Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Langue disponible : anglais
Give Ashlee Simpson some credit -- she (or her management) knew that the only way to break out of the shadow of her older sister, Jessica, was to be her opposite. So, she dyed her blonde hair jet-black, based her music in rock, not dance-pop, and co-wrote every song on her 2004 debut, Autobiography (Jessica only co-wrote one on her debut, Sweet Kisses). It could be argued that this makeover for the star of the square WB TV series 7th Heaven is a bit too calculated, but regardless of the intent, the end result still works far better than that of her big sister's albums. Where Jessica sounds like a throwback to the late '60s/early '70s, specifically to the variety shows of Andy Williams and Sonny & Cher, Ashlee is modern, using the glossy, punky pop of Pink and Avril Lavigne as the touchstone for her debut. It's heavy on guitars and light on dance beats, although those are bubbling under the layers and layers of six-strings, and Ashlee has adopted a growl that may come out closer to a mousey squeak, but the attitude is appreciated all the same. And that pretty much sums up Autobiography -- it's not perfect, and it's often affected, but it winds up being endearing because of her earnestness. Not only is she trying hard -- and, in the case of "Lala," trying way too hard to be sexy -- but she's succeeding in creating an album that feels like a bubblegum version of Pink's M!ssundaztood, even if it's not quite as catchy. While the album could have used a few more songs with indelible hooks, it nevertheless is an enjoyably slick, widescreen production that's a whole lot more fun than anything her sister has recorded (with the notable exception of "I Think I'm in Love With You"), plus it's varied enough to suggest that Ashlee could make a more interesting record the next time out. All in all, it's an unexpectedly strong debut from an artist who seemed destined to be a footnote to her famous older sister, but just may wind up with a more interesting career.
© Stephen Thomas Erlewine /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
Mark Valentine, Engineer, StudioPersonnel - Kara Dioguardi, Background Vocalist, AssociatedPerformer, ComposerLyricist - John Shanks, Producer, Mixer, Guitar, Bass Guitar, Keyboards, Background Vocalist, AssociatedPerformer, StudioPersonnel, ComposerLyricist - KENNY ARONOFF, Drums, AssociatedPerformer - Shari Sutcliffe, Production Coordinator, StudioPersonnel - Jeff Rothschild, Mixer, Recording Engineer, StudioPersonnel - Glenn Pittman, Asst. Recording Engineer, StudioPersonnel - Ashlee Simpson, Background Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist
℗ 2004 UMG Recordings, Inc.
Mark Valentine, Engineer, StudioPersonnel - Kara Dioguardi, Background Vocalist, AssociatedPerformer, ComposerLyricist - John Shanks, Producer, Mixer, Guitar, Bass Guitar, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Shari Sutcliffe, Production Coordinator, StudioPersonnel - Jeff Rothschild, Mixer, Drums, Recording Engineer, AssociatedPerformer, StudioPersonnel - Glenn Pittman, Asst. Recording Engineer, StudioPersonnel - Ashlee Simpson, Vocals, Background Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist
℗ 2004 UMG Recordings, Inc.
David Campbell, String Arranger, AssociatedPerformer - Jamie Muhoberac, Organ, Piano, AssociatedPerformer - Mark Valentine, Engineer, StudioPersonnel - Patrick Warren, Keyboards, AssociatedPerformer - Kara Dioguardi, Background Vocalist, AssociatedPerformer, ComposerLyricist - John Shanks, Producer, Mixer, Guitar, Bass Guitar, Keyboards, AssociatedPerformer, StudioPersonnel, ComposerLyricist - KENNY ARONOFF, Drums, AssociatedPerformer - Shari Sutcliffe, Production Coordinator, StudioPersonnel - Jeff Rothschild, Mixer, Recording Engineer, StudioPersonnel - Glenn Pittman, Asst. Recording Engineer, StudioPersonnel - Ashlee Simpson, Background Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist
℗ 2004 UMG Recordings, Inc.
