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Darryl Worley|Darryl Worley

Darryl Worley

Darryl Worley

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Langue disponible : anglais

This self-titled effort is album number three and a half for Darryl Worley, if you count his last release, 2003's Have You Forgotten?, largely cobbled together from his first two albums to cash in on the jingoistic single of the same name (which in turn was made to cash in on the run-up to the U.S. invasion of Iraq) and featuring only six new songs, as half an album. Actually, Worley might have been better advised to wait a little longer before putting out a new disc, but then he and his advisors may have wanted to reposition him quickly from his flag-waving persona of 2003; the press release for this album claims it "completely reinvents him as an artist." If so, it reinvents him as a man somewhat humbled by world events, but still interested in them. In "Awful Beautiful Life," the single released long in advance of the album, he mentions in the song's bridge a cousin serving in Iraq (mispronounced "EYE-rack," of course), adding "We're all aware that he may never make it back." "Wake Up America" (the title should have a comma after "Up") sounds like it's going to be a political diatribe from the title, but it turns out to be a lament about drug addiction, an interesting cause for a singer whose songs are sopping with alcohol. More like it is the character of Earl, the protagonist of "I Love Her, She Hates Me," whose reply to every question, whether about Wall Street or football, is, "I love her, she hates me, I drink." Worley and his 18 fellow songwriters are steeped in standard country music subject matter: drinking, cheating, drinking, redemption, drinking, murder, drinking, being Southern, and drinking. They describe these subjects in lyrics that are filled with near and not-so-near rhymes (in one song, the word "drink" is rhymed with "tank," "gain," "game," "thing," and "lane") and littered with clichés, and Worley's backup musicians play typical country music with rock rhythms, a fiddle and a steel guitar never out of the mix for long. Worley has a serviceable but basically anonymous low tenor. This is nearly generic Nashville product, but Worley performs it with conviction, and that earns him his moment in the sun.

© William Ruhlmann /TiVo

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Darryl Worley

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1
Awful Beautiful Life (Album Version)
00:03:52

Curtis Wright, Background Vocalist, AssociatedPerformer - Frank Rogers, Producer - Wes Hightower, Background Vocalist, AssociatedPerformer - Kevin Grantt, Bass Guitar, AssociatedPerformer - Aubrey Haynie, Fiddle, AssociatedPerformer - Bryan Sutton, Acoustic Guitar, AssociatedPerformer - JUstin Niebank, Mixer, StudioPersonnel - Drew Bollman, Assistant Mixer, StudioPersonnel - Eric Darken, Percussion, AssociatedPerformer - DARRYL WORLEY, MainArtist, ComposerLyricist - Greg Morrow, Drums, AssociatedPerformer - Brent Rowan, Electric Guitar, AssociatedPerformer - Jim Brown, Piano, AssociatedPerformer - Steve Hinson, Steel Guitar, AssociatedPerformer - Harley Allen, ComposerLyricist - Brian David Willis, Recording Engineer, StudioPersonnel - RICHARD BARROW, Recording Engineer, StudioPersonnel - Mike Paragone, Asst. Recording Engineer, StudioPersonnel - Steve Short, Asst. Recording Engineer, StudioPersonnel

℗ 2004 DreamWorks Records Nashville

2
If I Could Tell The Truth (Album Version)
00:03:41

Curtis Wright, Background Vocalist, AssociatedPerformer - Frank Rogers, Producer - Wes Hightower, Background Vocalist, AssociatedPerformer - Jerry Salley, ComposerLyricist - Kevin Grantt, Bass Guitar, AssociatedPerformer - Aubrey Haynie, Fiddle, AssociatedPerformer - Bryan Sutton, Acoustic Guitar, AssociatedPerformer - JUstin Niebank, Mixer, StudioPersonnel - Drew Bollman, Assistant Mixer, StudioPersonnel - Eric Darken, Percussion, AssociatedPerformer - DARRYL WORLEY, MainArtist, ComposerLyricist - Greg Morrow, Drums, AssociatedPerformer - Brent Rowan, Electric Guitar, AssociatedPerformer - Jim Brown, Piano, AssociatedPerformer - Steve Hinson, Steel Guitar, AssociatedPerformer - Brian David Willis, Recording Engineer, StudioPersonnel - RICHARD BARROW, Recording Engineer, StudioPersonnel - Mike Paragone, Asst. Recording Engineer, StudioPersonnel - Steve Short, Asst. Recording Engineer, StudioPersonnel

