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Johnny Copeland|Down On Bended Knee

Down On Bended Knee

Johnny Copeland

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If any label has the means to exploit its catalog, it's Rounder, and in its Perfect Ten series, the label picked ten of its best-known artists and chose representative selections from what they issued. Most of these artists -- Ruth Brown, Ted Hawkins, Clarence "Gatemouth" Brown, Loudon Wainwright III, Solomon Burke, Duke Robillard, Mississippi John Hurt, Tracy Nelson, Johnny Adams, as well as the subject of this collection, the great Texas bluesman Johnny "Clyde" Copeland -- often recorded better material elsewhere, but the sides chosen do capture them at particular and sometimes poignant and important places in their careers. In the particular case of Johnny Copeland, his Rounder years paved the way for his well-known excellent late-era recordings for Verve, and it can be convincingly argued that despite the smaller recording budget, his sides for Rounder are even better than those he cut later. Copeland moved to New York City in 1974 from Houston, TX, and began working day gigs and playing clubs in the city, Boston, Philly, and Washington, D.C., at night. He also scored a deal with Rounder, where he recorded eight brilliant records before cutting a set for Alligator with Robert Cray and Albert Collins, and then later signed to Polygram's Verve imprint. The ten tracks compiled here are taken from five of those recordings: Texas Twister, Copeland Special, Make My Home Where I Hang My Hat, Boom Boom, and Bringin' It All Back Home. While it is Copeland's big booming voice that usually gets the attention from critics, his subtle guitar style and his killer songwriting are his real trademarks. Along with these tunes -- all of which are originals -- there is another interesting twist here in that producer Dan Doyle and arranger Ken Vangel utilized some of the best jazz musicians New York had to offer during the '80s, some hailing from the vanguard tradition. They include saxophonists George Adams, Byard Lancaster, and Arthur Blythe, and trombonist George Lewis. A brilliant touch. This set is all killer, no filler from top to bottom and an excellent introduction to a terrific talent.

© Thom Jurek /TiVo

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Down On Bended Knee

Johnny Copeland

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1
When The Rain Starts Fallin'
00:04:12

George Lewis, Trombone, AssociatedPerformer - Johnny Copeland, Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Brian Miller, Bass Guitar, AssociatedPerformer - Sam Furnace, Alto Saxophone, Baritone Saxophone, AssociatedPerformer - Ben Bierman, Trumpet, AssociatedPerformer - Jimmy Wormworth, Drums, AssociatedPerformer - Dan Doyle, Producer, Recording Producer - Ken Vangel, Piano, AssociatedPerformer - Joel Perry, Guitar, AssociatedPerformer - Bert McGowan, Tenor Saxophone, AssociatedPerformer - Michael Finlayson, Mixer, Recording Engineer, StudioPersonnel

℗ 2009 Rounder Records, a division of Concord Music Group, Inc.

2
Cut Off My Right Arm
00:04:05

Michael Merritt, Bass Guitar, AssociatedPerformer - Johnny Copeland, Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Joe Arlotta, Mixer, Recording Engineer, StudioPersonnel - Tom Steele, Mastering Engineer, StudioPersonnel - Dwayne Broadnax, Drums, AssociatedPerformer - Dan Doyle, Producer, Recording Producer - Ken Vangel, Producer, Keyboards, Piano, Recording Producer, AssociatedPerformer - Joel Perry, Guitar, AssociatedPerformer - Ken Pino, Guitar, AssociatedPerformer

℗ 2009 Rounder Records, a division of Concord Music Group, Inc.

3
Down On Bended Knee
00:03:24

George Adams, Soprano Saxophone, Tenor Saxophone, AssociatedPerformer - Bob Blank, Mixer, Recording Engineer, StudioPersonnel - Arthur Blythe, Alto Saxophone, AssociatedPerformer - Byard Lancaster, Alto Saxophone, Tenor Saxophone, AssociatedPerformer - Paul Mufson, Mixer, Recording Engineer, StudioPersonnel - Johnny Copeland, Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Garrett List, Trombone, AssociatedPerformer - John Pratt, Trumpet, AssociatedPerformer - Charlie Booth, ComposerLyricist - Joe Arlotta, Mixer, Recording Engineer, StudioPersonnel - Dan Doyle, Producer, Recording Producer - Ken Vangel, Piano, AssociatedPerformer - Joe Rigby, Baritone Saxophone, AssociatedPerformer - Yusef Yancey, Trumpet, AssociatedPerformer - Bill Ohashi, Trombone, AssociatedPerformer - John Leibman, Guitar, AssociatedPerformer - Don Whitcomb, Bass Guitar, AssociatedPerformer - Candy McDonald, Drums, AssociatedPerformer - Mansfield Hitchman, Drums, AssociatedPerformer

℗ 2009 Rounder Records, a division of Concord Music Group, Inc.

