Qobuz Store wallpaper
Catégories :
Panier 0

Votre panier est vide

From First To Last|From First To Last

From First To Last

From First To Last

Disponible en
16-Bit/44.1 kHz Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Téléchargez cet album dans la qualité de votre choix

Langue disponible : anglais

There's a section of rhythmic dissonance at the beginning of "Two as One," the opening track of From First to Last, that commands attention because it feels so off balance. In a way, it's fitting that the album opens in such a jarring, awkward manner, as it seems to be a reflection of the disc as a whole. There's plenty of volatile energy on this self-titled album, but nearly two-thirds of it feels hollow and not as urgent as From First to Last's previous works (Dear Diary, My Teen Angst Has a Bodycount and Heroine), an affliction that isn't remedied until the end. Vocalist Matt Good may deliver the lyrics on time and in tune, but he doesn't feel them. It's a lack of passion that extends to the rest of the band as song after song depends on plodding rhythms, uninspired instrumental thrashing, and flat lyrics to get by. (One example, "Worlds Away," depends on a plaintive, repetitious intonation of "on and on and on" to serve as a decent section of the song's chorus.) However, the most frustrating aspect of the album is its own mediocrity -- it isn't bad, but by the time it starts getting good, it's more than halfway completed. The songs on From First to Last that contain the most innovation, the catchiest hooks, and the most vibrancy are relegated to the last part of the album, as if it was all shoved to one side. The result is a disc that drags and gets truly interesting only after it's too late to enjoy it. Starting with "Deliverance" and continuing through "In Memorium in Advance," the final four songs feature more energy than the rest of the album combined; the rhythm section is more limber, the vocals are more melodic and varied (where before it had been the same handful of notes combined with the same set of screams and howls), and the guitars are more aggressive. It begs the question of whether From First to Last's final numbers were the first to be written after Heroine, as they bear far more resemblance to that album than to anything preceding them here. It may have helped to have these pieces spread throughout the album, as it would have prevented it from being crippled by a case of too little, too late.

© Katherine Fulton /TiVo

Plus d'informations

From First To Last

From First To Last

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 100 millions de titres avec votre abonnement illimité.

Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.

À partir de 12,49€/mois

1
Two As One (Album Version (Explicit)) Explicit
00:03:20

Brendan O'Brien, Mixer, StudioPersonnel - LUKE WALKER, Producer, Additional Producer - Josh Abraham, Producer - Ryan Williams, Engineer, StudioPersonnel - From First To Last, MainArtist, ComposerLyricist - Tom Syrowski, Assistant Mixer, StudioPersonnel - Marcus Samperio, Asst. Recording Engineer, StudioPersonnel

℗ 2007 Suretone/Interscope Records

2
The Other Side (Album Version (Explicit)) Explicit
00:03:40

Brendan O'Brien, Mixer, StudioPersonnel - LUKE WALKER, Producer, Additional Producer - Josh Abraham, Producer - Ryan Williams, Engineer, StudioPersonnel - From First To Last, MainArtist, ComposerLyricist - Tom Syrowski, Assistant Mixer, StudioPersonnel - Marcus Samperio, Asst. Recording Engineer, StudioPersonnel

℗ 2007 Suretone/Interscope Records

3
Worlds Away
00:04:01

Brendan O'Brien, Mixer, StudioPersonnel - LUKE WALKER, Producer, Additional Producer - Josh Abraham, Producer - Ryan Williams, Engineer, StudioPersonnel - From First To Last, MainArtist, ComposerLyricist - Tom Syrowski, Assistant Mixer, StudioPersonnel - Marcus Samperio, Asst. Recording Engineer, StudioPersonnel

℗ 2007 Suretone/Interscope Records

4
We All Turn Back To Dust
00:04:00

Brendan O'Brien, Mixer, StudioPersonnel - LUKE WALKER, Producer, Additional Producer - Josh Abraham, Producer - Ryan Williams, Engineer, StudioPersonnel - From First To Last, MainArtist, ComposerLyricist - Tom Syrowski, Assistant Mixer, StudioPersonnel - Marcus Samperio, Asst. Recording Engineer, StudioPersonnel

℗ 2007 Suretone/Interscope Records

5
Medicinal Reality
00:03:09

Brendan O'Brien, Mixer, StudioPersonnel - LUKE WALKER, Producer, Additional Producer - Josh Abraham, Producer - Ryan Williams, Engineer, StudioPersonnel - From First To Last, MainArtist, ComposerLyricist - Tom Syrowski, Assistant Mixer, StudioPersonnel - Marcus Samperio, Asst. Recording Engineer, StudioPersonnel

℗ 2007 Suretone/Interscope Records

6
A Perfect Mess
00:04:24

Brendan O'Brien, Mixer, StudioPersonnel - LUKE WALKER, Producer, Additional Producer - Josh Abraham, Producer - Ryan Williams, Engineer, StudioPersonnel - From First To Last, MainArtist, ComposerLyricist - Tom Syrowski, Assistant Mixer, StudioPersonnel - Marcus Samperio, Asst. Recording Engineer, StudioPersonnel

℗ 2007 Suretone/Interscope Records

7
Tick Tick Tomorrow
00:03:27

Brendan O'Brien, Mixer, StudioPersonnel - LUKE WALKER, Producer, Additional Producer - Josh Abraham, Producer - Ryan Williams, Engineer, StudioPersonnel - From First To Last, MainArtist, ComposerLyricist - Tom Syrowski, Assistant Mixer, StudioPersonnel - Marcus Samperio, Asst. Recording Engineer, StudioPersonnel