℗ 2004 DreamWorks Records Nashville

3
I Love Her, She Hates Me (Album Version)
00:03:32

Kim Williams, ComposerLyricist - Buddy Brock, ComposerLyricist - Curtis Wright, Background Vocalist, AssociatedPerformer - Frank Rogers, Producer - Wes Hightower, Background Vocalist, AssociatedPerformer - Kevin Grantt, Bass Guitar, AssociatedPerformer - Casey Beathard, ComposerLyricist - Aubrey Haynie, Fiddle, AssociatedPerformer - Bryan Sutton, Acoustic Guitar, AssociatedPerformer - JUstin Niebank, Mixer, StudioPersonnel - Drew Bollman, Assistant Mixer, StudioPersonnel - Eric Darken, Percussion, AssociatedPerformer - DARRYL WORLEY, MainArtist - Greg Morrow, Drums, AssociatedPerformer - Brent Rowan, Electric Guitar, AssociatedPerformer - Jim Brown, Piano, AssociatedPerformer - Steve Hinson, Steel Guitar, AssociatedPerformer - Brian David Willis, Recording Engineer, StudioPersonnel - RICHARD BARROW, Recording Engineer, StudioPersonnel - Mike Paragone, Asst. Recording Engineer, StudioPersonnel - Steve Short, Asst. Recording Engineer, StudioPersonnel

℗ 2004 DreamWorks Records Nashville

4
If Something Should Happen (Album Version)
00:04:39

Curtis Wright, Background Vocalist, AssociatedPerformer - Frank Rogers, Producer - Wes Hightower, Background Vocalist, AssociatedPerformer - Kevin Grantt, Bass Guitar, AssociatedPerformer - Dan Demay, ComposerLyricist - Dave Turnbull, ComposerLyricist - Aubrey Haynie, Mandolin, AssociatedPerformer - Bryan Sutton, Acoustic Guitar, AssociatedPerformer - JUstin Niebank, Mixer, StudioPersonnel - Drew Bollman, Assistant Mixer, StudioPersonnel - Eric Darken, Percussion, AssociatedPerformer - DARRYL WORLEY, MainArtist - Greg Morrow, Drums, AssociatedPerformer - Brent Rowan, Electric Guitar, AssociatedPerformer - Jim Brown, Piano, AssociatedPerformer, ComposerLyricist - Steve Hinson, Steel Guitar, AssociatedPerformer - Brian David Willis, Recording Engineer, StudioPersonnel - RICHARD BARROW, Recording Engineer, StudioPersonnel - Mike Paragone, Asst. Recording Engineer, StudioPersonnel - Steve Short, Asst. Recording Engineer, StudioPersonnel

