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The Easybeats|It's 2 Easy

It's 2 Easy

The Easybeats

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16-Bit/44.1 kHz Stereo

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Langue disponible : anglais

The Easybeats' second album was an Australia-only release that only got out elsewhere 27 years later. It was vaguely similar in spots to the band's first -- many of the songs, particularly the hits "Women" and "Sad and Lonely and Blue," were heavily influenced by 1964-vintage Merseybeat groups. Those songs are somewhat deceptive, however, for the group was stretching out stylistically on much of It's 2 Easy. Sharing space with bright, heavily harmonized numbers like "Let Me Be" and "You Are the Light" is a string of songs integrating elements of blues, folk, and even a certain novelty feel, similar to the work of the Kinks. "Come and See Her" and "I'll Find Somebody to Take Your Place" abandon those Beatlesesque melodies in favor of dissonances and a punk attitude. Featuring some gloriously crisp and slashing lead guitar over pleasantly crunchy rhythm playing, "Easy as Can Be" is a catchy, loud, fiercely posturing declaration of lust that could almost pass for a piece of American garage rock.
Most of this album is a respectable piece of mainstream rock & roll, inspired and full of surprises. With the addition of 11 more songs, the original LP has been expanded to 25 tracks and 62 minutes' running time. The added tunes are an uneven lot, derived from various singles, B-sides, and other sources. Some of it is rather lugubrious, but none of it detracts from the value of the original album, which remains one of the best bodies of music in the late British invasion style ever produced.

© Bruce Eder /TiVo

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It's 2 Easy

The Easybeats

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1
Let Me Be
00:02:07

The Easybeats, Composer, Performance, MainArtist

© 1966 BMG AM Pty Ltd. ℗ 2003 Albert Productions

2
You Are the Light
00:01:55

The Easybeats, Composer, Performance, MainArtist

© 1966 BMG AM Pty Ltd. ℗ 1966 BMG AM Pty Ltd.

3
Women (make You Feel Alright)
00:02:34

The Easybeats, Composer, Performance, MainArtist

© 1966 BMG AM Pty Ltd. ℗ 2003 Albert Productions

4
Come And See Her
00:02:42

S. Wright, Composer - G. Young, Composer - The Easybeats, Composer, Performance, MainArtist

© 1966 BMG AM Pty Ltd. ℗ 1966 J. Albert & Son Pty Limited

5
I'll Find Somebody to Take Your Place
00:03:02

The Easybeats, Composer, Performance, MainArtist

© 1966 BMG AM Pty Ltd. ℗ 1966 BMG AM Pty Ltd.

6
Someway, Somewhere
00:02:20

The Easybeats, Composer, Performance, MainArtist

© 1966 BMG AM Pty Ltd. ℗ 1966 BMG AM Pty Ltd.

7
Easy as Can Be
00:02:33

The Easybeats, Composer, Performance, MainArtist

© 1966 BMG AM Pty Ltd. ℗ 1965 BMG AM Pty Ltd.

8
I Can See
00:02:12

The Easybeats, Composer, Performance, MainArtist

© 1966 BMG AM Pty Ltd. ℗ 1966 BMG AM Pty Ltd.

9
Sad And Lonely And Blue
00:02:16

The Easybeats, Composer, Performance, MainArtist

© 1966 BMG AM Pty Ltd. ℗ 2003 Albert Productions

10
Somethin Wrong
00:02:16

The Easybeats, Composer, Performance, MainArtist

© 1966 BMG AM Pty Ltd. ℗ 2003 Albert Productions

11
In My Book
00:03:08

The Easybeats, Composer, Performance, MainArtist

© 1966 BMG AM Pty Ltd. ℗ 1966 BMG AM Pty Ltd.

12
What About Our Love
00:01:55

The Easybeats, Composer, Performance, MainArtist

© 1966 BMG AM Pty Ltd. ℗ 1966 BMG AM Pty Ltd.

