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The Moody Blues|Days Of Future Passed (Expanded Edition)

Days Of Future Passed (Expanded Edition)

The Moody Blues

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Bien qu’un peu vieilli aujourd’hui, il est le premier album de rock progressif de l’histoire, le terme employé alors étant « art rock ». La reconversion des Moody Blues est spectaculaire et inattendue. Avant les autres, les musiciens s’entourent d’un orchestre classique, le London Festival Orchestra, pour les interludes entre des ballades harmoniquement ambitieuses, éthérées grâce à l’utilisation de la réverbération déjà. Les duos claviers (Mike Pinder) et flûte (Ray Thomas), les harmonies vocales (les cinq musiciens chantent) et les nappes de mellotron, instrument que Mike Pinder avait contribué à élaborer, deviennent la marque de fabrique de la formation. Le point culminant de ce concept album est bien sûr le classique de Justin Hayward écrit quand il avait encore dix neuf ans, la chanson d’amour « Nights In White Satin », longue pièce élaborée de plus de sept minutes qui demeure l’un des grands « slows » de l’histoire du rock, disque fétiche des dj’s de l’hiver 1967. Ecourtée une première fois à trois minutes pour le 45 tours, elle ne bouleverse pas la Grande-Bretagne et pas du tout le marché américain, mais elle est en France l’un des quatre grands tubes de mai 1968. Ré-éditée en 1972, ces deux premiers territoires lui rendront alors justice. « Nights In White Satin » a souvent été repris, notamment par Eric Burdon & War, Nancy Sinatra, les Dickies, Alain Bashung et… Dalida.

                                                                                                      

©Copyright Music Story 2016

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Days Of Future Passed (Expanded Edition)

The Moody Blues

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1
The Day Begins (Incl. Morning Glory)
00:05:51

Peter Knight, Conductor, ComposerLyricist - London Festival Orchestra, Orchestra - MIKE PINDER, Spoken Word, AssociatedPerformer - Graeme Edge, ComposerLyricist - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

℗ 1967 Universal Music Operations Limited

2
Dawn: Dawn Is A Feeling
00:03:49

Peter Knight, Conductor - London Festival Orchestra, Orchestra - MIKE PINDER, Piano, Vocals, Mellotron, AssociatedPerformer - John Lodge, Bass Guitar, AssociatedPerformer - Ray Thomas, Percussion, AssociatedPerformer - Justin Hayward, Guitar, Vocals, AssociatedPerformer - Graeme Edge, Drums, Percussion, AssociatedPerformer - Michael Pinder, ComposerLyricist - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

℗ 1967 Universal Music Operations Limited

3
The Morning: Another Morning
00:03:56

Peter Knight, Conductor - London Festival Orchestra, Orchestra - MIKE PINDER, Mellotron, Background Vocalist, AssociatedPerformer - John Lodge, Bass Guitar, Background Vocalist, AssociatedPerformer - Ray Thomas, Flute, Percussion, Vocals, AssociatedPerformer, ComposerLyricist - Justin Hayward, Guitar, Background Vocalist, AssociatedPerformer - Graeme Edge, Drums, Percussion, AssociatedPerformer - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

℗ 1967 Universal Music Operations Limited

4
Lunch Break: Peak Hour
00:05:29

Peter Knight, Conductor - London Festival Orchestra, Orchestra - MIKE PINDER, Mellotron, Background Vocalist, AssociatedPerformer - John Lodge, Bass Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Ray Thomas, Flute, Percussion, Background Vocalist, AssociatedPerformer - Justin Hayward, Guitar, Background Vocalist, AssociatedPerformer - Graeme Edge, Drums, Percussion, AssociatedPerformer - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

℗ 1967 Universal Music Operations Limited

5
The Afternoon
00:08:23

Peter Knight, Conductor - London Festival Orchestra, Orchestra - MIKE PINDER, Piano, Mellotron, Background Vocalist, AssociatedPerformer - John Lodge, Bass Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Ray Thomas, Flute, Percussion, Background Vocalist, AssociatedPerformer - Justin Hayward, Guitar, Vocals, Background Vocalist, AssociatedPerformer, ComposerLyricist - Graeme Edge, Drums, AssociatedPerformer - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