Mark Valentine, Engineer, StudioPersonnel - Kara Dioguardi, Background Vocalist, AssociatedPerformer, ComposerLyricist - John Shanks, Producer, Mixer, Guitar, Bass Guitar, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Shari Sutcliffe, Production Coordinator, StudioPersonnel - Jeff Rothschild, Mixer, Drums, Recording Engineer, AssociatedPerformer, StudioPersonnel - Glenn Pittman, Asst. Recording Engineer, StudioPersonnel - Ashlee Simpson, Background Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist
℗ 2004 UMG Recordings, Inc.
Mark Valentine, Engineer, StudioPersonnel - John Shanks, Producer, Mixer, Guitar, Bass Guitar, Keyboards, Background Vocalist, AssociatedPerformer, StudioPersonnel, ComposerLyricist - KENNY ARONOFF, Drums, AssociatedPerformer - Shari Sutcliffe, Production Coordinator, StudioPersonnel - Jeff Rothschild, Mixer, Recording Engineer, StudioPersonnel - Glenn Pittman, Asst. Recording Engineer, StudioPersonnel - Ashlee Simpson, MainArtist, ComposerLyricist
℗ 2004 UMG Recordings, Inc.
Mark Valentine, Engineer, StudioPersonnel - Kara Dioguardi, Background Vocalist, AssociatedPerformer, ComposerLyricist - John Shanks, Producer, Mixer, Guitar, Bass Guitar, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Shari Sutcliffe, Production Coordinator, StudioPersonnel - Jeff Rothschild, Mixer, Recording Engineer, StudioPersonnel - Abe Laboriel, Drums, AssociatedPerformer - Glenn Pittman, Asst. Recording Engineer, StudioPersonnel - Ashlee Simpson, Background Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist
℗ 2004 UMG Recordings, Inc.
Shelly Peiken, ComposerLyricist - Mark Valentine, Engineer, StudioPersonnel - John Shanks, Producer, Mixer, Guitar, Bass Guitar, Keyboards, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Shari Sutcliffe, Production Coordinator, StudioPersonnel - Jeff Rothschild, Mixer, Recording Engineer, StudioPersonnel - Abe Laboriel, Drums, AssociatedPerformer - Glenn Pittman, Asst. Recording Engineer, StudioPersonnel - Ashlee Simpson, Background Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist
℗ 2004 UMG Recordings, Inc.
Mark Valentine, Engineer, StudioPersonnel - Kara Dioguardi, ComposerLyricist - John Shanks, Producer, Mixer, Guitar, Bass Guitar, Keyboards, Background Vocalist, AssociatedPerformer, StudioPersonnel, ComposerLyricist - KENNY ARONOFF, Drums, AssociatedPerformer - Shari Sutcliffe, Production Coordinator, StudioPersonnel - Jeff Rothschild, Mixer, Recording Engineer, StudioPersonnel - Glenn Pittman, Asst. Recording Engineer, StudioPersonnel - Ashlee Simpson, Background Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist
℗ 2004 UMG Recordings, Inc.
Billy Mann, ComposerLyricist - Steve Fox, ComposerLyricist - Mark Valentine, Engineer, StudioPersonnel - Robbie Nevil, ComposerLyricist - John Shanks, Producer, Mixer, Guitar, Bass Guitar, Keyboards, Background Vocalist, AssociatedPerformer, StudioPersonnel - Shari Sutcliffe, Production Coordinator, StudioPersonnel - Jeff Rothschild, Mixer, Recording Engineer, StudioPersonnel - Abe Laboriel, Drums, AssociatedPerformer - Glenn Pittman, Asst. Recording Engineer, StudioPersonnel - Ashlee Simpson, Background Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Charles Frazier, ComposerLyricist
℗ 2004 UMG Recordings, Inc.
