Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
On his third, and maybe most conceptually complete, album, Vic Chesnutt emerges as that rare kind of artist who can see right into the living room of small-town America. Drunk opens with one of Chesnutt's more overtly hook-oriented songs, the punchy "Sleeping Man," which also appears later in the album as a slightly twangier reprise, and is a fine commentary on the insatiable hunger for human spectacle that plagues American culture. "One of Many" is a bleak tale of murder and execution that finds Chesnutt truly at the top of his game lyrically and melodically. A fine example of Chesnutt's songcraft is the plaintive narrative "When I Ran Off and Left Her," which is indicative of his style in that its laid-back delivery masks a certain amount of tension and paranoia. A consistent theme on Drunk, as well as in Chesnutt's other work, is transition -- whether escaping or just moving -- to someplace else. Very few artists can communicate these kinds of themes as eloquently and as uniquely as Chesnutt, and Drunk is a fine example of how he can turn seemingly self-absorbed songs into something strangely universal. The distorted, guttural title cut and the bouncy "Super Tuesday" offer further proof of Chesnutt's impressive ability to evoke different moods. In the end, it is probably that ability which makes his genius the most readily apparent.
© Matt Fink /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher - Veal Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Dwarf Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Ghetto Bells Music c/o Bug Music, MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Vic Chesnutt, MainArtist - Bug Music, Inc., MusicPublisher
2004 New West Records, LLC 2004 New West Records, LLC
Chronique
On his third, and maybe most conceptually complete, album, Vic Chesnutt emerges as that rare kind of artist who can see right into the living room of small-town America. Drunk opens with one of Chesnutt's more overtly hook-oriented songs, the punchy "Sleeping Man," which also appears later in the album as a slightly twangier reprise, and is a fine commentary on the insatiable hunger for human spectacle that plagues American culture. "One of Many" is a bleak tale of murder and execution that finds Chesnutt truly at the top of his game lyrically and melodically. A fine example of Chesnutt's songcraft is the plaintive narrative "When I Ran Off and Left Her," which is indicative of his style in that its laid-back delivery masks a certain amount of tension and paranoia. A consistent theme on Drunk, as well as in Chesnutt's other work, is transition -- whether escaping or just moving -- to someplace else. Very few artists can communicate these kinds of themes as eloquently and as uniquely as Chesnutt, and Drunk is a fine example of how he can turn seemingly self-absorbed songs into something strangely universal. The distorted, guttural title cut and the bouncy "Super Tuesday" offer further proof of Chesnutt's impressive ability to evoke different moods. In the end, it is probably that ability which makes his genius the most readily apparent.
© Matt Fink /TiVo
À propos
- 1 disque(s) - 27 piste(s)
- Durée totale : 01:11:35
- Artistes principaux : Vic Chesnutt
- Label : New West Records
- Genre : Pop/Rock Rock
2004 New West Records, LLC 2004 New West Records, LLC
Améliorer les informations de l'album
Pourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.