℗ 2007 Suretone/Interscope Records

8
Deliverance!
00:03:40

Brendan O'Brien, Mixer, StudioPersonnel - LUKE WALKER, Producer, Additional Producer - Josh Abraham, Producer - Ryan Williams, Engineer, StudioPersonnel - From First To Last, MainArtist, ComposerLyricist - Tom Syrowski, Assistant Mixer, StudioPersonnel - Marcus Samperio, Asst. Recording Engineer, StudioPersonnel

℗ 2007 Suretone/Interscope Records

9
I Once Was Lost But Now Am Profound
00:03:38

Brendan O'Brien, Mixer, StudioPersonnel - LUKE WALKER, Producer, Additional Producer - Josh Abraham, Producer - Ryan Williams, Engineer, StudioPersonnel - From First To Last, MainArtist, ComposerLyricist - Tom Syrowski, Assistant Mixer, StudioPersonnel - Marcus Samperio, Asst. Recording Engineer, StudioPersonnel

℗ 2007 Suretone/Interscope Records

10
Be-Headed (Marathon Man) (Album Version) Explicit
00:03:42

Brendan O'Brien, Mixer, StudioPersonnel - LUKE WALKER, Producer, Additional Producer - Josh Abraham, Producer - Ryan Williams, Engineer, StudioPersonnel - From First To Last, MainArtist, ComposerLyricist - Tom Syrowski, Assistant Mixer, StudioPersonnel - Marcus Samperio, Asst. Recording Engineer, StudioPersonnel

℗ 2007 Suretone/Interscope Records

11
In Memoriam In Advance
00:01:57

LUKE WALKER, Producer, Additional Producer - Ryan Williams, Engineer, StudioPersonnel - From First To Last, MainArtist, ComposerLyricist - Tom Syrowski, Assistant Mixer, StudioPersonnel - Matt Good, Producer - Lee Dyess, Producer, Mixer, StudioPersonnel - Marcus Samperio, Asst. Recording Engineer, StudioPersonnel

℗ 2007 Suretone/Interscope Records

12
Tick Tick Tomorrow (Acoustic Version)
00:03:40

Brendan O'Brien, Mixer, StudioPersonnel - LUKE WALKER, Producer, Additional Producer - Josh Abraham, Producer - Ryan Williams, Engineer, StudioPersonnel - From First To Last, MainArtist, ComposerLyricist - Tom Syrowski, Assistant Mixer, StudioPersonnel - Marcus Samperio, Asst. Recording Engineer, StudioPersonnel

℗ 2008 Suretone/Interscope Records

Chronique

There's a section of rhythmic dissonance at the beginning of "Two as One," the opening track of From First to Last, that commands attention because it feels so off balance. In a way, it's fitting that the album opens in such a jarring, awkward manner, as it seems to be a reflection of the disc as a whole. There's plenty of volatile energy on this self-titled album, but nearly two-thirds of it feels hollow and not as urgent as From First to Last's previous works (Dear Diary, My Teen Angst Has a Bodycount and Heroine), an affliction that isn't remedied until the end. Vocalist Matt Good may deliver the lyrics on time and in tune, but he doesn't feel them. It's a lack of passion that extends to the rest of the band as song after song depends on plodding rhythms, uninspired instrumental thrashing, and flat lyrics to get by. (One example, "Worlds Away," depends on a plaintive, repetitious intonation of "on and on and on" to serve as a decent section of the song's chorus.) However, the most frustrating aspect of the album is its own mediocrity -- it isn't bad, but by the time it starts getting good, it's more than halfway completed. The songs on From First to Last that contain the most innovation, the catchiest hooks, and the most vibrancy are relegated to the last part of the album, as if it was all shoved to one side. The result is a disc that drags and gets truly interesting only after it's too late to enjoy it. Starting with "Deliverance" and continuing through "In Memorium in Advance," the final four songs feature more energy than the rest of the album combined; the rhythm section is more limber, the vocals are more melodic and varied (where before it had been the same handful of notes combined with the same set of screams and howls), and the guitars are more aggressive. It begs the question of whether From First to Last's final numbers were the first to be written after Heroine, as they bear far more resemblance to that album than to anything preceding them here. It may have helped to have these pieces spread throughout the album, as it would have prevented it from being crippled by a case of too little, too late.

© Katherine Fulton /TiVo

À propos

Améliorer les informations de l'album

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...

Moanin'

Art Blakey & The Jazz Messengers

Moanin' Art Blakey & The Jazz Messengers

The Studio Albums 2009 – 2018

Mark Knopfler

Blue Train

John Coltrane

Blue Train John Coltrane

Live 1978 - 1992

Dire Straits

Live 1978 - 1992 Dire Straits
À découvrir également
Par From First To Last

Make War

From First To Last

Make War From First To Last

Dead Trees

From First To Last

Dead Trees From First To Last

Dear Diary, My Teen Angst Has A Body Count

From First To Last

Christmassacre

From First To Last

Christmassacre From First To Last

Heroine

From First To Last

Heroine From First To Last

Playlists

Dans la même thématique...

i/o

Peter Gabriel

i/o Peter Gabriel

Money For Nothing

Dire Straits

Money For Nothing Dire Straits

Now And Then

The Beatles

Now And Then The Beatles

Rumours

Fleetwood Mac

Rumours Fleetwood Mac

Dark Matter

Pearl Jam

Dark Matter Pearl Jam