4
Kasavubu
00:05:31

Malina, Guitar, AssociatedPerformer - Michael Merritt, Bass Guitar, AssociatedPerformer - Johnny Copeland, Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Jimmy Hyacinthe, Guitar, AssociatedPerformer - Ben Bierman, Trumpet, AssociatedPerformer - Jimmy Wormworth, Drums, AssociatedPerformer - Pamphile De Souza, Recording Engineer, StudioPersonnel - Dan Doyle, Producer, Recording Producer - Ken Vangel, Piano, AssociatedPerformer - Joel Perry, Guitar, AssociatedPerformer - Bert McGowan, Tenor Saxophone, AssociatedPerformer - Halial, Percussion, AssociatedPerformer - Emmet King, Trombone, AssociatedPerformer - Kotti Assalé, Alto Saxophone, AssociatedPerformer - Jean Claude Kungnon, Percussion, AssociatedPerformer - Souliman Moamed, Percussion, AssociatedPerformer - Emile Valognes, Recording Engineer, StudioPersonnel - Dominique Samarcq, Mixer, StudioPersonnel - Coulilaaly Souleymone, Asst. Recording Engineer, StudioPersonnel

℗ 2009 Rounder Records, a division of Concord Music Group, Inc.

5
Blues Ain't Nothin'
00:03:58

Michael Merritt, Bass Guitar, AssociatedPerformer - Johnny Copeland, Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Joe Arlotta, Mixer, Recording Engineer, StudioPersonnel - Tom Steele, Mastering Engineer, StudioPersonnel - Dwayne Broadnax, Drums, AssociatedPerformer - Dan Doyle, Producer, Recording Producer - Ken Vangel, Producer, Keyboards, Piano, Recording Producer, AssociatedPerformer - Joel Perry, Guitar, AssociatedPerformer - Ken Pino, Guitar, AssociatedPerformer

℗ 2009 Rounder Records, a division of Concord Music Group, Inc.

6
Devil's Hand
00:03:06

George Adams, Soprano Saxophone, Tenor Saxophone, AssociatedPerformer - Michael Merritt, Bass Guitar, AssociatedPerformer - Bob Blank, Mixer, Recording Engineer, StudioPersonnel - Arthur Blythe, Alto Saxophone, AssociatedPerformer - Byard Lancaster, Alto Saxophone, Tenor Saxophone, AssociatedPerformer - Paul Mufson, Mixer, Recording Engineer, StudioPersonnel - Johnny Copeland, Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Garrett List, Trombone, AssociatedPerformer - John Pratt, Trumpet, AssociatedPerformer - Joe Arlotta, Mixer, Recording Engineer, StudioPersonnel - Dan Doyle, Producer, Recording Producer - Ken Vangel, Piano, AssociatedPerformer - Ken Pino, Guitar, AssociatedPerformer - Joe Rigby, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, AssociatedPerformer - Yusef Yancey, Trumpet, AssociatedPerformer - Bill Ohashi, Trombone, AssociatedPerformer - John Leibman, Guitar, AssociatedPerformer - Don Whitcomb, Bass Guitar, AssociatedPerformer - Candy McDonald, Drums, AssociatedPerformer - Julian Vaughan, Drums, AssociatedPerformer - Greg Alper, Tenor Saxophone, AssociatedPerformer - Michael Finlayson, Mixer, Recording Engineer, StudioPersonnel - Richie Fliegler, Guitar, AssociatedPerformer

℗ 2009 Rounder Records, a division of Concord Music Group, Inc.

7
Honky Tonkin'
00:05:06

Michael Merritt, Bass Guitar, AssociatedPerformer - Johnny Copeland, Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - John Pratt, Trumpet, AssociatedPerformer - Dan Doyle, Producer, Recording Producer - Ken Vangel, Piano, AssociatedPerformer - Ken Pino, Guitar, AssociatedPerformer - Joe Rigby, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, AssociatedPerformer - Bill Ohashi, Trombone, AssociatedPerformer - Julian Vaughan, Drums, AssociatedPerformer - Greg Alper, Tenor Saxophone, AssociatedPerformer - Michael Finlayson, Mixer, Recording Engineer, StudioPersonnel - Richie Fliegler, Guitar, AssociatedPerformer

℗ 2009 Rounder Records, a division of Concord Music Group, Inc.