Mark Valentine, Engineer, StudioPersonnel - Kara Dioguardi, Background Vocalist, AssociatedPerformer, ComposerLyricist - John Shanks, Producer, Mixer, Guitar, Bass Guitar, AssociatedPerformer, StudioPersonnel, ComposerLyricist - KENNY ARONOFF, Drums, AssociatedPerformer - Shari Sutcliffe, Production Coordinator, StudioPersonnel - Jeff Rothschild, Mixer, Recording Engineer, StudioPersonnel - Glenn Pittman, Asst. Recording Engineer, StudioPersonnel - Ashlee Simpson, Background Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist
℗ 2004 UMG Recordings, Inc.
Mark Valentine, Engineer, StudioPersonnel - John Shanks, Producer, Mixer, Guitar, Bass Guitar, AssociatedPerformer, StudioPersonnel - JOHN FELDMANN, Programmer, ComposerLyricist - Shari Sutcliffe, Production Coordinator, StudioPersonnel - Jeff Rothschild, Mixer, Drums, Recording Engineer, AssociatedPerformer, StudioPersonnel - Glenn Pittman, Asst. Recording Engineer, StudioPersonnel - Ashlee Simpson, MainArtist, ComposerLyricist
℗ 2004 UMG Recordings, Inc.
David Campbell, String Arranger, AssociatedPerformer - Mark Valentine, Engineer, StudioPersonnel - Patrick Warren, Keyboards, AssociatedPerformer - John Shanks, Producer, Mixer, Guitar, Bass Guitar, Keyboards, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Shari Sutcliffe, Production Coordinator, StudioPersonnel - Jeff Rothschild, Mixer, Drums, Recording Engineer, AssociatedPerformer, StudioPersonnel - Glenn Pittman, Asst. Recording Engineer, StudioPersonnel - Ashlee Simpson, Background Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist
℗ 2004 UMG Recordings, Inc.
JOHN FELDMANN, ComposerLyricist - Benji Madden, ComposerLyricist - Ashlee Simpson, MainArtist, ComposerLyricist
℗ 2004 Geffen Records
Chronique
Give Ashlee Simpson some credit -- she (or her management) knew that the only way to break out of the shadow of her older sister, Jessica, was to be her opposite. So, she dyed her blonde hair jet-black, based her music in rock, not dance-pop, and co-wrote every song on her 2004 debut, Autobiography (Jessica only co-wrote one on her debut, Sweet Kisses). It could be argued that this makeover for the star of the square WB TV series 7th Heaven is a bit too calculated, but regardless of the intent, the end result still works far better than that of her big sister's albums. Where Jessica sounds like a throwback to the late '60s/early '70s, specifically to the variety shows of Andy Williams and Sonny & Cher, Ashlee is modern, using the glossy, punky pop of Pink and Avril Lavigne as the touchstone for her debut. It's heavy on guitars and light on dance beats, although those are bubbling under the layers and layers of six-strings, and Ashlee has adopted a growl that may come out closer to a mousey squeak, but the attitude is appreciated all the same. And that pretty much sums up Autobiography -- it's not perfect, and it's often affected, but it winds up being endearing because of her earnestness. Not only is she trying hard -- and, in the case of "Lala," trying way too hard to be sexy -- but she's succeeding in creating an album that feels like a bubblegum version of Pink's M!ssundaztood, even if it's not quite as catchy. While the album could have used a few more songs with indelible hooks, it nevertheless is an enjoyably slick, widescreen production that's a whole lot more fun than anything her sister has recorded (with the notable exception of "I Think I'm in Love With You"), plus it's varied enough to suggest that Ashlee could make a more interesting record the next time out. All in all, it's an unexpectedly strong debut from an artist who seemed destined to be a footnote to her famous older sister, but just may wind up with a more interesting career.
© Stephen Thomas Erlewine /TiVo
À propos
- 1 disque(s) - 13 piste(s)
- Durée totale : 00:47:09
- Artistes principaux : Ashlee Simpson
- Compositeur : Various Composers
- Label : Geffen*
- Genre : Pop/Rock Pop
© 2004 Geffen Records ℗ 2004 Geffen Records
Améliorer les informations de l'album
Pourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.