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Rope|Fever

Fever

Rope

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Langue disponible : anglais

Combining the guitar bliss of such bands as Windy & Carl with the experimental no wave sensibilities of U.S. Maple, Rope offers an amazing piece of electro-acoustic material primed for an avant audience. The four tracks of this debut EP move from the metallic spires and plodding bass of "Unknown Source of Egoism" to the ghost-whispered "Imagination of Rhythm" as if one elongated piece or a drone-based concerto. Beats are something Rope distinctly lacks; when Prsemyslaw Drazek's guitar accidentally establishes a pattern it is fractured, displaced, and ultimately destroyed not so much with a psychedelic fade-out as a shrill explosion. Robert Iwanik claims to have never heard Nick Cave or Michael Gira prior to this recording, but the phrasing and consciously spooky techniques are quite similar.
© Daphne Carr /TiVo

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Fever

Rope

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1
Imagination of Rhythm
Rope (US)
00:08:57

Rope, Artist, MainArtist

2002 Family Vineyard 2002 Family Vineyard

2
Damn High Mountain
Rope (US)
00:04:52

Rope, Artist, MainArtist

2002 Family Vineyard 2002 Family Vineyard

3
Liquid Courage
Rope (US)
00:06:33

Rope, Artist, MainArtist

2002 Family Vineyard 2002 Family Vineyard

4
Uknown Source of Egoism
Rope (US)
00:08:49

Rope, Artist, MainArtist

2002 Family Vineyard 2002 Family Vineyard

Chronique

Combining the guitar bliss of such bands as Windy & Carl with the experimental no wave sensibilities of U.S. Maple, Rope offers an amazing piece of electro-acoustic material primed for an avant audience. The four tracks of this debut EP move from the metallic spires and plodding bass of "Unknown Source of Egoism" to the ghost-whispered "Imagination of Rhythm" as if one elongated piece or a drone-based concerto. Beats are something Rope distinctly lacks; when Prsemyslaw Drazek's guitar accidentally establishes a pattern it is fractured, displaced, and ultimately destroyed not so much with a psychedelic fade-out as a shrill explosion. Robert Iwanik claims to have never heard Nick Cave or Michael Gira prior to this recording, but the phrasing and consciously spooky techniques are quite similar.
© Daphne Carr /TiVo

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