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Little Milton|Blues 'N Soul

Blues 'N Soul

Little Milton

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Langue disponible : anglais

Having already recorded for both Sun and Chess Records, two of the most historically significant labels in the history of blues and rock, Little Milton signed to Stax in the early '70s, adding yet another heavyweight to his catalog. On Blues 'N' Soul, he is joined by many of the same musicians that backed him on his Stax studio debut, Waiting for Little Milton, including drummer Willie Hall, guitarist Bobby Manuel, bassist Willie Murphy, and pianist Lester Snell. An impassioned singer, Milton's early-'70s output indeed began to walk the fine line between the blues and soul of the album title, a fact accentuated by the sparkling touches of the Memphis Horns. Although there are only two originals in the set, the singer's interpretations of songs popularized by Charlie Rich ("Behind Closed Doors"), Linda Ronstadt ("You're No Good") and Freddie King ("Woman Across the River") are just as convincing. Milton's own "Sweet Woman of Mine" captures the combo in an up-tempo mode, simultaneously tough and swinging. "'Tain't Nobody's Business If I Do" is a tour de force of soul-blues that paces itself exquisitely across six and a half minutes, and "Hard Luck Blues" concludes the set with a hard funk groove. Throughout the album, the arranging skills of James Mitchell demonstrate how strings can be incorporated into a hard blues setting. Though they provide ample color to these productions, they do little to dilute the essential nature of the music. Excluding the singles collection Walking the Back Streets, Blues 'N' Soul may very well be Milton's best set for Stax.

© Nathan Bush /TiVo

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Blues 'N Soul

Little Milton

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1
Woman Across The River (Album Version)
00:04:12

Bettye Jean Crutcher, ComposerLyricist - Allen Jones, ComposerLyricist - Little Milton, MainArtist

℗ 1974 Stax Records

2
Behind Closed Doors (Album Version)
00:03:58

Kenny O'Dell, ComposerLyricist - Milton Campbell, Producer - Little Milton, MainArtist

℗ 1979 Stax Records

3
Sweet Woman Of Mine (Album Version)
00:03:28

Milton Campbell, ComposerLyricist - Little Milton, MainArtist

℗ 1974 Stax Records

4
Worried Dreamer (Album Version)
00:05:21

B.B. King, ComposerLyricist - Little Milton, MainArtist

℗ 1974 Stax Records

5
How Could You Do It To Me (Album Version)
00:04:56

Milton Campbell, ComposerLyricist - Little Milton, MainArtist

℗ 1974 Stax Records

6
You're No Good (Album Version)
00:02:58

Clint Ballard Jr., ComposerLyricist - Little Milton, MainArtist

℗ 1974 Stax Records

7
Tain't Nobody's Biz-ness If I Do (Album Version)
00:06:25

E. Robbins, ComposerLyricist - Porter Grainger, ComposerLyricist - Little Milton, MainArtist

℗ 1974 Stax Records

8
Hard Luck Blues
00:04:14

Roy Brown, ComposerLyricist - Little Milton, MainArtist

℗ 1974 Stax Records

Chronique

Having already recorded for both Sun and Chess Records, two of the most historically significant labels in the history of blues and rock, Little Milton signed to Stax in the early '70s, adding yet another heavyweight to his catalog. On Blues 'N' Soul, he is joined by many of the same musicians that backed him on his Stax studio debut, Waiting for Little Milton, including drummer Willie Hall, guitarist Bobby Manuel, bassist Willie Murphy, and pianist Lester Snell. An impassioned singer, Milton's early-'70s output indeed began to walk the fine line between the blues and soul of the album title, a fact accentuated by the sparkling touches of the Memphis Horns. Although there are only two originals in the set, the singer's interpretations of songs popularized by Charlie Rich ("Behind Closed Doors"), Linda Ronstadt ("You're No Good") and Freddie King ("Woman Across the River") are just as convincing. Milton's own "Sweet Woman of Mine" captures the combo in an up-tempo mode, simultaneously tough and swinging. "'Tain't Nobody's Business If I Do" is a tour de force of soul-blues that paces itself exquisitely across six and a half minutes, and "Hard Luck Blues" concludes the set with a hard funk groove. Throughout the album, the arranging skills of James Mitchell demonstrate how strings can be incorporated into a hard blues setting. Though they provide ample color to these productions, they do little to dilute the essential nature of the music. Excluding the singles collection Walking the Back Streets, Blues 'N' Soul may very well be Milton's best set for Stax.

© Nathan Bush /TiVo

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