℗ 2004 DreamWorks Records Nashville

5
Work And Worry (Album Version)
00:04:01

Curtis Wright, Background Vocalist, AssociatedPerformer - Frank Rogers, Producer - Wes Hightower, Background Vocalist, AssociatedPerformer - Kevin Grantt, Upright Bass, AssociatedPerformer - Aubrey Haynie, Fiddle, AssociatedPerformer - Bryan Sutton, Banjo, AssociatedPerformer - JUstin Niebank, Mixer, StudioPersonnel - Drew Bollman, Assistant Mixer, StudioPersonnel - Eric Darken, Percussion, AssociatedPerformer - DARRYL WORLEY, MainArtist, ComposerLyricist - Greg Morrow, Drums, AssociatedPerformer - Brent Rowan, Electric Guitar, AssociatedPerformer - Jim Brown, Piano, AssociatedPerformer - Steve Hinson, Steel Guitar, AssociatedPerformer - Matt Davich, Clarinet, AssociatedPerformer - Brian David Willis, Recording Engineer, StudioPersonnel - RICHARD BARROW, Recording Engineer, StudioPersonnel - Neil Rosengarden, Trumpet, AssociatedPerformer - Mike Paragone, Asst. Recording Engineer, StudioPersonnel - Steve Leslie, ComposerLyricist - Steve Short, Asst. Recording Engineer, StudioPersonnel - William Huber, Trombone, AssociatedPerformer - Joseph Paul Murphy, Tuba, AssociatedPerformer

℗ 2004 DreamWorks Records Nashville

6
If It Hadn't Been For Love (Album Version)
00:04:13

Frank Rogers, Producer - Chris Stapleton, Background Vocalist, AssociatedPerformer, ComposerLyricist - Kevin Grantt, Upright Bass, AssociatedPerformer - Mike Henderson, ComposerLyricist - Aubrey Haynie, Fiddle, AssociatedPerformer - Bryan Sutton, Acoustic Guitar, AssociatedPerformer - JUstin Niebank, Mixer, StudioPersonnel - Drew Bollman, Assistant Mixer, StudioPersonnel - Eric Darken, Percussion, AssociatedPerformer - DARRYL WORLEY, MainArtist - Greg Morrow, Drums, AssociatedPerformer - Brent Rowan, Electric Guitar, AssociatedPerformer - Jim Brown, Piano, AssociatedPerformer - Steve Hinson, Dobro, AssociatedPerformer - Brian David Willis, Recording Engineer, StudioPersonnel - RICHARD BARROW, Recording Engineer, StudioPersonnel - Mike Paragone, Asst. Recording Engineer, StudioPersonnel - Steve Short, Asst. Recording Engineer, StudioPersonnel

℗ 2004 DreamWorks Records Nashville

7
Was It Good For You (Album Version)
00:03:27

Curtis Wright, Background Vocalist, AssociatedPerformer - Tim Owens, ComposerLyricist - Frank Rogers, Producer - Wes Hightower, Background Vocalist, AssociatedPerformer - Jim Collins, ComposerLyricist - Kevin Grantt, Bass Guitar, AssociatedPerformer - Casey Beathard, ComposerLyricist - Aubrey Haynie, Fiddle, AssociatedPerformer - Bryan Sutton, Acoustic Guitar, AssociatedPerformer - JUstin Niebank, Mixer, StudioPersonnel - Drew Bollman, Assistant Mixer, StudioPersonnel - Eric Darken, Percussion, AssociatedPerformer - DARRYL WORLEY, MainArtist - Greg Morrow, Drums, AssociatedPerformer - Brent Rowan, Electric Guitar, AssociatedPerformer - Jim Brown, Piano, AssociatedPerformer - Steve Hinson, Steel Guitar, AssociatedPerformer - Brian David Willis, Recording Engineer, StudioPersonnel - RICHARD BARROW, Recording Engineer, StudioPersonnel - Mike Paragone, Asst. Recording Engineer, StudioPersonnel - Steve Short, Asst. Recording Engineer, StudioPersonnel

