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Martin Denny|Exotica (Original Mono Version)

Exotica (Original Mono Version)

Martin Denny

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Langue disponible : anglais

Exotica introduced the hit "Quiet Village," catapulted the ersatz musical idiom of the same name, and brought much attention to the Martin Denny Group from visitors to the group's base in Hawaii. Even the gorgeous jacket photo -- of "exotica girl" Sandy Warner peeking out from a bamboo curtain -- is a classic of the era. With all this going for it, it almost seems unnecessary to point out that half of the tunes are from Les Baxter's tremendous "tone poem" Ritual of the Savage, itself an early classic of exotica. All of the tracks are solid and appropriate. Oddly enough, the record reflects Liberty Records' refusal to release its monaural recordings in electronically simulated stereo. The original, monaural version of the LP was recorded before stereo records were produced. That version features Arthur Lyman (still fresh after drunkenly discovering the allure of birdcalls) and is considered brighter, wilder, and more interesting than the stereo re-recording. The stereo version features Lyman's replacement on vibraphone, Julius Wechter (later founder of the astoundingly boring Baja Marimba Band).

© Tony Wilds /TiVo

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Exotica (Original Mono Version)

Martin Denny

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1
Quiet Village (Original Mono Version)
00:03:40

LES BAXTER, Composer - Si Waronker, Producer - Martin Denny, MainArtist

℗ 1956 Scamp

2
Return To Paradise (Original Mono Version)
00:02:21

Dimitri Tiomkin, Composer - Ned Washington, Composer - Si Waronker, Producer - Martin Denny, MainArtist

℗ 1956 Scamp

3
Hong Kong Blues (Original Mono Version)
00:02:17

HOAGY CARMICHAEL, ComposerLyricist - Si Waronker, Producer - Martin Denny, MainArtist

℗ 1956 Scamp

4
Busy Port (Original Mono Version)
00:02:52

LES BAXTER, Composer - Si Waronker, Producer - Martin Denny, MainArtist

℗ 1956 Scamp

5
Lotus Land (Original Mono Version)
00:02:24

Si Waronker, Producer - Martin Denny, MainArtist - Cyril Scott, Composer

℗ 1956 Scamp

6
Similau (Original Mono Version)
00:01:59

Robert Norberg, Mastering Engineer, StudioPersonnel - Si Waronker, Producer - Harry Coleman, Composer - Arden Clar, Composer - Martin Denny, MainArtist

℗ 1956 Scamp

7
Stone God (Original Mono Version)
00:03:09

Robert Norberg, Mastering Engineer, StudioPersonnel - LES BAXTER, Composer - Si Waronker, Producer - Martin Denny, MainArtist

℗ 1956 Scamp

8
Jungle Flower (Original Mono Version)
00:01:48

LES BAXTER, Composer - Si Waronker, Producer - Martin Denny, MainArtist

℗ 1956 Scamp

9
China Nights (Shina No Yuro) (Original Mono Version)
00:02:03

Si Waronker, Producer - Yaso Saijo, Composer - Nobuyuki Takeoka, Composer - S. Sedores, Composer - Martin Denny, MainArtist

℗ 1956 Scamp

10
Ah Me Furi (Original Mono Version)
00:02:10

Si Waronker, Producer - Gil Baumgart, Composer - Martin Denny, MainArtist

℗ 1956 Scamp

11
Waipio (Original Mono Version)
00:03:13

G. Allen, Composer - Si Waronker, Producer - M. Kealakai, Composer - Martin Denny, MainArtist - John Kalapana, Composer

℗ 1956 Scamp

12
Love Dance (Original Mono Version)
00:02:36

Si Waronker, Producer - Granson Music Co., Composer - Bob Lang, Engineer, StudioPersonnel - Martin Denny, MainArtist

℗ 1956 Scamp

Chronique

Exotica introduced the hit "Quiet Village," catapulted the ersatz musical idiom of the same name, and brought much attention to the Martin Denny Group from visitors to the group's base in Hawaii. Even the gorgeous jacket photo -- of "exotica girl" Sandy Warner peeking out from a bamboo curtain -- is a classic of the era. With all this going for it, it almost seems unnecessary to point out that half of the tunes are from Les Baxter's tremendous "tone poem" Ritual of the Savage, itself an early classic of exotica. All of the tracks are solid and appropriate. Oddly enough, the record reflects Liberty Records' refusal to release its monaural recordings in electronically simulated stereo. The original, monaural version of the LP was recorded before stereo records were produced. That version features Arthur Lyman (still fresh after drunkenly discovering the allure of birdcalls) and is considered brighter, wilder, and more interesting than the stereo re-recording. The stereo version features Lyman's replacement on vibraphone, Julius Wechter (later founder of the astoundingly boring Baja Marimba Band).

© Tony Wilds /TiVo

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