Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Well-swung standards and compositions of Kenny Dorham, Dexter Gordon, Grant Green and Hank Mobley are tapped for revision. Don Sickler (trumpet/flugelhorn) joins Spaulding for eight of the ten tracks, with the immaculate trio of pianist John Hicks, bassist Ray Drummond and drummer Kenny Washington as support. Spaulding's tart-sweet alto sax has never sounded better, while his pristine flute playing is easily in the top ten of late-'90s jazz performers. The CD is bookended by Dorham's music, the opening title track a flute/flugelhorn traipse through classic Blue Notesville in a light Afro-Cuban beat, the closer "La Mesha" a flute/flugel ballad. Mobley's music comes back to back, as jungle toms and light bluesy swing signify the easy mood of "High Modes," with flute and muted trumpet in unison, while the classic post-bop vehicle "The Breakthrough" has alto and trumpet strutting their stuff and puffing their chests. Gordon's similarly classic bopper "Cheesecake" has Sickler's flugelhorn playing a countermelody vis a vis Spaulding's standard alto line, and they do the same for the hip, churning melody of Grant Green's "Grant's Tune," except that Spaulding changes up on the tenor-led original by using his flute. The three numbers without Sickler are the scorching bop of "Just One of Those Things," the easy bossa beat of Duke Ellington's "Warm Valley," and the ballad treatment, on flute, of the final Mobley piece "Madeline." Spaulding shows a consistency within mainstream parameters, a real sense of teamwork with these worthy session mates, and a willingness to take chances.
© Michael G. Nastos /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
John Hicks, FeaturedArtist - James Spaulding, MainArtist - K. Dorham, Composer
HighNote Records, Inc. HighNote Records, Inc.
D. Gordon, Composer - John Hicks, FeaturedArtist - James Spaulding, MainArtist
HighNote Records, Inc. HighNote Records, Inc.
E. K. Ellington, Composer - John Hicks, FeaturedArtist - James Spaulding, MainArtist
HighNote Records, Inc. HighNote Records, Inc.
H. MOBLEY, Composer - John Hicks, FeaturedArtist - James Spaulding, MainArtist
HighNote Records, Inc. HighNote Records, Inc.
C. Porter, Composer - John Hicks, FeaturedArtist - James Spaulding, MainArtist
HighNote Records, Inc. HighNote Records, Inc.
G. Green, Composer - John Hicks, FeaturedArtist - James Spaulding, MainArtist
HighNote Records, Inc. HighNote Records, Inc.
H. MOBLEY, Composer - John Hicks, FeaturedArtist - James Spaulding, MainArtist
HighNote Records, Inc. HighNote Records, Inc.
H. MOBLEY, Composer - John Hicks, FeaturedArtist - James Spaulding, MainArtist
HighNote Records, Inc. HighNote Records, Inc.
J. BURKE, Composer - John Hicks, FeaturedArtist - James Spaulding, MainArtist - J. Van Heusen, Composer
HighNote Records, Inc. HighNote Records, Inc.
John Hicks, FeaturedArtist - James Spaulding, MainArtist - K. Dorham, Composer
HighNote Records, Inc. HighNote Records, Inc.
Chronique
Well-swung standards and compositions of Kenny Dorham, Dexter Gordon, Grant Green and Hank Mobley are tapped for revision. Don Sickler (trumpet/flugelhorn) joins Spaulding for eight of the ten tracks, with the immaculate trio of pianist John Hicks, bassist Ray Drummond and drummer Kenny Washington as support. Spaulding's tart-sweet alto sax has never sounded better, while his pristine flute playing is easily in the top ten of late-'90s jazz performers. The CD is bookended by Dorham's music, the opening title track a flute/flugelhorn traipse through classic Blue Notesville in a light Afro-Cuban beat, the closer "La Mesha" a flute/flugel ballad. Mobley's music comes back to back, as jungle toms and light bluesy swing signify the easy mood of "High Modes," with flute and muted trumpet in unison, while the classic post-bop vehicle "The Breakthrough" has alto and trumpet strutting their stuff and puffing their chests. Gordon's similarly classic bopper "Cheesecake" has Sickler's flugelhorn playing a countermelody vis a vis Spaulding's standard alto line, and they do the same for the hip, churning melody of Grant Green's "Grant's Tune," except that Spaulding changes up on the tenor-led original by using his flute. The three numbers without Sickler are the scorching bop of "Just One of Those Things," the easy bossa beat of Duke Ellington's "Warm Valley," and the ballad treatment, on flute, of the final Mobley piece "Madeline." Spaulding shows a consistency within mainstream parameters, a real sense of teamwork with these worthy session mates, and a willingness to take chances.
© Michael G. Nastos /TiVo
À propos
- 1 disque(s) - 10 piste(s)
- Durée totale : 00:58:11
- Artistes principaux : James Spaulding
- Compositeur : Various Composers
- Label : HighNote Records
- Genre : Jazz Be Bop
HighNote Records, Inc. HighNote Records, Inc.
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.