℗ 2004 DreamWorks Records Nashville

8
Find Me (Album Version)
00:03:48

Don Poythress, ComposerLyricist - Wynn Varble, ComposerLyricist - Frank Rogers, Producer - Wes Hightower, Background Vocalist, AssociatedPerformer - Kevin Grantt, Bass Guitar, AssociatedPerformer - Aubrey Haynie, Fiddle, AssociatedPerformer - Bryan Sutton, Acoustic Guitar, AssociatedPerformer - JUstin Niebank, Mixer, StudioPersonnel - Drew Bollman, Mastering Engineer, StudioPersonnel - Eric Darken, Percussion, AssociatedPerformer - DARRYL WORLEY, MainArtist, ComposerLyricist - Greg Morrow, Assistant Mixer, StudioPersonnel - Brent Rowan, Electric Guitar, AssociatedPerformer - Jim Brown, Piano, AssociatedPerformer - Steve Hinson, Steel Guitar, AssociatedPerformer - Brian David Willis, Recording Engineer, StudioPersonnel - RICHARD BARROW, Recording Engineer, StudioPersonnel - Mike Paragone, Asst. Recording Engineer, StudioPersonnel - Steve Short, Asst. Recording Engineer, StudioPersonnel

℗ 2004 DreamWorks Records Nashville

9
Wake Up America (Album Version)
00:04:14

Frank Rogers, Producer, ComposerLyricist - Wes Hightower, Background Vocalist, AssociatedPerformer - Chris Stapleton, ComposerLyricist - Kevin Grantt, Bass Guitar, AssociatedPerformer - Aubrey Haynie, Fiddle, AssociatedPerformer - Bryan Sutton, Acoustic Guitar, AssociatedPerformer - JUstin Niebank, Mixer, StudioPersonnel - Drew Bollman, Assistant Mixer, StudioPersonnel - Eric Darken, Percussion, AssociatedPerformer - DARRYL WORLEY, MainArtist, ComposerLyricist - Greg Morrow, Drums, AssociatedPerformer - Brent Rowan, Electric Guitar, AssociatedPerformer - Jim Brown, Piano, AssociatedPerformer - Steve Hinson, Steel Guitar, AssociatedPerformer - Brian David Willis, Recording Engineer, StudioPersonnel - RICHARD BARROW, Recording Engineer, StudioPersonnel - Mike Paragone, Asst. Recording Engineer, StudioPersonnel - Steve Short, Asst. Recording Engineer, StudioPersonnel

℗ 2004 DreamWorks Records Nashville

10
What Makes A Man Do That (Album Version)
00:04:19

Curtis Wright, Background Vocalist, AssociatedPerformer - Frank Rogers, Producer, ComposerLyricist - Wes Hightower, Background Vocalist, AssociatedPerformer - Kevin Grantt, Bass Guitar, AssociatedPerformer - Aubrey Haynie, Fiddle, AssociatedPerformer - Bryan Sutton, Acoustic Guitar, AssociatedPerformer - JUstin Niebank, Mixer, StudioPersonnel - Drew Bollman, Assistant Mixer, StudioPersonnel - Eric Darken, Percussion, AssociatedPerformer - DARRYL WORLEY, MainArtist, ComposerLyricist - Greg Morrow, Drums, AssociatedPerformer - Brent Rowan, Electric Guitar, AssociatedPerformer - Jim Brown, Piano, AssociatedPerformer - Steve Hinson, Steel Guitar, AssociatedPerformer - Brian David Willis, Recording Engineer, StudioPersonnel - RICHARD BARROW, Recording Engineer, StudioPersonnel - Mike Paragone, Asst. Recording Engineer, StudioPersonnel - Steve Short, Asst. Recording Engineer, StudioPersonnel - John Michael Davis, ComposerLyricist

