken from the Blue Note set with Miles Davis as a sideman), and a previously unreleased "Bohemia After Dark" from 1966. The latter (a hot uptempo version taken from a Japanese concert) will drive completists mad, since they will undoubtedly already own all of the rest of the material. For beginners, this is an excellent overview of the exuberant altoist's bop-oriented years, before he gradually switched to funkier sounds.

© Scott Yanow /TiVo

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