Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Jazz has taken some unexpected directions in Europe. Garcia-Fons is a double-bass player, and he leads a French quartet that consists of himself, another double-bass player, an accordionist and a drummer. In this arrangement, Garcia-Fons exploits the huge range of the bass to play melody, while the other bassist large plays the traditional low part.
The well-known artist closest to Garcia-Fons' sound would have to be Astor Piazzolla, and indeed Alboreá does contain one tango, anagrammatically entitled "Natgo." Garcia-Fons also makes use of other world music sources, such as the Moorish sound of "Secret Zambra." And many of the tracks, not surprisingly, seem to owe something to French musette. Although Garcia-Fons might like to say his biggest musical influence was Charlie Mingus, it sometimes sounds as if his real mentor was André Previn, not just as jazz musician but as film score composer. Some of the tracks on Alboreá, like the title track, are very "big" and dramatic. However, the real show is, of course, the bass playing. Just to give one example, on "Amadu" you will think they snuck in an electric guitar, distortion and all, without crediting the musician -- until you realize that it's Garcia-Fons plucking and bowing away on his bass. Both those coming to this disc out of the jazz world and those interested in international music will find something to latch onto in this substantial and passionate album.
© Kurt Keefner /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
Renaud Garcia-Fons, Composer, Artist, MainArtist - Edition Mawi, MusicPublisher
1996 Renaud Garcia-Fons 1996 Renaud Garcia-Fons
Copyright Control, MusicPublisher - Renaud Garcia-Fons, Composer, Artist, MainArtist
1996 Renaud Garcia-Fons 1996 Renaud Garcia-Fons
Copyright Control, MusicPublisher - Renaud Garcia-Fons, Composer, Artist, MainArtist
1996 Renaud Garcia-Fons 1996 Renaud Garcia-Fons
Copyright Control, MusicPublisher - Renaud Garcia-Fons, Composer, Artist, MainArtist
1996 Renaud Garcia-Fons 1996 Renaud Garcia-Fons
Copyright Control, MusicPublisher - Renaud Garcia-Fons, Composer, Artist, MainArtist
1996 Renaud Garcia-Fons 1996 Renaud Garcia-Fons
Copyright Control, MusicPublisher - Renaud Garcia-Fons, Composer, Artist, MainArtist
1996 Renaud Garcia-Fons 1996 Renaud Garcia-Fons
Copyright Control, MusicPublisher - Renaud Garcia-Fons, Composer, Artist, MainArtist
1996 Renaud Garcia-Fons 1996 Renaud Garcia-Fons
Copyright Control, MusicPublisher - Renaud Garcia-Fons, Composer, Artist, MainArtist
1996 Renaud Garcia-Fons 1996 Renaud Garcia-Fons
Copyright Control, MusicPublisher - Renaud Garcia-Fons, Composer, Artist, MainArtist
1996 Renaud Garcia-Fons 1996 Renaud Garcia-Fons
Copyright Control, MusicPublisher - Renaud Garcia-Fons, Composer, Artist, MainArtist
1996 Renaud Garcia-Fons 1996 Renaud Garcia-Fons
Copyright Control, MusicPublisher - Renaud Garcia-Fons, Composer, Artist, MainArtist
1996 Renaud Garcia-Fons 1996 Renaud Garcia-Fons
Chronique
Jazz has taken some unexpected directions in Europe. Garcia-Fons is a double-bass player, and he leads a French quartet that consists of himself, another double-bass player, an accordionist and a drummer. In this arrangement, Garcia-Fons exploits the huge range of the bass to play melody, while the other bassist large plays the traditional low part.
The well-known artist closest to Garcia-Fons' sound would have to be Astor Piazzolla, and indeed Alboreá does contain one tango, anagrammatically entitled "Natgo." Garcia-Fons also makes use of other world music sources, such as the Moorish sound of "Secret Zambra." And many of the tracks, not surprisingly, seem to owe something to French musette. Although Garcia-Fons might like to say his biggest musical influence was Charlie Mingus, it sometimes sounds as if his real mentor was André Previn, not just as jazz musician but as film score composer. Some of the tracks on Alboreá, like the title track, are very "big" and dramatic. However, the real show is, of course, the bass playing. Just to give one example, on "Amadu" you will think they snuck in an electric guitar, distortion and all, without crediting the musician -- until you realize that it's Garcia-Fons plucking and bowing away on his bass. Both those coming to this disc out of the jazz world and those interested in international music will find something to latch onto in this substantial and passionate album.
© Kurt Keefner /TiVo
À propos
- 1 disque(s) - 11 piste(s)
- Durée totale : 00:52:53
- Artistes principaux : Renaud Garcia-Fons
- Compositeur : Renaud Garcia-Fons
- Label : Galileo Music Communication
- Genre : Jazz
1996 Renaud Garcia-Fons 1996 Renaud Garcia-Fons
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.