13
Then I'll Tell You Goodbye
00:02:33

The Easybeats, Composer, Performance, MainArtist

© 1966 BMG AM Pty Ltd. ℗ 1966 BMG AM Pty Ltd.

14
Wedding Ring
00:02:04

S. Wright, Composer - G. Young, Composer - The Easybeats, Composer, Performance, MainArtist

© 1966 BMG AM Pty Ltd. ℗ 1965 J. Albert & Son Pty Limited

15
Me or You
00:03:05

The Easybeats, MainArtist

© 1966 BMG AM Pty Ltd. ℗ 1965 BMG AM Pty Ltd.

16
Too Much
00:01:46

The Easybeats, Composer, Performance, MainArtist

© 1966 BMG AM Pty Ltd. ℗ 2003 Albert Productions

17
Ill Make You Happy
00:03:11

The Easybeats, Composer, Performance, MainArtist

© 1966 BMG AM Pty Ltd. ℗ 2003 Albert Productions

18
A Very Special Man
00:02:21

The Easybeats, MainArtist

© 1966 BMG AM Pty Ltd. ℗ 1966 BMG AM Pty Ltd.

19
Friday on My Mind (Mono Version)
00:02:46

Harry Vanda, Composer - George Young, Composer - The Easybeats, Composer, MainArtist

© 1966 BMG AM Pty Ltd. ℗ 1966 BMG AM Pty Ltd.

20
Tryin' so Hard
00:02:42

The Easybeats, MainArtist

© 1966 BMG AM Pty Ltd. ℗ 1966 BMG AM Pty Ltd.

21
Made My Bed (Gonna Lie In It) (Alternate Mix)
00:02:14

The Easybeats, Composer, MainArtist

© 1966 BMG AM Pty Ltd. ℗ 1966 BMG AM Pty Ltd.

22
Happy Is the Man (Alternate Mix)
00:02:54

The Easybeats, MainArtist

© 1966 BMG AM Pty Ltd. ℗ 1967 BMG AM Pty Ltd.

23
How You Doing Now
00:02:00

The Easybeats, MainArtist

© 1966 BMG AM Pty Ltd. ℗ 1966 BMG AM Pty Ltd.

24
All Gone Boy (Million Dollar Baby)
00:02:14

The Easybeats, Performance, MainArtist

© 1966 BMG AM Pty Ltd. ℗ 2003 Albert Productions

25
Mandy
00:02:17

The Easybeats, MainArtist

© 1966 BMG AM Pty Ltd. ℗ 1966 BMG AM Pty Ltd.

Chronique

The Easybeats' second album was an Australia-only release that only got out elsewhere 27 years later. It was vaguely similar in spots to the band's first -- many of the songs, particularly the hits "Women" and "Sad and Lonely and Blue," were heavily influenced by 1964-vintage Merseybeat groups. Those songs are somewhat deceptive, however, for the group was stretching out stylistically on much of It's 2 Easy. Sharing space with bright, heavily harmonized numbers like "Let Me Be" and "You Are the Light" is a string of songs integrating elements of blues, folk, and even a certain novelty feel, similar to the work of the Kinks. "Come and See Her" and "I'll Find Somebody to Take Your Place" abandon those Beatlesesque melodies in favor of dissonances and a punk attitude. Featuring some gloriously crisp and slashing lead guitar over pleasantly crunchy rhythm playing, "Easy as Can Be" is a catchy, loud, fiercely posturing declaration of lust that could almost pass for a piece of American garage rock.
Most of this album is a respectable piece of mainstream rock & roll, inspired and full of surprises. With the addition of 11 more songs, the original LP has been expanded to 25 tracks and 62 minutes' running time. The added tunes are an uneven lot, derived from various singles, B-sides, and other sources. Some of it is rather lugubrious, but none of it detracts from the value of the original album, which remains one of the best bodies of music in the late British invasion style ever produced.

© Bruce Eder /TiVo

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