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Coal Chamber|Dark Days

Dark Days

Coal Chamber

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Coal Chamber will never be known for their striking originality or thoughtful songcraft. That being said, their self-titled debut album convincingly raged at all the right machines upon its release in 1997, sounding sufficiently spooky and sporting a mildly pleasing, if simplistic, rhythmic battery of subcutaneous, groove-oriented riffs and one-dimensional growled vocals. Their second record, Chamber Music, was generally written off as a half-baked electro-goth experiment, and if it found the band spinning their tires songwriting-wise, Dark Days is regrettably stuck in a mudhole, desperately needing a tow rope, new tires, a shove forward -- anything. It offers, well, a mildly pleasing, if simplistic, rhythmic battery of subcutaneous, groove-oriented riffs and one-dimensional growled vocals. Again. The cookie-cutter Korn-copped riffs and cookie monster vocals don't cut it this time, Dark Days grinding away at the same nu-metal stone, drubbing it into a numb nub, "subtlety" not being part of the band's vocabulary. Here, songwriting is condensed into a bland recipe consisting of two- or three-note riffs churned out on top of a solid groove-pocket while vocalist Dez Fafara picks out two or three blasé, tossed-off lyrical phrases and repeats them ad nauseum. While this formula might occasionally work within the context of typical verse-chorus-verse song structures -- opening cut "Fiend" is the lone intelligent standout, and "Glow" and "One Step" aren't too bad -- the tunes lean heavily on the idea of repetition-as-hook instead of presenting anything truly inspired or memorable. Ideally, Dark Days should find Coal Chamber maturing, kicking the musicianship and songwriting up a notch. But ultimately, it's creatively bankrupt, painfully obvious in execution and so caught up in guttural spleen-venting that it lands with a thud, smothering any potential spark.

© John Serba /TiVo

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Dark Days

Coal Chamber

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1
Fiend Explicit
00:03:00

Mike Cox, Composer, Lyricist - Ross Hogarth, Producer - Coal Chamber, MainArtist - Miguel Rascon, Composer, Lyricist - Rayna Foss-Rose, Composer - B. Dez Fafara, Composer, Lyricist - Rayna Foss, Lyricist

(C) 2002 Woah Dad! (P) 2002 Woah Dad!

2
Glow
00:03:12

Mike Cox, Composer - Ross Hogarth, Producer - Dez Fafara, Lyricist - Coal Chamber, MainArtist - Miguel Rascon, Composer - Rayna Foss-Rose, Composer

(C) 2002 Woah Dad! (P) 2002 Woah Dad!

3
Watershed Explicit
00:02:36

Mike Cox, Composer - Ross Hogarth, Producer - Dez Fafara, Lyricist - Coal Chamber, MainArtist - Miguel Rascon, Composer - Rayna Foss-Rose, Composer

(C) 2002 Woah Dad! (P) 2002 Woah Dad!

4
Something Told Me Explicit
00:03:23

Mike Cox, Composer - Ross Hogarth, Producer - Dez Fafara, Lyricist - Coal Chamber, MainArtist - Miguel Rascon, Composer - Rayna Foss-Rose, Composer

(C) 2002 Woah Dad! (P) 2002 Woah Dad!

5
Dark Days Explicit
00:03:41

Mike Cox, Composer - Ross Hogarth, Producer - Dez Fafara, Lyricist - Coal Chamber, MainArtist - Miguel Rascon, Composer - Rayna Foss-Rose, Composer

(C) 2002 Woah Dad! (P) 2002 Woah Dad!

6
Alienate Me
00:03:17

Mike Cox, Composer - Ross Hogarth, Producer - Dez Fafara, Lyricist - Coal Chamber, MainArtist - Miguel Rascon, Composer - Rayna Foss-Rose, Composer

(C) 2002 Woah Dad! (P) 2002 Woah Dad!

7
One Step Explicit
00:02:39

Mike Cox, Composer - Ross Hogarth, Producer - Dez Fafara, Lyricist - Coal Chamber, MainArtist - Miguel Rascon, Composer - Rayna Foss-Rose, Composer

(C) 2002 Woah Dad! (P) 2002 Woah Dad!

8
Friend Explicit
00:03:32

Mike Cox, Composer - Ross Hogarth, Producer - Dez Fafara, Lyricist - Coal Chamber, MainArtist - Miguel Rascon, Composer - Rayna Foss-Rose, Composer

(C) 2002 Woah Dad! (P) 2002 Woah Dad!

9
Rowboat
00:04:49

Ross Hogarth, Producer - Bob Marlette, Composer, Lyricist - Coal Chamber, MainArtist - Buddy Gheen, Composer, Lyricist - Dave Casey, Composer, Lyricist - Simon Daniels, Composer, Lyricist

(C) 2002 Woah Dad! (P) 2002 Woah Dad!

10
Drove
00:03:11

Mike Cox, Composer - Ross Hogarth, Producer - Dez Fafara, Lyricist - Coal Chamber, MainArtist - Miguel Rascon, Composer - Rayna Foss-Rose, Composer

(C) 2002 Woah Dad! (P) 2002 Woah Dad!

11
Empty Jar
00:03:50

Mike Cox, Composer - Ross Hogarth, Producer - Dez Fafara, Lyricist - Coal Chamber, MainArtist - Miguel Rascon, Composer - Rayna Foss-Rose, Composer

(C) 2002 Woah Dad! (P) 2002 Woah Dad!

12
Beckoned Explicit
00:04:02

Mike Cox, Composer - Ross Hogarth, Producer - Dez Fafara, Lyricist - Coal Chamber, MainArtist - Miguel Rascon, Composer - Rayna Foss-Rose, Composer

(C) 2002 Woah Dad! (P) 2002 Woah Dad!

Chronique

Coal Chamber will never be known for their striking originality or thoughtful songcraft. That being said, their self-titled debut album convincingly raged at all the right machines upon its release in 1997, sounding sufficiently spooky and sporting a mildly pleasing, if simplistic, rhythmic battery of subcutaneous, groove-oriented riffs and one-dimensional growled vocals. Their second record, Chamber Music, was generally written off as a half-baked electro-goth experiment, and if it found the band spinning their tires songwriting-wise, Dark Days is regrettably stuck in a mudhole, desperately needing a tow rope, new tires, a shove forward -- anything. It offers, well, a mildly pleasing, if simplistic, rhythmic battery of subcutaneous, groove-oriented riffs and one-dimensional growled vocals. Again. The cookie-cutter Korn-copped riffs and cookie monster vocals don't cut it this time, Dark Days grinding away at the same nu-metal stone, drubbing it into a numb nub, "subtlety" not being part of the band's vocabulary. Here, songwriting is condensed into a bland recipe consisting of two- or three-note riffs churned out on top of a solid groove-pocket while vocalist Dez Fafara picks out two or three blasé, tossed-off lyrical phrases and repeats them ad nauseum. While this formula might occasionally work within the context of typical verse-chorus-verse song structures -- opening cut "Fiend" is the lone intelligent standout, and "Glow" and "One Step" aren't too bad -- the tunes lean heavily on the idea of repetition-as-hook instead of presenting anything truly inspired or memorable. Ideally, Dark Days should find Coal Chamber maturing, kicking the musicianship and songwriting up a notch. But ultimately, it's creatively bankrupt, painfully obvious in execution and so caught up in guttural spleen-venting that it lands with a thud, smothering any potential spark.

© John Serba /TiVo

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