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Les Chauds Lapins|Amourettes

Amourettes

Les Chauds Lapins

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Langue disponible : anglais

There's something quite charming about this sophomore album from New York's Les Chaud Lapins (Hot Rabbits). Given the background of the two main members, Meg Reichardt and Kurt Hoffman (the Roulette Sisters, the Ordinaires, They Might Be Giants, etc.), it would be to easy to imagine that everything would be too clever by half. Instead, there's something very appealing about this collection of jazzy, often bizarre French chanson from the 1920s and ‘30s. The lyrics often veer into the decidedly surreal ("Le Fils de la Femme Poisson"), but that only adds to its appeal (the CD booklet includes translations). The strings and trumpet fill out the basic sounds of a pair of ukuleles. At times the whole thing sounds as if it's escaped from one of Raymond Scott's mad dreams, and at others it sounds like the entertainment at a Left Bank café. Even the Reichardt/Hoffman original, "Cette Nuit-Là," sounds right at home next to the vintage material. There's no concerted attempt to be faithful to the old period. Instead, the focus is on atmosphere and mood, and kudos to Frank London for some wonderful ‘30s jazz trumpet throughout. It's a unique vision, perhaps, but one guaranteed to bring a smile.
© Chris Nickson /TiVo

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Amourettes

Les Chauds Lapins

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1
Nouveau bonheur
00:03:25

Bataille-Henri, Composer - Les Chauds Lapins, MainArtist - Fain- Norman, Composer

2011 Barbès Records 2011 Barbès Records

2
Cette Nuit là
00:02:30

Hoffman, Composer - Reichardt, Composer - Les Chauds Lapins, MainArtist

2011 Barbès Records 2011 Barbès Records

3
Le fils de la femme poisson
00:04:11

Hess, Composer - Trenet, Composer - Siniavine, Composer - Les Chauds Lapins, MainArtist

2011 Barbès Records 2011 Barbès Records

4
Je t'aime
00:03:12

Grappelli, Composer - REINHARDT, Composer - Larue, Composer - Les Chauds Lapins, MainArtist

2011 Barbès Records 2011 Barbès Records

5
Presque oui
00:03:34

Mireille, Composer - Nohain, Composer - Les Chauds Lapins, MainArtist

2011 Barbès Records 2011 Barbès Records

6
Vous avez l'eclat de la rose
00:03:24

Alibert, Composer - Scotto, Composer - Sarvil, Composer - Les Chauds Lapins, MainArtist

2011 Barbès Records 2011 Barbès Records

7
Quand j'etais petit
00:03:17

Trenet, Composer - Les Chauds Lapins, MainArtist

2011 Barbès Records 2011 Barbès Records

8
C'est arrivé
00:03:24

Mireille, Composer - Nohain, Composer - Les Chauds Lapins, MainArtist

2011 Barbès Records 2011 Barbès Records

9
Voulez vous danser, madame
00:02:54

Tranchant, Composer - Les Chauds Lapins, MainArtist

2011 Barbès Records 2011 Barbès Records

10
Si je m'etais couché
00:03:45

Mireille, Composer - Nohain, Composer - Les Chauds Lapins, MainArtist

2011 Barbès Records 2011 Barbès Records

11
Ce petit chemin
00:02:42

Mireille, Composer - Nohain, Composer - Les Chauds Lapins, MainArtist

2011 Barbès Records 2011 Barbès Records

12
Moi, je crache dans l'eau
00:04:11

Tranchant, Composer - Les Chauds Lapins, MainArtist

2011 Barbès Records 2011 Barbès Records

13
Pluie
00:03:39

Zimmer, Composer - Lenoir, Composer - Les Chauds Lapins, MainArtist

2011 Barbès Records 2011 Barbès Records

Chronique

There's something quite charming about this sophomore album from New York's Les Chaud Lapins (Hot Rabbits). Given the background of the two main members, Meg Reichardt and Kurt Hoffman (the Roulette Sisters, the Ordinaires, They Might Be Giants, etc.), it would be to easy to imagine that everything would be too clever by half. Instead, there's something very appealing about this collection of jazzy, often bizarre French chanson from the 1920s and ‘30s. The lyrics often veer into the decidedly surreal ("Le Fils de la Femme Poisson"), but that only adds to its appeal (the CD booklet includes translations). The strings and trumpet fill out the basic sounds of a pair of ukuleles. At times the whole thing sounds as if it's escaped from one of Raymond Scott's mad dreams, and at others it sounds like the entertainment at a Left Bank café. Even the Reichardt/Hoffman original, "Cette Nuit-Là," sounds right at home next to the vintage material. There's no concerted attempt to be faithful to the old period. Instead, the focus is on atmosphere and mood, and kudos to Frank London for some wonderful ‘30s jazz trumpet throughout. It's a unique vision, perhaps, but one guaranteed to bring a smile.
© Chris Nickson /TiVo

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