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Ralph Towner|Anthem

Anthem

Ralph Towner

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On this solo recording, Ralph Towner returns to the elementary sounds of his classical and 12-string guitars for inspiration. Though an accomplished pianist, French horn, and trumpet player, Towner has left all of them out of Anthem's stark mix. And it's a good thing too. There was a time when his love of the Prophet V synthesizer and his piano improvisations covered over the gracefulness of his trademark signature on the guitar. Anthem begins with "Solitary Woman," for 12-string. It's based on modal intervals and harmonics. His sense of drama in the piece is remarkable; coming from a melodic framework and building an architecture of trills and single-string runs, he then evolves the piece into a chordal spiral, where semitones fall off in rows until only the melody remains -- skeletal, icy, crystalline. On the title track, he uses the classical guitar to create a riff-based structure, adding one element and then another, quoting from "Greensleeves" in one section until he has harmonically changed the entire structure of the tune's body, creating an almost Renaissance melody from its framework. Anthem reveals Towner in the role of being a composer for the guitar rather than of music. For example, City of Eyes, which was for an ensemble, relied both on composition and improvisation to offer a view of the album as something resembling a film score. Anthem has no such aspirations, but it's a far loftier album. These precise, moving, and technically virtuostic compositions have flair and depth to them; they accentuate the voices of these two guitars as solo instruments capable of carrying the most complex musical issues to the fore and resolving them. But above all, as the compositions "The Lutemaker," "Very Late," "The Prowler," "Gloria's Step," and "Three Comments" make plainly clear, Towner writes with great aesthetic beauty and settles for nothing less as a player. If there was ever any doubt of the latter being true, one need only hear the album's closing track, Charles Mingus' "Goodbye Pork Pie Hat." Towner proves a consummate jazzman; his sensitivity to a complex melodic and harmonic work is instinctual. In fact, his reading of this tune is the most significant version heard on the instrument thus far -- and there have been many. Indeed, Anthem is Towner's finest album in a decade and one of the finest in his distinguished career.

© Thom Jurek /TiVo

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Anthem

Ralph Towner

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1
Solitary Woman
00:06:55

Ralph Towner, Composer, Guitar, MainArtist, AssociatedPerformer - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer

℗ 2001 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

2
Anthem
00:04:55

Ralph Towner, Composer, Guitar, MainArtist, AssociatedPerformer - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer

℗ 2001 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

3
Haunted
00:03:08

Ralph Towner, Composer, Guitar, MainArtist, AssociatedPerformer - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer

℗ 2001 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

4
The Lutemaker
00:04:20

Ralph Towner, Composer, Guitar, MainArtist, AssociatedPerformer - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer

℗ 2001 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

5
Simone
00:06:02

Ralph Towner, Composer, Guitar, MainArtist, AssociatedPerformer - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer

℗ 2001 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

6
Gloria's Step
00:02:50

Ralph Towner, Guitar, MainArtist, AssociatedPerformer - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Scott LaFaro, Composer - Manfred Eicher, Producer

℗ 2001 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

7
Four Comets I
00:01:09

Ralph Towner, Composer, Guitar, MainArtist, AssociatedPerformer - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer

℗ 2001 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

8
Four Comets II
00:01:12

Ralph Towner, Composer, Guitar, MainArtist, AssociatedPerformer - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer

℗ 2001 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

9
Four Comets III
00:01:02

Ralph Towner, Composer, Guitar, MainArtist, AssociatedPerformer - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer

℗ 2001 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

10
Four Comets IV
00:00:49

Ralph Towner, Composer, Guitar, MainArtist, AssociatedPerformer - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer

℗ 2001 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

11
Raffish
00:04:14

Ralph Towner, Composer, Guitar, MainArtist, AssociatedPerformer - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer

℗ 2001 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

12
Very Late
00:04:03

Ralph Towner, Composer, Guitar, MainArtist, AssociatedPerformer - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer

℗ 2001 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

13
The Prowler
00:04:59

Ralph Towner, Composer, Guitar, MainArtist, AssociatedPerformer - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer

℗ 2001 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

14
Three Comments I
00:01:36

Ralph Towner, Composer, Guitar, MainArtist, AssociatedPerformer - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer

℗ 2001 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

15
Three Comments II
00:00:31

Ralph Towner, Composer, Guitar, MainArtist, AssociatedPerformer - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer

℗ 2001 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

16
Three Comments III
00:00:52

Ralph Towner, Composer, Guitar, MainArtist, AssociatedPerformer - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer

℗ 2001 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

17
Goodbye, Pork-Pie Hat
00:01:55

Ralph Towner, Guitar, MainArtist, AssociatedPerformer - Charles Mingus, ComposerLyricist - Jan Erik Kongshaug, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer

℗ 2001 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

Chronique

On this solo recording, Ralph Towner returns to the elementary sounds of his classical and 12-string guitars for inspiration. Though an accomplished pianist, French horn, and trumpet player, Towner has left all of them out of Anthem's stark mix. And it's a good thing too. There was a time when his love of the Prophet V synthesizer and his piano improvisations covered over the gracefulness of his trademark signature on the guitar. Anthem begins with "Solitary Woman," for 12-string. It's based on modal intervals and harmonics. His sense of drama in the piece is remarkable; coming from a melodic framework and building an architecture of trills and single-string runs, he then evolves the piece into a chordal spiral, where semitones fall off in rows until only the melody remains -- skeletal, icy, crystalline. On the title track, he uses the classical guitar to create a riff-based structure, adding one element and then another, quoting from "Greensleeves" in one section until he has harmonically changed the entire structure of the tune's body, creating an almost Renaissance melody from its framework. Anthem reveals Towner in the role of being a composer for the guitar rather than of music. For example, City of Eyes, which was for an ensemble, relied both on composition and improvisation to offer a view of the album as something resembling a film score. Anthem has no such aspirations, but it's a far loftier album. These precise, moving, and technically virtuostic compositions have flair and depth to them; they accentuate the voices of these two guitars as solo instruments capable of carrying the most complex musical issues to the fore and resolving them. But above all, as the compositions "The Lutemaker," "Very Late," "The Prowler," "Gloria's Step," and "Three Comments" make plainly clear, Towner writes with great aesthetic beauty and settles for nothing less as a player. If there was ever any doubt of the latter being true, one need only hear the album's closing track, Charles Mingus' "Goodbye Pork Pie Hat." Towner proves a consummate jazzman; his sensitivity to a complex melodic and harmonic work is instinctual. In fact, his reading of this tune is the most significant version heard on the instrument thus far -- and there have been many. Indeed, Anthem is Towner's finest album in a decade and one of the finest in his distinguished career.

© Thom Jurek /TiVo

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