℗ 1967 Universal Music Operations Limited

6
Evening
00:06:40

Peter Knight, Conductor - London Festival Orchestra, Orchestra - MIKE PINDER, Piano, Vocals, Mellotron, Background Vocalist, AssociatedPerformer - John Lodge, Bass Guitar, Background Vocalist, AssociatedPerformer - Ray Thomas, Flute, Percussion, Vocals, AssociatedPerformer, ComposerLyricist - Justin Hayward, Guitar, Background Vocalist, AssociatedPerformer - Graeme Edge, Drums, Percussion, AssociatedPerformer - Michael Pinder, ComposerLyricist - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

℗ 1967 Universal Music Operations Limited

7
The Night (Album Version / Incl. "Late Lament")
00:07:26

Peter Knight, Conductor - London Festival Orchestra, Orchestra - MIKE PINDER, Mellotron, Background Vocalist, Spoken Word, AssociatedPerformer - John Lodge, Bass Guitar, Background Vocalist, AssociatedPerformer - Ray Thomas, Flute, Background Vocalist, AssociatedPerformer - Justin Hayward, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Graeme Edge, Drums, Percussion, AssociatedPerformer, ComposerLyricist - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

℗ 1967 Universal Music Operations Limited

8
Don't Let Me Be Misunderstood (BBC Session: Saturday Club)
00:02:21

Gloria Caldwell, ComposerLyricist - BENNIE BENJAMIN, ComposerLyricist - Sol Marcus, ComposerLyricist - The Moody Blues, MainArtist

℗ 2005 BBC

9
Fly Me High (Mono Mix)
00:02:52

MIKE PINDER, Piano, Background Vocalist, AssociatedPerformer - John Lodge, Bass Guitar, AssociatedPerformer - Ray Thomas, Tambourine, Background Vocalist, AssociatedPerformer - Justin Hayward, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Graeme Edge, Drums, AssociatedPerformer - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

℗ 1967 Universal Music Operations Limited

10
I Really Haven't Got The Time (Mono Mix)
00:03:07

Michael Pinder, ComposerLyricist - The Moody Blues, MainArtist - Tony Clarke, Producer

℗ 1967 Universal Music Operations Limited

11
Love And Beauty (Mono Mix)
00:02:22

Peter Knight, Conductor - London Festival Orchestra, Orchestra - MIKE PINDER, Piano, Vocals, Mellotron, AssociatedPerformer - John Lodge, Bass Guitar, Background Vocalist, AssociatedPerformer - Ray Thomas, Tambourine, Background Vocalist, AssociatedPerformer - Justin Hayward, Guitar, Background Vocalist, AssociatedPerformer - Graeme Edge, Drums, AssociatedPerformer - Michael Pinder, ComposerLyricist - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

℗ 1967 Universal Music Operations Limited

12
Leave This Man Alone (Mono Mix)
00:02:58

MIKE PINDER, Piano, Background Vocalist, AssociatedPerformer - John Lodge, Bass Guitar, Background Vocalist, AssociatedPerformer - Ray Thomas, Tambourine, Background Vocalist, AssociatedPerformer - Justin Hayward, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Graeme Edge, Drums, AssociatedPerformer - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

℗ 1967 Universal Music Operations Limited

13
Cities (Mono Mix)
00:02:23

Peter Knight, Conductor - London Festival Orchestra, Orchestra - MIKE PINDER, Piano, Vocals, Mellotron, AssociatedPerformer - John Lodge, Bass Guitar, AssociatedPerformer - Ray Thomas, Percussion, AssociatedPerformer - Justin Hayward, Composer, Guitar, Vocals, AssociatedPerformer - Graeme Edge, Drums, Percussion, AssociatedPerformer - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