8
Claim Jumper
00:03:32

George Adams, Soprano Saxophone, Tenor Saxophone, AssociatedPerformer - Bob Blank, Mixer, Recording Engineer, StudioPersonnel - Arthur Blythe, Alto Saxophone, AssociatedPerformer - Byard Lancaster, Alto Saxophone, Tenor Saxophone, AssociatedPerformer - Paul Mufson, Mixer, Recording Engineer, StudioPersonnel - Johnny Copeland, Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Garrett List, Trombone, AssociatedPerformer - John Pratt, Trumpet, AssociatedPerformer - Joe Arlotta, Mixer, Recording Engineer, StudioPersonnel - Dan Doyle, Producer, Recording Producer - Ken Vangel, Piano, AssociatedPerformer - Joe Rigby, Baritone Saxophone, AssociatedPerformer - Yusef Yancey, Trumpet, AssociatedPerformer - Bill Ohashi, Trombone, AssociatedPerformer - John Leibman, Guitar, AssociatedPerformer - Don Whitcomb, Bass Guitar, AssociatedPerformer - Candy McDonald, Drums, AssociatedPerformer - Rock Lovejoy, ComposerLyricist

℗ 2009 Rounder Records, a division of Concord Music Group, Inc.

9
Don't Stop By The Creek, Son
00:04:05

Stevie Ray Vaughan, Guitar, AssociatedPerformer - George Lewis, Trombone, AssociatedPerformer - Johnny Copeland, Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Brian Miller, Bass Guitar, AssociatedPerformer - Sam Furnace, Alto Saxophone, Baritone Saxophone, AssociatedPerformer - Ben Bierman, Trumpet, AssociatedPerformer - Jimmy Wormworth, Drums, AssociatedPerformer - Dan Doyle, Producer, Recording Producer - Ken Vangel, Piano, AssociatedPerformer - Joel Perry, Guitar, AssociatedPerformer - Bert McGowan, Tenor Saxophone, AssociatedPerformer - Michael Finlayson, Mixer, Recording Engineer, StudioPersonnel

℗ 2009 Rounder Records, a division of Concord Music Group, Inc.

10
Make My Home Where I Hang My Hat
00:03:25

Michael Merritt, Bass Guitar, AssociatedPerformer - Johnny Copeland, Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - John Pratt, Trumpet, AssociatedPerformer - Dan Doyle, Producer, Recording Producer - Ken Vangel, Piano, AssociatedPerformer - Ken Pino, Guitar, AssociatedPerformer - Joe Rigby, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, AssociatedPerformer - Bill Ohashi, Trombone, AssociatedPerformer - Julian Vaughan, Drums, AssociatedPerformer - Greg Alper, Tenor Saxophone, AssociatedPerformer - Michael Finlayson, Mixer, Recording Engineer, StudioPersonnel - Richie Fliegler, Guitar, AssociatedPerformer

℗ 2009 Rounder Records, a division of Concord Music Group, Inc.

Chronique

If any label has the means to exploit its catalog, it's Rounder, and in its Perfect Ten series, the label picked ten of its best-known artists and chose representative selections from what they issued. Most of these artists -- Ruth Brown, Ted Hawkins, Clarence "Gatemouth" Brown, Loudon Wainwright III, Solomon Burke, Duke Robillard, Mississippi John Hurt, Tracy Nelson, Johnny Adams, as well as the subject of this collection, the great Texas bluesman Johnny "Clyde" Copeland -- often recorded better material elsewhere, but the sides chosen do capture them at particular and sometimes poignant and important places in their careers. In the particular case of Johnny Copeland, his Rounder years paved the way for his well-known excellent late-era recordings for Verve, and it can be convincingly argued that despite the smaller recording budget, his sides for Rounder are even better than those he cut later. Copeland moved to New York City in 1974 from Houston, TX, and began working day gigs and playing clubs in the city, Boston, Philly, and Washington, D.C., at night. He also scored a deal with Rounder, where he recorded eight brilliant records before cutting a set for Alligator with Robert Cray and Albert Collins, and then later signed to Polygram's Verve imprint. The ten tracks compiled here are taken from five of those recordings: Texas Twister, Copeland Special, Make My Home Where I Hang My Hat, Boom Boom, and Bringin' It All Back Home. While it is Copeland's big booming voice that usually gets the attention from critics, his subtle guitar style and his killer songwriting are his real trademarks. Along with these tunes -- all of which are originals -- there is another interesting twist here in that producer Dan Doyle and arranger Ken Vangel utilized some of the best jazz musicians New York had to offer during the '80s, some hailing from the vanguard tradition. They include saxophonists George Adams, Byard Lancaster, and Arthur Blythe, and trombonist George Lewis. A brilliant touch. This set is all killer, no filler from top to bottom and an excellent introduction to a terrific talent.

© Thom Jurek /TiVo

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