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Cannonball Adderley Quintet|Accent On Africa

Accent On Africa

Cannonball Adderley Quintet

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Though labeled as a Cannonball Adderley Quintet session, this is actually a workout with a percussion section loaded with African drums, a big band, and in spots, voices -- all unidentified. Nevertheless, this is one of the best and most overlooked of the Cannonball Adderley Capitols, a rumbling session that bursts with the joy of working in an unfamiliar yet vital rhythmic context. Cannonball turns in one of his swinging-est solos through a Varitone electronic attachment on Caiphus Semenya's "Gumba Gumba" and "Marabi" is a real hip-jiggler; you can't sit still through it. Other highlights include Cannon preaching blue smoke in his own Afro-Cuban-blues-flavored "Hamba Nami," a dignified trip through Wes Montgomery's "Up and At It," and Nat Adderley's commanding work on cornet at all times.

© Richard S. Ginell /TiVo

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Accent On Africa

Cannonball Adderley Quintet

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1
Ndo Lima
00:03:48

David Axelrod, Producer - Josef Zawinul, Composer - Cannonball Adderley Quintet, MainArtist

℗ 1968 Blue Note Records

2
Hamba Nami
00:03:31

David Axelrod, Producer - Cannonball Adderley, Composer - Cannonball Adderley Quintet, MainArtist

℗ 1968 Blue Note Records

3
Khutsana
00:03:53

David Axelrod, Producer - Caiphus Semenya, Composer - Cannonball Adderley Quintet, MainArtist

℗ 1968 Blue Note Records

4
Up And At It
00:03:36

David Axelrod, Producer - Wes Montgomery, Composer - Cannonball Adderley Quintet, MainArtist

℗ 1968 Blue Note Records

5
Gumba Gumba
00:05:26

David Axelrod, Producer - Caiphus Semenya, Composer - Cannonball Adderley Quintet, MainArtist

℗ 1968 Blue Note Records

6
Marabi
00:02:45

David Axelrod, Producer - Cannonball Adderley, Composer - Cannonball Adderley Quintet, MainArtist

℗ 1968 Blue Note Records

7
Gun-Jah
00:04:17

David Axelrod, Composer, Producer - Cannonball Adderley Quintet, MainArtist

℗ 1968 Blue Note Records

8
Lehadima
00:03:37

H.B. BARNUM, Composer - Rich, Composer - David Axelrod, Producer - Cannonball Adderley Quintet, MainArtist - Rick Holmes, Composer

℗ 1968 Blue Note Records

Chronique

Though labeled as a Cannonball Adderley Quintet session, this is actually a workout with a percussion section loaded with African drums, a big band, and in spots, voices -- all unidentified. Nevertheless, this is one of the best and most overlooked of the Cannonball Adderley Capitols, a rumbling session that bursts with the joy of working in an unfamiliar yet vital rhythmic context. Cannonball turns in one of his swinging-est solos through a Varitone electronic attachment on Caiphus Semenya's "Gumba Gumba" and "Marabi" is a real hip-jiggler; you can't sit still through it. Other highlights include Cannon preaching blue smoke in his own Afro-Cuban-blues-flavored "Hamba Nami," a dignified trip through Wes Montgomery's "Up and At It," and Nat Adderley's commanding work on cornet at all times.

© Richard S. Ginell /TiVo

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