℗ 1967 Universal Music Operations Limited

14
Tuesday Afternoon (Alternate Mix)
00:04:18

Peter Knight, Conductor - London Festival Orchestra, Orchestra - MIKE PINDER, Piano, Mellotron, Background Vocalist, AssociatedPerformer - John Lodge, Bass Guitar, AssociatedPerformer - Ray Thomas, Flute, AssociatedPerformer - Justin Hayward, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Graeme Edge, Drums, AssociatedPerformer - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

℗ 2005 Universal Music Operations Limited

15
Dawn: Dawn Is A Feeling (Alternate Version)
00:02:19

Peter Knight, Conductor - London Festival Orchestra, Orchestra - MIKE PINDER, Piano, Vocals, Mellotron, AssociatedPerformer - John Lodge, Bass Guitar, AssociatedPerformer - Ray Thomas, Percussion, AssociatedPerformer - Justin Hayward, Guitar, Vocals, AssociatedPerformer - Graeme Edge, Drums, Percussion, AssociatedPerformer - Michael Pinder, ComposerLyricist - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

℗ 2005 Universal Music Operations Limited

16
The Sun Set (Alternate Version With No Orchestra)
00:02:48

MIKE PINDER, Piano, Vocals, Mellotron, AssociatedPerformer - John Lodge, Bass Guitar, Background Vocalist, AssociatedPerformer - Ray Thomas, Flute, Percussion, AssociatedPerformer - Justin Hayward, Guitar, Background Vocalist, AssociatedPerformer - Graeme Edge, Drums, Percussion, AssociatedPerformer - Michael Pinder, ComposerLyricist - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

℗ 2005 Universal Music Operations Limited

17
Twilight Time (Alternate Vocal Mix)
00:02:27

Peter Knight, Conductor - London Festival Orchestra, Orchestra - MIKE PINDER, Piano, Mellotron, Background Vocalist, AssociatedPerformer - John Lodge, Bass Guitar, Background Vocalist, AssociatedPerformer - Ray Thomas, Flute, Percussion, Vocals, AssociatedPerformer, ComposerLyricist - Justin Hayward, Guitar, Background Vocalist, AssociatedPerformer - Graeme Edge, Drums, Percussion, AssociatedPerformer - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

℗ 2005 Universal Music Operations Limited

Chronique

Bien qu’un peu vieilli aujourd’hui, il est le premier album de rock progressif de l’histoire, le terme employé alors étant « art rock ». La reconversion des Moody Blues est spectaculaire et inattendue. Avant les autres, les musiciens s’entourent d’un orchestre classique, le London Festival Orchestra, pour les interludes entre des ballades harmoniquement ambitieuses, éthérées grâce à l’utilisation de la réverbération déjà. Les duos claviers (Mike Pinder) et flûte (Ray Thomas), les harmonies vocales (les cinq musiciens chantent) et les nappes de mellotron, instrument que Mike Pinder avait contribué à élaborer, deviennent la marque de fabrique de la formation. Le point culminant de ce concept album est bien sûr le classique de Justin Hayward écrit quand il avait encore dix neuf ans, la chanson d’amour « Nights In White Satin », longue pièce élaborée de plus de sept minutes qui demeure l’un des grands « slows » de l’histoire du rock, disque fétiche des dj’s de l’hiver 1967. Ecourtée une première fois à trois minutes pour le 45 tours, elle ne bouleverse pas la Grande-Bretagne et pas du tout le marché américain, mais elle est en France l’un des quatre grands tubes de mai 1968. Ré-éditée en 1972, ces deux premiers territoires lui rendront alors justice. « Nights In White Satin » a souvent été repris, notamment par Eric Burdon & War, Nancy Sinatra, les Dickies, Alain Bashung et… Dalida.

                                                                                                      

©Copyright Music Story 2016

À propos

© 2008 Decca Music Group Limited This Compilation ℗ 2008 Decca Music Group Limited

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