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Bill Evans|Essential Standards (eBooklet)

Essential Standards (eBooklet)

Bill Evans

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This new collection of Bill Evans playing standards is culled from his Riverside catalog. The first half concentrates on the first and greatest Bill Evans Trio with drummer Paul Motian and bassist Scott LaFaro, running through beautiful renditions of "Autumn Leaves," "Isn't It Romantic," and "My Foolish Heart," taken from the At Shelly's Mann-Hole date, "All of You" from Sunday at the Village Vanguard, and "How Deep Is the Ocean." The material on the second half of the album covers Evans in various settings including three trios. The first is from 1956 with Teddy Kotick on New Jazz Conceptions (which was pre-LaFaro), and with Sam Jones and Max Roach on Everybody Digs Bill Evans. The other trio sessions are the first post-LaFaro dates with new bassist Chuck Israels from 1962: How My Heart Sings! and Moonbeams. The remainder of the material is from a pair of recordings that include 1961's You Know What I Mean with Cannonball Adderley, Connie Kay, and Percy Heath of the Modern Jazz Quartet, and the famous Interplay Sessions recorded in 1962 with Freddie Hubbard, Philly Joe Jones, Jim Hall, and Kay. Everything here has been released before, and real Evans' fans have it all in numerous places. There is something to be said, however, for having an all-standards program that reveals the developing and always innovative approach Evans was taking to interpreting classic American song in the jazz idiom.

© Thom Jurek /TiVo

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Essential Standards (eBooklet)

Bill Evans

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1
Autumn Leaves (Album Version)
Bill Evans
00:06:00

Bill Evans, Bill Evans - Scott LaFaro, Scott LaFaro - Paul Motian, Paul Motian

℗ 2007 Riverside Records/Fantasy, Inc.

2
Isn't It Romantic? (Live)
Bill Evans Trio
00:04:44

Bill Evans, Bill Evans

℗ 1963 Riverside, Inc.

3
My Foolish Heart (Live)
Bill Evans Trio
00:04:56

Bill Evans Trio, Bill Evans Trio

℗ 1961 Fantasy, Inc.

4
All Of You (Take 2)
Bill Evans Trio
00:08:19

Bill Evans Trio, Bill Evans Trio

℗ 1961 Riverside Records/Fantasy, Inc.

5
How Deep Is The Ocean? (Album Version)
Bill Evans Trio
00:03:34

Bill Evans Trio, Bill Evans Trio

℗ 1961 Riverside, Inc.

6
Goodbye (Album Version)
Bill Evans
00:06:17

Cannonball Adderley, Cannonball Adderley - Bill Evans, Bill Evans

℗ 1961 Fantasy, Inc.

7
Speak Low (Album Version)
Bill Evans
00:05:10

Bill Evans, Bill Evans

℗ 1956 Fantasy, Inc.

8
I Should Care (Album Version)
Bill Evans Trio
00:04:57

Bill Evans Trio, Bill Evans Trio

℗ 1963 Fantasy, Inc.

9
Stairway To The Stars (Album Version)
Bill Evans Trio
00:04:53

Bill Evans Trio, Bill Evans Trio

℗ 1962 Fantasy, Inc.

10
You And The Night And The Music (Album Version)
Bill Evans Trio
00:07:05

Bill Evans Quintet, Bill Evans Quintet

℗ 1962 Riverside, Inc.

11
Young And Foolish (Album Version)
Bill Evans
00:05:52

Bill Evans, Bill Evans

℗ 2007 Fantasy, Inc.

Chronique

This new collection of Bill Evans playing standards is culled from his Riverside catalog. The first half concentrates on the first and greatest Bill Evans Trio with drummer Paul Motian and bassist Scott LaFaro, running through beautiful renditions of "Autumn Leaves," "Isn't It Romantic," and "My Foolish Heart," taken from the At Shelly's Mann-Hole date, "All of You" from Sunday at the Village Vanguard, and "How Deep Is the Ocean." The material on the second half of the album covers Evans in various settings including three trios. The first is from 1956 with Teddy Kotick on New Jazz Conceptions (which was pre-LaFaro), and with Sam Jones and Max Roach on Everybody Digs Bill Evans. The other trio sessions are the first post-LaFaro dates with new bassist Chuck Israels from 1962: How My Heart Sings! and Moonbeams. The remainder of the material is from a pair of recordings that include 1961's You Know What I Mean with Cannonball Adderley, Connie Kay, and Percy Heath of the Modern Jazz Quartet, and the famous Interplay Sessions recorded in 1962 with Freddie Hubbard, Philly Joe Jones, Jim Hall, and Kay. Everything here has been released before, and real Evans' fans have it all in numerous places. There is something to be said, however, for having an all-standards program that reveals the developing and always innovative approach Evans was taking to interpreting classic American song in the jazz idiom.

© Thom Jurek /TiVo

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