℗ 2004 DreamWorks Records Nashville

11
Better Than I Deserve (Album Version)
00:04:03

Tom Shapiro, ComposerLyricist - Curtis Wright, Background Vocalist, AssociatedPerformer - Frank Rogers, Producer - Wes Hightower, Background Vocalist, AssociatedPerformer - Kevin Grantt, Bass Guitar, AssociatedPerformer - Casey Beathard, ComposerLyricist - Aubrey Haynie, Fiddle, AssociatedPerformer - Bryan Sutton, Acoustic Guitar, AssociatedPerformer - JUstin Niebank, Mixer, StudioPersonnel - Drew Bollman, Assistant Mixer, StudioPersonnel - Eric Darken, Percussion, AssociatedPerformer - DARRYL WORLEY, MainArtist - Greg Morrow, Drums, AssociatedPerformer - Brent Rowan, Electric Guitar, AssociatedPerformer - Jim Brown, Piano, AssociatedPerformer - Steve Hinson, Steel Guitar, AssociatedPerformer - Brian David Willis, Recording Engineer, StudioPersonnel - RICHARD BARROW, Recording Engineer, StudioPersonnel - Mike Paragone, Asst. Recording Engineer, StudioPersonnel - Steve Short, Asst. Recording Engineer, StudioPersonnel

℗ 2004 DreamWorks Records Nashville

12
Whistle Dixie (Album Version)
00:04:40

Curtis Wright, Background Vocalist, AssociatedPerformer - Frank Rogers, Producer - Wes Hightower, Vocals, AssociatedPerformer - Kevin Grantt, Bass Guitar, AssociatedPerformer - Aubrey Haynie, Mandolin, AssociatedPerformer - Bryan Sutton, Acoustic Guitar, AssociatedPerformer - JUstin Niebank, Mixer, StudioPersonnel - Drew Bollman, Assistant Mixer, StudioPersonnel - Eric Darken, Percussion, AssociatedPerformer - DARRYL WORLEY, MainArtist, ComposerLyricist - Greg Morrow, Drums, AssociatedPerformer - Brent Rowan, Electric Guitar, AssociatedPerformer - Jim Brown, Piano, AssociatedPerformer - Steve Hinson, Steel Guitar, AssociatedPerformer - Brian David Willis, Recording Engineer, StudioPersonnel - Kim Parent, Background Vocalist, AssociatedPerformer - RICHARD BARROW, Recording Engineer, StudioPersonnel - Mike Paragone, Asst. Recording Engineer, StudioPersonnel - Steve Short, Asst. Recording Engineer, StudioPersonnel - Melodie Crittendon, Background Vocalist, AssociatedPerformer - Sharif Iman, Background Vocalist, AssociatedPerformer

℗ 2004 DreamWorks Records Nashville

Chronique

This self-titled effort is album number three and a half for Darryl Worley, if you count his last release, 2003's Have You Forgotten?, largely cobbled together from his first two albums to cash in on the jingoistic single of the same name (which in turn was made to cash in on the run-up to the U.S. invasion of Iraq) and featuring only six new songs, as half an album. Actually, Worley might have been better advised to wait a little longer before putting out a new disc, but then he and his advisors may have wanted to reposition him quickly from his flag-waving persona of 2003; the press release for this album claims it "completely reinvents him as an artist." If so, it reinvents him as a man somewhat humbled by world events, but still interested in them. In "Awful Beautiful Life," the single released long in advance of the album, he mentions in the song's bridge a cousin serving in Iraq (mispronounced "EYE-rack," of course), adding "We're all aware that he may never make it back." "Wake Up America" (the title should have a comma after "Up") sounds like it's going to be a political diatribe from the title, but it turns out to be a lament about drug addiction, an interesting cause for a singer whose songs are sopping with alcohol. More like it is the character of Earl, the protagonist of "I Love Her, She Hates Me," whose reply to every question, whether about Wall Street or football, is, "I love her, she hates me, I drink." Worley and his 18 fellow songwriters are steeped in standard country music subject matter: drinking, cheating, drinking, redemption, drinking, murder, drinking, being Southern, and drinking. They describe these subjects in lyrics that are filled with near and not-so-near rhymes (in one song, the word "drink" is rhymed with "tank," "gain," "game," "thing," and "lane") and littered with clichés, and Worley's backup musicians play typical country music with rock rhythms, a fiddle and a steel guitar never out of the mix for long. Worley has a serviceable but basically anonymous low tenor. This is nearly generic Nashville product, but Worley performs it with conviction, and that earns him his moment in the sun.

© William Ruhlmann /TiVo

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