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Sheila Jordan|I've Grown Accustomed to the Bass (Live)

I've Grown Accustomed to the Bass (Live)

Sheila Jordan, Cameron Brown

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This 1997 concert marked the first time that vocalist Sheila Jordan and bassist Cameron Brown had performed live as a duo. Nerves aside, they had their Belgian audience captivated from the opening of the set. Jordan improvises much like a horn with her interesting choices of notes as she sings the lyrics to standards like "The Very Thought of You," while Brown is also a superb musician, comping perfectly for her and launching on inventive solo flights of his own. Jordan scats an introduction to the playful "Better Than Anything" (a good song that is often subjected to lackluster interpretations), adding a few interesting twists of her own as they take it into new musical territory. "Dat Dere" sounds even better in a vocal/bass setting; Jordan's humorous interpretation proves to be infectious. One unusual part of this performance is her series of medleys that are connected without interruption, blending her originals with standards and favorite jazz compositions into a stunning tour de force. The duo wraps the session with "I've Grown Accustomed to the Bass," with Jordan wryly altering the lyrics to "I've Grown Accustomed to Her Face" to craft a fitting tribute to her duo partner.

© Ken Dryden /TiVo

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I've Grown Accustomed to the Bass (Live)

Sheila Jordan

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1
Introductory Remarks by Sheila Jordan (Live)
00:00:36

Sheila Jordan, MainArtist

2000 HighNote Records, Inc. 2000 HighNote Records, Inc.

2
The Very Thought of You (Live)
00:06:43

R. Noble, Composer - Cameron Brown, MainArtist - Sheila Jordan, MainArtist

2000 HighNote Records, Inc. 2000 HighNote Records, Inc.

3
Better Than Anything (Live)
00:04:21

Cameron Brown, MainArtist - Sheila Jordan, MainArtist - D. Wheat, Composer - B. Loughborough, Composer

2000 HighNote Records, Inc. 2000 HighNote Records, Inc.

4
Dat Dere (Live)
00:03:33

B. Timmons, Composer - O. Brown, Composer - Cameron Brown, MainArtist - Sheila Jordan, MainArtist

2000 HighNote Records, Inc. 2000 HighNote Records, Inc.

5
Mourning Song (Live)
00:04:59

Cameron Brown, MainArtist - Sheila Jordan, MainArtist - S. J. Jordan, Composer

2000 HighNote Records, Inc. 2000 HighNote Records, Inc.

6
The Bird / Tribute (Quasimodo) / Embraceable You (Live)
00:09:40

Cameron Brown, MainArtist - Sheila Jordan, MainArtist - S. J. Jordan, Composer

2000 HighNote Records, Inc. 2000 HighNote Records, Inc.

7
Goodbye Pork Pie Hat (Live)
00:02:04

C. Mingus, Composer - R. Kirk, Composer - Cameron Brown, MainArtist - Sheila Jordan, MainArtist

2000 HighNote Records, Inc. 2000 HighNote Records, Inc.

8
Good Morning Heartache (Live)
00:06:10

I. Higginbotham, Composer - E. DRAKE, Composer - Cameron Brown, MainArtist - Sheila Jordan, MainArtist - D. Fisher, Composer

2000 HighNote Records, Inc. 2000 HighNote Records, Inc.

9
I Got Rhythm / Listen to Monk (Rhythming) (Live)
00:05:19

G. Gershwin, Composer - I. GERSHWIN, Composer - Cameron Brown, MainArtist - Sheila Jordan, MainArtist

2000 HighNote Records, Inc. 2000 HighNote Records, Inc.

10
Sheila's Blues (Live)
00:07:27

Cameron Brown, MainArtist - Sheila Jordan, MainArtist - S. J. Jordan, Composer

2000 HighNote Records, Inc. 2000 HighNote Records, Inc.

11
I've Grown Accustomed to the Bass (Live)
00:02:24

F. Lowe, Composer - A. J. LERNER, Composer - Cameron Brown, MainArtist - Sheila Jordan, MainArtist

2000 HighNote Records, Inc. 2000 HighNote Records, Inc.

Chronique

This 1997 concert marked the first time that vocalist Sheila Jordan and bassist Cameron Brown had performed live as a duo. Nerves aside, they had their Belgian audience captivated from the opening of the set. Jordan improvises much like a horn with her interesting choices of notes as she sings the lyrics to standards like "The Very Thought of You," while Brown is also a superb musician, comping perfectly for her and launching on inventive solo flights of his own. Jordan scats an introduction to the playful "Better Than Anything" (a good song that is often subjected to lackluster interpretations), adding a few interesting twists of her own as they take it into new musical territory. "Dat Dere" sounds even better in a vocal/bass setting; Jordan's humorous interpretation proves to be infectious. One unusual part of this performance is her series of medleys that are connected without interruption, blending her originals with standards and favorite jazz compositions into a stunning tour de force. The duo wraps the session with "I've Grown Accustomed to the Bass," with Jordan wryly altering the lyrics to "I've Grown Accustomed to Her Face" to craft a fitting tribute to her duo partner.

© Ken Dryden /TiVo

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